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The Euicho.com TiddlyWiki

All your tiddler are belong to us!

StartHere IntroToTiddlyWiki FormattingHelp [[Notes]] [[Reference]] PhotographyStuff [[4ChanGlossary]] [[TMWS]] NewsTiddler PseudoChat TaggingWall

Welcome to the Euicho.com TiddlyWiki! What is a TiddlyWiki? Oh you poor soul, where have you been? Kidding. Just read the IntroToTiddlyWiki to get the skinny. (^_^). So why *is* there an Euicho.com TiddlyWiki? Because everybody needs a TiddlyWiki! This [[wiki]] houses all sorts of tidbits of information, source code, hacks, photography tips, and deffinitions of random terms. Its the go-to place for anything that doesn't warrant it's own post on the blog, as well as anything any of you have to say or want to elaborate on. Use it however it best suites you, the readers, but you must remember to *always* have fun. Now go off, and start CreatingTiddlers, see the HelpTopics, explore the tiddlers linked to in the lefthand menu or //All// tab to the right. You can also test your formatting in the SandBox, or hit up the TaggingWall.

StartHere ScratchPad NewsTiddler

A TiddlyWiki is like a blog because it's divided up into neat little chunks, but it encourages you to read it by hyperlinking rather than sequentially: if you like, a non-linear blog analogue that binds the individual MicroContent items into a cohesive whole. I think that TiddlyWiki represents a novel medium for writing, and will promote its own distinctive WritingStyle. This TiddlyWiki is actually an enhancement of the original TiddlyWiki, called PhpTiddlyWiki. It extends the functionality to save [[tiddlers]] on this server so anyone can edit it, like a regular wiki.

This is a tiddler! This little box you're reading. Isn't it cute? Make your own by creating a camelCase word in another tiddler, or by clicking the "new tiddler" link to the right, and changing its name to a camelCase word.

CamelCase means putting two or more words together that have Capitalized first letters. Ex: Camel + Case = CamelCase. Its the format used for wikiwords. See WikiWord for its usage.

PhpTiddlyWiki is basically a TiddlyWiki with the ability to save your changes to your webserver. That's it! It uses [[PHP]] and MySQL to do it.

A database format used frequently in website design.

http://www.w3schools.com/php/php_intro.asp http://us2.php.net/tut.php http://www.freewebmasterhelp.com/tutorials/php *A PHP scripting block always starts with {{{<?php}}} and ends with {{{?>}}} *To print text: {{{<?php echo "Hello World"; ?>}}} *Uses java commenting *All variables in PHP start with a {{{$}}} sign symbol. Variables may contain strings, numbers, or arrays. **{{{<?php $txt="Hello World"; echo $txt; ?>}}} *To concatenate two or more variables together, use the dot {{{.}}} operator: **{{{<?php $txt1="Hello World"; $txt2="1234"; echo $txt1 . " " . $txt2 ; ?>}}} *Operators {{{++,--,==,!=,&&,||,!}}} *If...Else statements: {{{<?php}}} {{{$d=date("D");}}} {{{if ($d=="Fri")}}} {{{ echo "Have a nice weekend!"; }}} {{{else}}} {{{ echo "Have a nice day!"; }}} {{{?>}}} http://www.w3schools.com/php/php_arrays.asp

Method 1. Turn off the undecorated models check for ~AMD64. To turn off the undecorated models check for ~AMD64-based systems only, create the following non-zero numeric registry value:javascript:; done ~HKLMSoftwareMicrosoftWindowsCurrentVersionSetup: ~REG_DWORD: ~DisableDecoratedModelsRequirement This will turn off the check for decorated x64 ~INFs file so no need to keep editing these files ok now im going to walk you though the process just incase you cant understand Microsoft's techno talk 1 click start 2 open run 3 type @@color(maroon):regedit @@ 4 open @@color(maroon):Hkey local machines @@ 5 open @@color(maroon):Software @@ 6 open @@color(maroon):Microsoft @@ 7 open @@color(maroon):Windows @@ 8 open @@color(maroon):~CurrentVersion@@ 9 open @@color(maroon):Setup @@ 10 right click (you should have NEW) select DWORD value 11 name this new one @@color(maroon):~DisableDecoratedModelsRequirement@@ 12 right click on this and select Modify 13 give it a Data value of @@color(maroon):1 @@ 14 close regedit wow all done no more not installing driver problems hope this can help if the modified inf above does not work but remember this is a workaround and not as good as fixing the INF in the first place It can removed simply by deleteing this key from the reg Regards ~BlueDragon

BlockQuotes BulletPoints CodeExample EmbeddedImages ExternalLink [[Headings]] NumberedBulletPoints SparkLines TextFormatting WikiWord

To make quoted bits of text stand out, you can use BlockQuotes within your [[tiddler]]s, like this: Jeremy Ruston said: <<< A TiddlyWiki is like a blog because it's divided up into neat little chunks, but it encourages you to read it by hyperlinking rather than sequentially: if you like, a non-linear blog analogue that binds the individual microcontent items into a cohesive whole. <<< Like BulletPoints and NumberedBulletPoints, you can have three different levels of BlockQuotes. Just edit this tiddler to see how it's done. >level 1 >level 1 >>level 2 >>level 2 >>>level 3 >>>level 3 >>level 2 >level 1

Create Bullet Points by preceding the line with a {{{*}}}

use 3 '{'s before the code, and 3 '}'s after it, to keep it from being parsed by the TiddlyWiki. example: {{{ Code goes here. }}} Or put 3 '{'s on one line, then the code below it, then 3 '}'s on the following line, to make a code block. example: {{{ Code goes here. }}}

Science fiction is a broad genre of fiction that often takes place in the future and usually involves speculations based on current science. It is commonly abbreviated as SF or sci-fi. Science fiction is found in books, art, television, movies, games, theater, and other media.

!"Ah, I see! So what use is it?" TiddlyWiki has almost limitless possibilities: *It works great as a documentation manager for products, software, etc. *Do you have a desktop full of tiny .txt file reminders and notes? It can store little bits of information, reminders, and notes like that with ease. *It makes a great FAQ page. *Turn it into a todo list, with items as tiddlers. *Some use it as a blog. *Some use it as a website. *Make it your own personal dictionary/encyclopedia. Wanna see some TiddlyWikiExamples or TipsAndResources? Or, if you require more than TiddlyWiki can do, try one of the multitude of adaptations: *Jacques Turb�'s [[TidliPo|http://avm.free.fr/tidlipo.html]], in French *Joe Raii's [[Siglet|http://www.cs.utexas.edu/~joeraii/siglet/]] *J�roli J�zsef's [[MagyarTiddlyWiki|http://innen.hu/MagyarTiddlyWiki]] in Hungarian *Yoshimov's [[EncryptedTiddlyWiki|http://wiki.yoshimov.com/?page=EncryptedTiddlyWiki]] *Tiago Dionizio's [[TsWiki|http://mega.ist.utl.pt/~tngd/wiki/]] using Tcl and SQLite *Tim Morgan's [[ZiddlyWiki|http://timmorgan.org/ZiddlyWiki/]] based on Zope *Steve Rumsby's [[YetAnotherTiddlyWikiAdaptation|http://www.rumsby.org/wiki/yatwa.html]] *Phono Hawk's [[PerlTiddlyWiki|http://ccm.sherry.jp/tiddly/]] *Nathan Bower's [[GTDTiddlyWiki|http://shared.snapgrid.com/gtd_tiddlywiki.html]] *Simon Baird's [[homepage|http://homes.jcu.edu.au/~ccscb/]] with various enhancements including a SortableGrid *Geet Duggal's [[PileTiddly|http://www.geetduggal.com/PileTiddly/]] *Dan Phiffer's [[TiddlyWikiRemote|http://phiffer.org/tiddly/]] *Jonny LeRoy's [[TiddlyTagWiki|http://www.digitaldimsum.co.uk/]] *Jody Foo's [[TagglyWiki|http://informationality.com/tagglywiki/tagglywiki.html]] *[[Christian Hauck's|http://www.christianhauck.net/html/14300.html]] *Tony Lownds's [[TiddlyHacks|http://tony.lownds.com/tiddly/dev/cgi/index.cgi]] *Tim Cuthbertson and MattGiuca's [[TiddlyWikiCSS|http://codestar.lidonet.net/misc/tiddlywikicss.html]] *Patrick Curry and GabrielJeffrey's [[PhpTiddlyWiki|http://www.patrickcurry.com/tiddly/]] *There's also Kevem Buangga's [[TiddlyWikiClone|http://www.kevembuangga.com/hwk/hailiwiki.htm]] //see also: IntroToTiddlyWiki, StillConfused, WhatUseIsIt, TiddlyWikiExamples, and TipsAndResources //

.title { color: #0a5d72; /*background-color: #eeffe6;*/ } .titleLine a { color: #cc0; } h1,h2 { color: #06304B; padding-left: 1px; background: #5eb23a; } h3,h4,h5 { color: #06304B; padding-left: 0; background: #f9f9f9; } .viewer { background-color: #f9f9f9; padding: 4px; } .tiddler { border: 1px solid #aaaaaa; margin-bottom: 10px; margin-top: 20px; margin-left: 10px; margin-right: 10px; font-face: helvetica; } a { color: #0000CC; /* #076B95; */ }

Doody just might put his random thoughts and such here. Thanks for giving us the permission Euicho! [[Ann Lee - Two Times|http://yakz1337.free.fr/Mp3/News%20!/Ann%20Lee%20-%20Two%20times.mp3]] [[RCA Little Digicorder|http://reviews.cnet.com/digital-camcorders/rca-ez201-small-wonder/4505-6500_7-32445372.html?tag=prod.txt.4]] ---- http://www.flickr.com/photos/euicho/1717687433/ http://www.flickr.com/photos/euicho/1718538086/

<<version>>

(o_O) (�.�) \(^o^)/ ('-' ) (0_0#) \(^0^)/ WAHOO!!! (^.^) yay (^_^) happy (-_^) wink (*^_^*) blushing ('O') woh! ('.') Ooh ('~') hrmm... ('_') hmmm (._.) oh...(let down) (-_-) *sigh* (>_<) angry o(>< )o o( ><)o NONONO! (-_-)Zzz sleeping

Zines: blacklisted 411 binary revolution make 2600 Radical Ruture (Port7alliance.com) Infiltration adbusters.org

Hellboy Series: Hellboy: Seed of Destruction Hellboy: Wake the Devil Hellboy: The Chained Coffin and Others Hellboy: The Right Hand of Doom Hellboy: Conqueror Worm Hellboy: Strange Places B.P.R.D.: Hollow Earth and Other Stories B.P.R.D.: The Soul of Venice and Other Stories B.P.R.D.: Plague of Frogs B.P.R.D.: The Dead B.P.R.D.: The Black Flame Uncollected: Hellboy: Weird Tales Vol. 1 (cover by Mike Mignola) Hellboy: Weird Tales Vol. 2 (cover by Mike Mignola) Ghost/Hellboy Special (story, cover and layout by Mike Mignola) Hellboy: Makoma, or, A Tale Told by a Mummy in the New York City Explorers' Club on August 16, 1993 #1-2 Hellboy: Darkness Calls #1-6 (story & cover by Mike Mignola, art by Duncan Fegredo)

<<option chkGenerateAnRssFeed>> GenerateAnRssFeed <<option chkOpenInNewWindow>> OpenLinksInNewWindow <<option chkSaveEmptyTemplate>> SaveEmptyTemplate <<option chkToggleLinks>> Clicking on links to tiddlers that are already open causes them to close ^^(override with Control or other modifier key)^^ <<option chkHttpReadOnly>> HideEditingFeatures when viewed over HTTP <<option chkForceMinorUpdate>> Treat edits as MinorChanges by preserving date and time ^^(override with Shift key when clicking 'done' or by pressing Ctrl-Shift-Enter^^ <<option chkConfirmDelete>> ConfirmBeforeDeleting Maximum number of lines in a tiddler edit box: <<option txtMaxEditRows>> Folder name for backup files: <<option txtBackupFolder>> <<option chkInsertTabs>> Use tab key to insert tab characters instead of jumping to next field

These InterfaceOptions for customising TiddlyWiki are saved in your browser Your username for signing your edits. Write it as a WikiWord (eg JoeBloggs) <<option txtUserName>> <<option chkSaveBackups>> SaveBackups <<option chkRegExpSearch>> RegExpSearch <<option chkCaseSensitiveSearch>> CaseSensitiveSearch <<option chkAnimate>> EnableAnimations ---- AdvancedOptions PluginManager ImportTiddlers

{{{ <<option chkAutoSave>> AutoSave }}} goes in OptionsPanel

A wonderful series of novels by J.K. Rowling Read ALL about the Harry Potter Universe at [[The HP Lexicon|http://www.hp-lexicon.org]]

If you don't know where to begin, try looking in CreatingTiddlers. For help with editing a Tiddler, see the FormattingHelp. For other questions, ask it in the PseudoChat and we'll respond within a day. (^_^)

Made of beef short ribs, cut into thins strips and marinated with soy sauce, garlic, sesame oil, green onions and sugar, kalbi is grilled over a medium-hot flame and best served the way Korean restaurants do: cut into pieces right over the grill, usually with hefty kitchen shears, and then wrapped inside a fresh leaf of lettuce with a finger of steaming white rice, a dollop of spicy red bean paste (gochichang), a few slivers of raw or grilled garlic, and shredded strips of fresh green onion. !!Ingredients *1 1/2 cups lite soy sauce *1/4 cup white sugar *1/4 cup sesame oil *3 tablespoons vegetable oil *8-10 cloves of fresh garlic, crushed *6 large green onions, chopped roughly *4 pounds Korean-style short ribs * *Toasted sesame seeds !!Directions Combine the soy sauce, sugar, sesame oil and corn oil in a large mixing bowl. Add garlic and green onion and stir together. Put short ribs into large sealable freezer bag (you may need two). Pour marinade into bag and turn bag over several times to ensure all meat pieces are covered. Refrigerate for at least four hours, but preferably overnight. Turn bag at least once in the middle of the marinating process. Heat grill to medium-high heat before adding the meat. Drain excess marinade off short ribs and grill them until medium, about 6-8 minutes. Sprinkle with toasted sesame seeds and chopped green onions. Serves 6. !!Tips Korean-style short ribs can be found at most Asian markets. The cut is called "flanken," a strange word that refers to a strip of beef cut across the bone from the chuck end of the short ribs. Most short rib recipes call for individual bones cut into thick pieces. Kalbi is unusual in that it calls for 3 ribs, cut lengthwise across the bones, so that you end up with a strip of meat about 8-10 inches long that has 3, 1/2-inch rib bones lining the top. The grilling technique for kalbi is the exact opposite of grilling a big American steak. Because of its thinner cut, the meat cooks faster and requires constant attention and turning over, which is why it is so much fun to cook it at the table with a group of friends. Like most Korean meals, kalbi should be served with panchan, an assortment of side dishes that might include marinated spinach, cooked bean sprouts, salt-cured fish and of course, kimchi. -From http://www.blacktable.com/bernbaum041215.htm-

The only two video players I've ever needed are: #[[Media Player Classic|http://sourceforge.net/project/showfiles.php?group_id=82303]] (simple and very functional) and #[[VLC Player|http://www.videolan.org/vlc/]] (comes pre-loaded withcore codecs)

http://users.on.net/~codebasher/ or 1. Start simple (non co-op, non dedicated) server 2. The clients should see the server info in Multiplayer->LAN, but they should NOT join NOR push refresh!!! 3. Stop the server and start a single player game 4. The clients can NOW join by double clicking the server (what is practically not the 'real' server anymore, but the ip is the same) 5. The server must join in to the game to have working spawn points. Eg. create an off-line user named 'server' for the server, join in, but do not spawn. It takes one player slot away from his team, but at least it works. When the first EA patch will be published, hopefully the "+joinserver [IP]" parameter will work with the shortcut, so the above 'hack' will not be needed anymore.

Enter text here!

!Unwatched Paycheck (2003) ----> Paycheck Imposter (2002) ----> Imposter Screamers (1995) ----> Second Varity Barjo (1992) ----> Confessions of a crap artist

Tell No One (2008) Gone Baby Gone (2007) The Insider (1999) The Conversation (1974) L.A. Confidential (1997) North by Northwest (1959) Chinatown (1974) They Live (1988) JFK (1991) The Last Shot , 2004 Defendor , 2009 Money for Nothing , 1993 The Big Empty , 2003 The Firm , 1993 Capricorn One (1977) The Conversation (1974) The Parallax View (1974) The Insider (1999) The Arrival (1996) Apocalypse Now Redux (1979) Spartan (2004) bulworth W frost/nixon(2008) Charlie Wilson's War (2007) Absolute Power (1997)

!!SMTP Server commands (port 25): * HELO - introduce yourself * EHLO - introduce yourself and request extended mode * MAIL FROM: - specify the sender * RCPT TO: - specify the recipient * DATA - specify the body of the message (To, From and Subject should be the first three lines.) * RSET - reset * QUIT - quit the session * HELP - get help on commands * VRFY - verify an address * EXPN - expand an address * VERB - verbose !!POP3 Server commands (port 110) * USER - enter your user ID * PASS - enter your password * QUIT - quit the POP3 server * LIST - list the messages and their size * RETR - retrieve a message, pass it a message number * DELE - delete a message, pass it a message number * TOP - show the top x lines of a message, pass it a message number and the number of lines

@@color(darkviolet)://verb//@@ Fapping is a euphemism for masturbating !!Usage "Damn! I'd fap to it."

!!Tips & Misc http://www.primotechnology.com/2007/10/17/half-life-2-portal/ - Use the portal gun in HL2! CrackedPortalHelp http://www.portal-mods.com/ - mods, maps (listed below as well), movies, etc. !!Maps http://bethblog.com/?p=336 http://www.portalmaps.net/browse.php - Maps and setup instructions for creating your own http://www.fpsbanana.com/maps/games/296 http://steammaps.com/portal/ http://myaperturelabs.com/viewfiles.php http://www.portal-mods.com/forum/viewforum.php?f=2 - Maps, etc. !!Mapping Guides/Help http://www.portal-mods.com/forum/viewtopic.php?t=3 - mapping help http://www.halfwit-2.com/?page=tutorials&category=1 - Very good HL2 mapping tutorials using Hammer !!Wallpapers http://img354.imageshack.us/img354/6446/turretlightpurpletl5.jpg http://img151.imageshack.us/img151/3726/gladoslightpurpleuz1.jpg

Codec stands for enCOer DECoder. They are used to encode or decode audio/video on a computer. Many video "Codec Packs" are available on the internet, however they will generally cause you more trouble than they're worth. In fact, the only video codecs you __really__ need are: #[[FFDshow|http://urltea.com/3kw]] (does Divx, Xvid, and others) #probably [[AC-3|http://www.afterdawn.com/software/video_software/codecs_and_filters/ac3filter.cfm]] for audio # and perhaps [[Real Alternative|http://www.afterdawn.com/software/video_software/codecs_and_filters/real_alternative.cfm]] if you're into that sorta thing. And if you come across a video file you can't play, ''then'' install the [[corresponding codec|http://www.afterdawn.com/software/]]. see also VideoPlayers

!!!This is the Tagging Wall. @@bgcolor(green):S@@@@bgcolor(yellow):h@@@@bgcolor(green):o@@@@bgcolor(yellow):w@@ @@color(yellow):me@@ @@bgcolor(purple):yo'@@ ''cra@@color(purple):zy@@'' TextFormatting __skillz__ @@color(red):,@@ ^^Or just say hello!^^ ''@@bgcolor(orange): Euicho@@'' was here! //And he'll be back!//@@color(orange):w@@o@@color(orange):o@@o@@color(orange):o@@o@@color(orange):o@@o@@color(orange):o@@o! ~~//B// @@color(purple):was@@ ^^here^^ too!~~ __Doody__ --was also in through this general region-- Dad was here with no formatting skills.. (^-^) B'~YAWWWWWWWWWWWWWwwww Jesse says TOGTFO fdghdfgh 8####D

A wiki is a website that allows visitors to add, remove, edit and change content, typically without the need for registration. It also allows for linking among any number of pages. This ease of interaction and operation makes a wiki an effective tool for mass collaborative authoring. The term wiki also can refer to the collaborative software itself (wiki engine) that facilitates the operation of such a site, or to certain specific wiki sites, including the computer science site (the original wiki) WikiWikiWeb and online encyclopedias such as Wikipedia. -From [[wikipedia|wikipedia.org]]: [[wiki|en.wikipedia.org/wiki/wiki]]-

Creating a [[Tiddler]] is easy! You can create tiddlers about anything you want, Take this tiddler for example, all the bold links are other tiddlers, and the non-bold ones are links to tiddlers yet to be written. To create a tiddler, just write a WikiWord in any tiddler and hit done, then click the WikiWord you just typed to take you to that empty tiddler. If theres no tiddler that you think yours should belong to, just hit the NewTiddler link on the right side of the page below the SearchBox. That'll create an orphaned tiddler to fill out. For help with formatting see FormattingHelp. If you don't know what to write about, just go about your business until you run across something that makes you think "Hey, that'd be useful in the wiki!" Or you can click on the MoreTab (in the right-hand column), then the MissingTab. All those are EmptyTiddlers with links to them that don't exist.

This is a tiddler. What you're reading right now. A Tiddler is It's a little chunk of information, usually text, but it can also contain EmbeddedImages, Tables, and even SparkLines. Its meant to be Short and sweet, and contain links to other tiddlers in the form of a WikiWord. See CreatingTiddlers for more information

�What the heck is a TiddlyWiki,� you ask? Well duh! Its a reusable NonLinear personal WebNotebook. !�What does that mean?� TiddlyWiki is a single, SelfContained [[html]] file, like a WebPage. It is like a [[blog]], but each entry is like a little index card, called a tiddler. You're reading a TiddlyWiki right now in fact! Each entry in the center of the screen is a tiddler. Go play around with it, close and open some tiddlers. You won't break anything by opening and closing them, or moving them around by dragging the titles. A TiddlyWiki is like a blog because it�s divided up into neat little chunks, but it encourages you to read it by HyperLinking rather than sequentially. So instead of reading one long page in a notebook to find something, you have a pile of index cards (tiddlers) that are searchable, tagged, and link to each other. Picture yourself selecting only the index cards you want to read, and laying them down in a column on the desk in front of you. That is what TiddlyWiki does with tiddlers on your browser. It�s like a Wiki because anybody can edit it, but it deals with little pieces instead of big articles. Part 2: StillConfused? <-Please read on!

!�I�m still not quite following you.� I know, its a difficult concept to grasp, but stick with me here! Once you get your brain around the concept, it�s so easy to use, and so [[versitile|WhatUseIsIt]]! TiddlyWiki isn�t just a blog with short entries, because YOU customize it as you use it, and its just for you, unless you want to [[publish it|PublishingTiddlyWiki]]. As for what it is actually comprised of, its just one html file. So go to [[this tiddler|http://www.tiddlywiki.com/#DownloadSoftware]] and follow the simple one click instruction to save your own blank TiddlyWiki on your computer. Then you can save your changes. Some people use TiddlyWiki as a webpage. They can easily edit it on their computer, and upload it to the web where it can be viewed in it�s own wonderful fashion, but not edited by readers. It�s written in HTML, CSS and JavaScript to run on any modern browser without needing any ServerSide logic. It allows anyone to create personal SelfContained hypertext documents that can be posted to any web server, sent by email or kept on a USB thumb drive to make a WikiOnAStick. Want me to //(Part 3:)// ElaborateOnIt? Or would you rather see its //(Part 4:)// [[uses|WhatUseIsIt]], see some //(Part 5:)// TiddlyWikiExamples, or find some neat //(Part 6:)// TipsAndResources?

!�So it�s a personal wiki then?� Almost. Though TiddlyWiki tends to follow Wiki concepts, it diverges in two key areas: Presentation is the first. Most Wikis are page-oriented: They present content and WikiWord links, but when you click on a link, the Wiki opens a new page of content. You view content a page at a time. To go back to the calling page, you click the Back button on your browser. This is very useful for LongArticles. The Wikipedia is an excellent example of this concept. TiddlyWiki, however, is more element-oriented. TiddlyWiki presents content and WikiWord links, but when you click a link, the content pops open in its own space on the same page. The huge advantage of this is that you are seeing the linked content in context along with the content of the calling link. It really makes working with the content more intuitive because you see not only the related information, but you see it with what it�s related to. This is especially useful when using TiddlyWiki for Notes and Documentation. The caveat to this is that it doesn�t work that well for long articles. TiddlyWiki is more suited to MicroContent or short, related chunks of information, which is its second difference from a traditional Wiki. Now how about some [[uses|WhatUseIsIt]], TiddlyWikiExamples, or TipsAndResources?

Long Articles are a No No. We don't need no stankin' long articles, we've got [[Tiddlers|Tiddler]] and HyperLinking!

!Help, Tips, and Resources If you still can't get your head around TiddlyWiki, just [[download the html file|http://tiddlywiki.com/#DownloadSoftware]] and play with it! You'll see its easy as pie. I suggest you check the TiddlyWiki website first, as Jeremy has really streamlined the [[TiddlyWiki homepage|http://tiddlywiki.com]]. There are many resources for Tiddlywiki, a lot more than when we first wrote about it anyway! A great beginner's guide is at [[TiddlyWiki for the Rest of Us|http://www.giffmex.org/twfortherestofus.html]]. For a good user guide, check out the [[TiddlyWiki Guides|http://tiddlywikiguides.org/index.php?title=TiddlyWiki_Guides]] wiki, or [[TW Help|http://tiddlyspot.com/twhelp/]] If you have a specific question, check the [[TiddlyWikiFAQ|http://twfaq.tiddlyspot.com/]] by the Bairds, or drop me a comment! And if you're looking for formatting help (EmbeddedImages, TextFormatting, etc.) then check out the [[TiddlyWiki Cheat Sheat|http://nothickmanuals.info/doku.php/cheatsheets]] provided by Dmitri Popov, or [[the formatting guide at TwHelp|http://tiddlyspot.com/twhelp/#FormattingTiddlers]]. For fun tips, check out Jim Barr's [[TiddlyWikiTips.com|http://tiddlywikitips.com/]] site. And lastly for plugins, extensions, macros, and styles, see Jeremy's [[list of content publishers|http://tiddlywiki.com/#AbegoSoftware%20BidiXTW%20Gimcrack'd%20JacksTiddlyWiki%20LewcidTW%20MonkeyPirateTW%20PeachTW%20RedMountainVista%20TiddlyStyles%20TiddlyTools]]. //see also: IntroToTiddlyWiki, StillConfused, WhatUseIsIt, TiddlyWikiExamples //

!�Can I see some examples?� Sure! Many people are using TiddlyWiki for many different reasons: * Christopher James has compiled a comprehensive guide to TabletPCs at http://www.tabletpcwiki.net/ * Miguel Centellas has created an extensive guide to Bolivian politics at http://www.centellas.org/politics/politiddly.html * Bruno Tiago Rodrigues has created a geocaching community site in Portuguese at http://travelbugrace.geocaching-pt.net/ * Charles Stross, a celebrated British ScienceFiction writer, has used TiddlyWiki for his �Tough Guide to the Rapture of the Nerds� at http://www.antipope.org/charlie/toughguide.html * Kristoffer Nilaus Olsen, a member of the Danish Student Group of Amnesty International, has used TiddlyWiki to collate reports of breaches of human rights. His site is at http://www.resultat.dk/sg/tw/students.html * Elise Springer, a philospher at Wesleyan University in Connecticut, USA, is using TiddlyWiki for her homepage at http://espringer.web.wesleyan.edu/ * Martin Silcock, an brand researcher working with Millward Brown, is using TiddlyWiki for his homepage at http://www.explorate.co.uk/ * Many people are using the [[GTDTiddlyWiki|http://shared.snapgrid.com/index.html]] variant for personal productivity, and there�s been some interesting experiments in [[TiddlyWikiFiction|http://tiddlywiki.com/#TiddlyWikiFiction]] //see also: IntroToTiddlyWiki, StillConfused, WhatUseIsIt, TipsAndResources //

Sparklines [[were invented by Edward Tufte|http://www.edwardtufte.com/bboard/q-and-a-fetch-msg?msg_id=0001OR&topic_id=1]] , author of a number of thoughtful and inspiring books on the presentation of visual information. Sparklines are described by Tufte as "small, intense, wordlike graphics". They are designed to be used inline with ordinary text. For example, this <<sparkline 163 218 231 236 232 266 176 249 289 1041 1835 2285 3098 2101 1755 3283 3353 3335 2898 2224 1404 1354 1825 1839 2142 1942 1784 1145 979 1328 1611>> shows one measure of activity on www.tiddlywiki.com during the month of April 2005. Creating a sparkline is easy using the new Macros feature: {{{ <<sparkline 163 218 ... 1328 1611>> }}} The cunning thing about these sparklines is that they are created inline without requiring any graphics or other Server Side support.

config.macros.listTags = { text: "Hello" }; config.macros.listTags.handler = function(place,macroName,params) { var tagged = store.getTaggedTiddlers(params[0]); var ul = createTiddlyElement(place,"ul",null,null,""); for(var r=0;r<tagged.length;r++) { var li = createTiddlyElement(ul,"li",null,null,""); createTiddlyLink(li,tagged[r].title,true); } }

!!Code {{{ [img[ imagename.jpg ]] }}} or with tool tip and link {{{ [img[tooltip|photo.jpg][http://link.com]] }}} !!!examples: [img[ http://farm1.static.flickr.com/139/400133877_44dc4695e4_m.jpg ]] OR [img[Moss!|http://farm1.static.flickr.com/139/400133877_44dc4695e4_m.jpg][http://flickr.com/photos/euicho]]

Out of the box, TiddlyWiki offers: * Browsable with the vast majority of modern desktop browsers on Windows, Macintosh and Linux * Ability to SaveChanges on: ** FireFox under Windows or OS X ** InternetExplorer under Windows ** Opera under all operating systems ** [[Safari]] and [[Camino]] under OS X ** Minimo on Nokia 770 * Rich formatting including MonospacedText, ExtendedFormatting, NonWikiWordLinks, WikiWordEscape, PrettyLinks, SubHeadings, BulletPoints, NumberedBulletPoints, [[Tables]], BlockQuotes, HorizontalRules and the ability to use a CustomCssClass. * Various InterfaceOptions, including the ability to GenerateAnRssFeed, SaveBackups and AutoSave * KeyboardShortcuts so you can finish editing a tiddler with Control-Enter or abandon it with Escape * InlineHTML * EmbeddedImages: * [[Macros]] providing rich interactive features, including [[Sparklines]] and [[Gradients|GradientMacro]] * a flexible OpenSourceLicense * a liquid CSS layout that can be customised with a CustomStyleSheet * Extensive StartupParameters to control the behaviour of TiddlyWiki through specially crafted URLs * There are [[translations]] of TiddlyWiki available in many languages, including [[Chinese]], [[French]], [[German]], [[Spanish]], [[Portuguese]] The [[Community]] around TiddlyWiki has extended this basic functionality with a wide range of [[Plugins]] and TiddlyWikiAdaptations.

|Standard Periodic Table (ref. Wikipedia)|c || !1 | !2 |!| !3 | !4 | !5 | !6 | !7 | !8 | !9 | !10 | !11 | !12 | !13 | !14 | !15 | !16 | !17 | !18 | |!1|bgcolor(#a0ffa0): @@color(red):H@@ |>|>|>|>|>|>|>|>|>|>|>|>|>|>|>|>||bgcolor(#c0ffff): @@color(red):He@@ | |!2|bgcolor(#ff6666): Li |bgcolor(#ffdead): Be |>|>|>|>|>|>|>|>|>|>||bgcolor(#cccc99): B |bgcolor(#a0ffa0): C |bgcolor(#a0ffa0): @@color(red):N@@ |bgcolor(#a0ffa0): @@color(red):O@@ |bgcolor(#ffff99): @@color(red):F@@ |bgcolor(#c0ffff): @@color(red):Ne@@ | |!3|bgcolor(#ff6666): Na |bgcolor(#ffdead): Mg |>|>|>|>|>|>|>|>|>|>||bgcolor(#cccccc): Al |bgcolor(#cccc99): Si |bgcolor(#a0ffa0): P |bgcolor(#a0ffa0): S |bgcolor(#ffff99): @@color(red):Cl@@ |bgcolor(#c0ffff): @@color(red):Ar@@ | |!4|bgcolor(#ff6666): K |bgcolor(#ffdead): Ca ||bgcolor(#ffc0c0): Sc |bgcolor(#ffc0c0): Ti |bgcolor(#ffc0c0): V |bgcolor(#ffc0c0): Cr |bgcolor(#ffc0c0): Mn |bgcolor(#ffc0c0): Fe |bgcolor(#ffc0c0): Co |bgcolor(#ffc0c0): Ni |bgcolor(#ffc0c0): Cu |bgcolor(#ffc0c0): Zn |bgcolor(#cccccc): Ga |bgcolor(#cccc99): Ge |bgcolor(#cccc99): As |bgcolor(#a0ffa0): Se |bgcolor(#ffff99): @@color(green):Br@@ |bgcolor(#c0ffff): @@color(red):Kr@@ | |!5|bgcolor(#ff6666): Rb |bgcolor(#ffdead): Sr ||bgcolor(#ffc0c0): Y |bgcolor(#ffc0c0): Zr |bgcolor(#ffc0c0): Nb |bgcolor(#ffc0c0): Mo |bgcolor(#ffc0c0): Tc |bgcolor(#ffc0c0): Ru |bgcolor(#ffc0c0): Rh |bgcolor(#ffc0c0): Pd |bgcolor(#ffc0c0): Ag |bgcolor(#ffc0c0): Cd |bgcolor(#cccccc): In |bgcolor(#cccccc): Sn |bgcolor(#cccc99): Sb |bgcolor(#cccc99): Te |bgcolor(#ffff99): I |bgcolor(#c0ffff): @@color(red):Xe@@ | |!6|bgcolor(#ff6666): Cs |bgcolor(#ffdead): Ba |bgcolor(#ffbfff):^^*1^^|bgcolor(#ffc0c0): Lu |bgcolor(#ffc0c0): Hf |bgcolor(#ffc0c0): Ta |bgcolor(#ffc0c0): W |bgcolor(#ffc0c0): Re |bgcolor(#ffc0c0): Os |bgcolor(#ffc0c0): Ir |bgcolor(#ffc0c0): Pt |bgcolor(#ffc0c0): Au |bgcolor(#ffc0c0): @@color(green):Hg@@ |bgcolor(#cccccc): Tl |bgcolor(#cccccc): Pb |bgcolor(#cccccc): Bi |bgcolor(#cccc99): Po |bgcolor(#ffff99): At |bgcolor(#c0ffff): @@color(red):Rn@@ | |!7|bgcolor(#ff6666): Fr |bgcolor(#ffdead): Ra |bgcolor(#ff99cc):^^*2^^|bgcolor(#ffc0c0): Lr |bgcolor(#ffc0c0): Rf |bgcolor(#ffc0c0): Db |bgcolor(#ffc0c0): Sq |bgcolor(#ffc0c0): Bh |bgcolor(#ffc0c0): Hs |bgcolor(#ffc0c0): Mt |bgcolor(#ffc0c0): Ds |bgcolor(#ffc0c0): Rg |bgcolor(#ffc0c0): @@color(green):Uub@@ |bgcolor(#cccccc): Uut |bgcolor(#cccccc): Uuq |bgcolor(#cccccc): Uup |bgcolor(#cccccc): Uuh |bgcolor(#fcfecc): @@color(#cccccc):Uus@@ |bgcolor(#ecfefc): @@color(#cccccc):Uuo@@ | | !Lanthanides^^*1^^|bgcolor(#ffbfff): La |bgcolor(#ffbfff): Ce |bgcolor(#ffbfff): Pr |bgcolor(#ffbfff): Nd |bgcolor(#ffbfff): Pm |bgcolor(#ffbfff): Sm |bgcolor(#ffbfff): Eu |bgcolor(#ffbfff): Gd |bgcolor(#ffbfff): Tb |bgcolor(#ffbfff): Dy |bgcolor(#ffbfff): Ho |bgcolor(#ffbfff): Er |bgcolor(#ffbfff): Tm |bgcolor(#ffbfff): Yb | | !Actinides^^*2^^|bgcolor(#ff99cc): Ac |bgcolor(#ff99cc): Th |bgcolor(#ff99cc): Pa |bgcolor(#ff99cc): U |bgcolor(#ff99cc): Np |bgcolor(#ff99cc): Pu |bgcolor(#ff99cc): Am |bgcolor(#ff99cc): Cm |bgcolor(#ff99cc): Bk |bgcolor(#ff99cc): Cf |bgcolor(#ff99cc): Es |bgcolor(#ff99cc): Fm |bgcolor(#ff99cc): Md |bgcolor(#ff99cc): No | *Chemical Series of the Periodic Table **@@bgcolor(#ff6666): Alkali metals@@ **@@bgcolor(#ffdead): Alkaline earth metals@@ **@@bgcolor(#ffbfff): Lanthanides@@ **@@bgcolor(#ff99cc): Actinides@@ **@@bgcolor(#ffc0c0): Transition metals@@ **@@bgcolor(#cccccc): Poor metals@@ **@@bgcolor(#cccc99): Metalloids@@ **@@bgcolor(#a0ffa0): Nonmetals@@ **@@bgcolor(#ffff99): Halogens@@ **@@bgcolor(#c0ffff): Noble gases@@ *State at standard temperature and pressure **those in @@color(red):red@@ are gases **those in @@color(green):green@@ are liquids **those in black are solids

http://www.camerapedia.org/wiki/Leica_IIIc [img[http://farm2.static.flickr.com/1024/1470485148_26380efd5c.jpg]]

!!Daily [[Vote for rewards|http://game3.mafiadeath.com/vote.php]] [[Search Downtown|http://game3.mafiadeath.com/downtown.php]] [[Slots|http://game3.mafiadeath.com/slot_machine.php]] [[Lucky Dip|http://game3.mafiadeath.com/lucky_dip.php]] [[Train at the Gym|http://game3.mafiadeath.com/train.php]] [[Use points|http://game3.mafiadeath.com/point_shop.php]] or [[Sell them|http://game3.mafiadeath.com/points_market.php]] [[Check GangMail|http://game3.mafiadeath.com/gang_mailbox.php]] [[Check Your Mailbox|http://game3.mafiadeath.com/mailbox.php]] [[Check the Gang Forum|http://game3.mafiadeath.com/your_gang/forum.php]] !!Notes *In general, your stats should be at a minimum of double your level in thousands (i.e. your level is 3 so your stats should be at least 6000).

center the map on the desired location (or better yet search for the street address) then paste the following into the location bar {{{javascript:void(prompt('',gApplication.getMap().getCenter()));}}}

{{{ _.-+ _.-"" \ +"" \ |\ \ | \ \ | \ _.-+ | \ _.-"" | + +"" | \ | | \ | | \ | _.-+ \| _.-"" +"" __ __ .-----.--.--.|__|.----.| |--.-----. .----.-----.--------. | -__| | || || __|| | _ | __ | __| _ | | |_____|_____||__||____||__|__|_____| |__| |____|_____|__|__|__| _______ __ |_ _| |--.-----.--------.---.-.-----. | | | | _ | | _ |__ --| |___| |__|__|_____|__|__|__|___._|_____| _____ _ |_ _| |_ ___ _____ ___ ___ | | | | . | | .'|_ -| |_| |_|_|___|_|_|_|__,|___| ,'``.._ ,'``. :,--._:)\,:,._,.: All Glory to :`--,'' :`...';\ the HYPNO TOAD! `,' `---' `. / : / \ ,' :\.___,-. `...,---'``````-..._ |: \ ( ) ;: ) \ _,-. `. ( // `' \ : `.// ) ) , ; ,-|`. _,'/ ) ) ,' ,' ( :`.`-..____..=:.-': . _,' ,' `,'\ ``--....-)=' `._, \ ,') _ '``._ _.-/ _ `. (_) / )' ; / \ \`-.' `--( `-:`. `' ___..' _,-' |/ `.) `-. `.`.``-----``--, .' |/`.\`' ,','); ` (/ (/ .-. .-'``(|||) ,`\ \ `-`. / \ '``-. ` .-. , `___: (:::) : ___ `-` ` , : \ / ,..-` , `./ / .-.` `-..-( ) `-` ,--(_) | | _/ ;-._\ | | |,-. | |,--. -+- | | (_)( ) ) | | | | | || | | | | \ ;-'_/ `--' `--' `--'' ' `- `--' -hrr- `--(_) }}}

/*** |Name|RearrangeTiddlersPlugin| |Source|http://www.TiddlyTools.com/#RearrangeTiddlersPlugin| |Version|0.0.0| |Author|Joe Raii| |License|http://www.TiddlyTools.com/#LegalStatements <<br>>and [[Creative Commons Attribution-ShareAlike 2.5 License|http://creativecommons.org/licenses/by-sa/2.5/]]| |~CoreVersion|2.1| |Type|plugin| |Requires|| |Overrides|Story.prototype.refreshTiddler| |Description|drag tiddlers by title to re-order story column display| adapted from: http://www.cs.utexas.edu/~joeraii/dragn/#Draggable changes by ELS: * hijack refreshTiddler() instead of overridding createTiddler() * find title element by className instead of elementID * set cursor style via code instead of stylesheet * set tooltip help text * set tiddler "position:relative" when starting drag event, restore saved value when drag ends * update 2006.08.07: use getElementsByTagName("*") to find title element, even when it is 'buried' deep in tiddler DOM elements (due to custom template usage) * update 2007.03.01: use apply() to invoke hijacked core function ***/ //{{{ Story.prototype.rearrangeTiddlersHijack_refreshTiddler = Story.prototype.refreshTiddler; Story.prototype.refreshTiddler = function(title,template,unused1,unused2,unused3,unused4,unused5) { this.rearrangeTiddlersHijack_refreshTiddler.apply(this,arguments); var theTiddler = document.getElementById(this.idPrefix + title); if (!theTiddler) return; var theHandle; var children=theTiddler.getElementsByTagName("*"); for (var i=0; i<children.length; i++) if (hasClass(children[i],"title")) { theHandle=children[i]; break; } if (!theHandle) return theTiddler; Drag.init(theHandle, theTiddler, 0, 0, null, null); theHandle.style.cursor="move"; theHandle.title="drag title to re-arrange tiddlers" theTiddler.onDrag = function(x,y,myElem) { if (this.style.position!="relative") { this.savedstyle=this.style.position; this.style.position="relative"; } y = myElem.offsetTop; var next = myElem.nextSibling; var prev = myElem.previousSibling; if (next && y + myElem.offsetHeight > next.offsetTop + next.offsetHeight/2) { myElem.parentNode.removeChild(myElem); next.parentNode.insertBefore(myElem, next.nextSibling);//elems[pos+1]); myElem.style["top"] = -next.offsetHeight/2+"px"; } if (prev && y < prev.offsetTop + prev.offsetHeight/2) { myElem.parentNode.removeChild(myElem); prev.parentNode.insertBefore(myElem, prev); myElem.style["top"] = prev.offsetHeight/2+"px"; } }; theTiddler.onDragEnd = function(x,y,myElem) { myElem.style["top"] = "0px"; if (this.savedstyle!=undefined) this.style.position=this.savedstyle; } return theTiddler; } /************************************************** * dom-drag.js * 09.25.2001 * www.youngpup.net ************************************************** * 10.28.2001 - fixed minor bug where events * sometimes fired off the handle, not the root. **************************************************/ var Drag = { obj:null, init: function(o, oRoot, minX, maxX, minY, maxY) { o.onmousedown = Drag.start; o.root = oRoot && oRoot != null ? oRoot : o ; if (isNaN(parseInt(o.root.style.left))) o.root.style.left="0px"; if (isNaN(parseInt(o.root.style.top))) o.root.style.top="0px"; o.minX = typeof minX != 'undefined' ? minX : null; o.minY = typeof minY != 'undefined' ? minY : null; o.maxX = typeof maxX != 'undefined' ? maxX : null; o.maxY = typeof maxY != 'undefined' ? maxY : null; o.root.onDragStart = new Function(); o.root.onDragEnd = new Function(); o.root.onDrag = new Function(); }, start: function(e) { var o = Drag.obj = this; e = Drag.fixE(e); var y = parseInt(o.root.style.top); var x = parseInt(o.root.style.left); o.root.onDragStart(x, y, Drag.obj.root); o.lastMouseX = e.clientX; o.lastMouseY = e.clientY; if (o.minX != null) o.minMouseX = e.clientX - x + o.minX; if (o.maxX != null) o.maxMouseX = o.minMouseX + o.maxX - o.minX; if (o.minY != null) o.minMouseY = e.clientY - y + o.minY; if (o.maxY != null) o.maxMouseY = o.minMouseY + o.maxY - o.minY; document.onmousemove = Drag.drag; document.onmouseup = Drag.end; Drag.obj.root.style["z-index"] = "10"; return false; }, drag: function(e) { e = Drag.fixE(e); var o = Drag.obj; var ey = e.clientY; var ex = e.clientX; var y = parseInt(o.root.style.top); var x = parseInt(o.root.style.left); var nx, ny; if (o.minX != null) ex = Math.max(ex, o.minMouseX); if (o.maxX != null) ex = Math.min(ex, o.maxMouseX); if (o.minY != null) ey = Math.max(ey, o.minMouseY); if (o.maxY != null) ey = Math.min(ey, o.maxMouseY); nx = x + (ex - o.lastMouseX); ny = y + (ey - o.lastMouseY); Drag.obj.root.style["left"] = nx + "px"; Drag.obj.root.style["top"] = ny + "px"; Drag.obj.lastMouseX = ex; Drag.obj.lastMouseY = ey; Drag.obj.root.onDrag(nx, ny, Drag.obj.root); return false; }, end: function() { document.onmousemove = null; document.onmouseup = null; Drag.obj.root.style["z-index"] = "0"; Drag.obj.root.onDragEnd(parseInt(Drag.obj.root.style["left"]), parseInt(Drag.obj.root.style["top"]), Drag.obj.root); Drag.obj = null; }, fixE: function(e) { if (typeof e == 'undefined') e = window.event; if (typeof e.layerX == 'undefined') e.layerX = e.offsetX; if (typeof e.layerY == 'undefined') e.layerY = e.offsetY; return e; } }; //}}}

An External Link can be made with open double brackets, title, pipe, url, close double brackets {{{[[title|URL]]}}}

To create headers, just use 1 to 5 {{{ ! }}} before the text. examples: !Header 1 !!Header 2 !!!Header 3 !!!!Header 4 !!!!!Header 5

A WikiWord is a word formed from putting two or more words together that have Capitalized first letters. Ex: Wiki + Word = WikiWord. Its the same thing as CamelCase. Wikiwords are used to create tiddlers, typing a WikiWord will create a non-bold link that, when clicked, will create an empty tiddler for you to define. To turn a non CamelCase word into a tiddler link, use {{{ [[title]]}}} To ''stop'' a word from becoming a WikiWord, use a {{{~}}} before it.

Chuck Norris once roundhouse kicked someone so hard that his foot broke the speed of light, went back in time, and killed Amelia Earhart while she was flying over the Pacific Ocean. ---- If you ask Chuck Norris what time it is, he always says, "Two seconds till." After you ask, "Two seconds to what?" he roundhouse kicks you in the face. ---- Rather than being birthed like a normal child, Chuck Norris instead decided to punch his way out of his mother's womb. Shortly thereafter he grew a beard. ---- Chuck Norris appeared in the "Street Fighter II" video game, but was removed by Beta Testers because every button caused him to do a roundhouse kick. When asked bout this "glitch," Norris replied, "That's no glitch." ---- Chuck Norris lost his virginity before his dad did. ---- Since 1940, the year Chuck Norris was born, roundhouse kick related deaths have increased 13,000 percent. ---- Chuck Norris sold his soul to the devil for his rugged good looks and unparalleled martial arts ability. Shortly after the transaction was finalized, Chuck roundhouse kicked the devil in the face and took his soul back. The devil, who appreciates irony, couldn't stay mad and admitted he should have seen it coming. They now play poker every second Wednesday of the month. ---- Filming on location for Walker: Texas Ranger, Chuck Norris brought a stillborn baby lamb back to life by giving it a prolonged beard rub. Shortly after the farm animal sprang back to life and a crowd had gathered, Chuck Norris roundhouse kicked the animal, breaking its neck, to remind the crew once more that Chuck giveth, and the good Chuck, he taketh away. ---- Chuck Norris does not sleep. He waits. ---- Chuck Norris built a time machine and went back in time to stop the JFK assassination. As Oswald shot, Chuck met all three bullets with his beard, deflecting them. JFK's head exploded out of sheer amazement. ---- Chuck Norris was the fourth Wiseman. He brought baby Jesus the gift of "beard". Jesus wore it proudly to his dying day. The other Wisemen, jealous of Jesus' obvious gift favoritism, used their combined influence to have Chuck omitted from the Bible. Shortly after all three died of roundhouse kick related deaths. ---- It was once believed that Chuck Norris actually lost a fight to a pirate, but that is a lie, created by Chuck Norris himself to lure more pirates to him. Pirates never were very smart. ---- Chuck Norris recently had the idea to sell his urine as a canned beverage. We know this beverage as Red Bull. ---- If you can see Chuck Norris, he can see you. If you can't see Chuck Norris, you may be only seconds away from death. ---- Scientists used to believe that diamond was the world's hardest substance. But then they met Chuck Norris, who gave them a roundhouse kick to the face so hard, and with so much heat and pressure, that the scientists turned into artificial Chuck Norris. ---- When Chuck Norris was denied a Bacon McMuffin at McDonalds because it was 10:35, he roundhouse kicked the store so hard it became a KFC. ---- Chuck Norris drinks napalm to quell his heartburn. ---- A duck's quack does not echo. Chuck Norris is solely responsible for this phenomenon. When asked why he will simply stare at you, grimly. ---- Chuck Norris doesn't believe in Germany. ---- If you want a list of Chuck Norris' enemies, just check the extinct species list. ---- Chuck Norris has never blinked in his entire life. Never. ---- Chuck Norris once shot an enemy plane down with his finger, by yelling, "Bang!" ---- Chuck Norris owns the greatest poker face of all-time. It helped him win the 1983 world series of poker despite him holding just a joker, a 2 of clubs, a 7 of spades, and a green number 4 from Uno and a monopoly 'get out of jail free' card. ---- Chuck Norris invented a language that incorporates karate and roundhouse kicks. So next time Chuck Norris is kicking your ass, don't be offended or hurt, he may be just trying to tell you he likes your hat. ---- Chuck Norris went looking for a bar but couldn't find one. He walked to a vacant lot and sat there. Sure enough within an hour an a half someone constructed a bar around him. He then ordered a shot, drank it, and then burned the place to the ground. Chuck Norris yelled over the roar of the flames, "always leave things the way you found em!" ---- One time while sparring with Wolverine, Chuck Norris accidentally lost his left testicle. You might be familiar with it to this very day by its technical term: Jupiter. ---- Before science was invented it was once believed that autumn occurred when Chuck Norris roundhouse kicked every tree in existence. ---- In the original pilot for Star Trek Next Generation, Chuck Norris can be seen powering the USS Enterprise warp drive with his roundhouse kicks.

TiddlyWiki supports all kinds of formatting options: *''Bold'' text by enclosing text it in pairs of single quotes {{{'' ''}}} *__Underline__ text by enclosing it in pairs of underscores {{{____}}} *//Italic// text by enclosing it in pairs of forward slashes {{{////}}} *^^superscript^^ text by enclosing it in pairs of carrats {{{^^^^}}} *~~subscript~~ text by enclosing it in pairs of tildes {{{~~~~}}} *change text @@color(green):color@@ by enclosing it in pairs of at-signs {{{@@@@}}} and specifying a [[text color|http://www.w3schools.com/css/css_colornames.asp]] using the phrase {{{color(yourcolorhere):text here}}} *change text's @@bgcolor(green):background color@@ by enclosing it in pairs of at-signs {{{@@@@}}} and specifying a background text color using the phrase {{{bgcolor(yourcolorhere):}}} *Create monospace text with three "{" and three "}" *Create code blocks by putting the above curley brackeys on separate lines

Create Numbered bullets by preceding a line with the {{{#}}}

"Never plead guilty or no contest, especially if it's your first ticket. If you have a clean driving record, your chances of keeping it off your record are much better," says Quinn. If that's not an option, you'll need to learn a little bit more about the legal process. Carroll recommends going to the courthouse to file a discovery motion or a public records request. You can check the ticketing officer's notes, calibration records for radar guns and verify that all data was recorded correctly. "Many times, one of those documents turns up out-of-date, doesn't exist or is inaccurate and you end up winning by default because they don't have their paperwork together," says Carroll. If all the paperwork is in order, offenders can then attempt to speak with the assistant district attorney and state their reasons why they should reconsider the charges. Carroll says that many people are successful by simply contesting their ticket through the mail (also known as "trial by declaration") with a detailed and well-thought-out defense. Defendants can have an advantage with this method because, unless the officer submits his or her own written rebuttal, it's a one-sided argument. -from http://biz.yahoo.com/brn/070330/21532.html?.v=1&.pf=family-home-

http://www.ihackintosh.com/2009/01/visual-guide-to-jailbreak-iphone-3g-221-with-quickpwn-225-for-windowsosx/

LCD Soundsystem- This Is Happening Broken Social Scene- Forgiveness Rock Record Holy Fuck- Latin Conor oberst and the mystic valley band - outer south the cab white tie affair Chloe- One In Other One Day As A Lion One Day As A Lion Matchbox Twenty - Exile on Mainstream mute math Heima DVD late night talesmaBlood Brothers- Burn, Piano Island, Burn The Books- Lost and Safe The Books- The Lemon of Pink Do Make Say Think- Winter Hymn, Country Hymn, Secret Hymn Ellen Allien- Berlinette Enon- High Society araquet- The View From This Tower The Fiery Furnaces- Blueberry Boat The Futureheads- The Futureheads Isis- Oceanic (for jesse too) LCD Soundsystem- LCD Soundsystem M83- Dead Cities, Red Seas & Lost Ghosts McLusky- McLusky Do Dallasv Modest Mouse- The Moon & Antarctica Namelessnumberheadman? The Notwist- Neon Golden Opeth- Blackwater Park (and ghost reveries) Plus/Minus (+/-) Polysics- Neu! Shining- In the Kingdom of Kitsch You Will Be a Monster Vitalic- OK Cowboy Deerhoof- The Runners Four Sufjan Stevens- Illinois Clor- Clor Ellen Allien/Apparat- Orchestra of Bubbles Jesu- Silver (and Jesu) Junior Senior- Hey Hey My My Yo Yo Ladytron- Witching Hour Mastodon- Blood Mountain (for jesse) wolf parade Mouse on Mars- Varcharz TV on the Radio- Return to Cookie Mountain Modeselektor- Hello Mom! Xiu Xiu- The Air Force

!!!!//To use these, hold down the left Alt key and then type the numbers on the numberpad, then release the Alt key.// |0128 � | 0129 *** | 0130 � | 0131 � | 0132 � | 0133 �| |0134 � | 0135 � | 0136 � | 0137 � | 0138 � | 0139 �| |0140 � | 0141 *** | 0142 � | 0143 *** | 0144 *** | 0145 �| |0146 � | 0147 � | 0148 � | 0149 � | 0150 � | 0151 �| |0152 � | 0153 � | 0154 � | 0155 � | 0156 � | 0157 ***| |0158 � | 0159 � | 0160 | 0161 � | 0162 � | 0163 �| |0164 � | 0165 � | 0166 � | 0167 � | 0168 � | 0169 �| |0170 � | 0171 � | 0172 � | 0173 - | 0174 � | 0175 �| |0176 � | 0177 � | 0178 � | 0179 � | 0180 � | 0181 �| |0182 � | 0183 � | 0184 � | 0185 � | 0186 � | 0187 �| |0188 � | 0189 � | 0190 � | 0191 � | 0192 � | 0193 �| |0194 � | 0195 � | 0196 � | 0197 � | 0198 � | 0199 �| |0200 � | 0201 � | 0202 � | 0203 � | 0204 � | 0205 �| |0206 � | 0207 � | 0208 � | 0209 � | 0210 � | 0211 �| |0212 � | 0213 � | 0214 � | 0215 � | 0216 � | 0217 �| |0218 � | 0219 � | 0220 � | 0221 � | 0222 � | 0223 �| |0224 � | 0225 � | 0226 � | 0227 � | 0228 � | 0229 �| |0230 � | 0231 � | 0232 � | 0233 � | 0234 � | 0235 �| |0236 � | 0237 � | 0238 � | 0239 � | 0240 � | 0241 �| |0242 � | 0243 � | 0244 � | 0245 � | 0246 � | 0247 �| |0248 � | 0249 � | 0250 � | 0251 � | 0252 � | 0253 �| |0254 � | 0255 � | ||||

First you need to put both the jar & jad files in the Other directory on your microSD and put it back in the phone. Then copy them to the phone's memory. Alternatively, if you can put the files onto the phone directly, you may do that. Next, from the idle screen type: *#9998*5282# Choose Install Midlet. The password is 235282. Now it will show you the files inside the Other directory. Select the .jad file you want to install. Press Install. Now the phone will seem to hang or something. Not sure why it does this, but slide the phone closed. (You may open it again if you want) It will say "Warning! This MIDlet is unsigned!" Select Yes and Yes again. It may take a few seconds to install, then it asks if you want to start the application. Repeat these steps again for each application you want to install. After successful installation, you may start the applications from the My Games Folder. Enjoy. PS. I had downloaded 4 different java apps, none of which was specifally written for the D807, so I wasn't that surprised when 2 of them failed to install, and the 3rd installed but did not run. :-( I'm off to look for some others now. Remember the screen res is 176x220. I'll post back if I find some good ones.

!!These are all highly recommended makes/models: RolleiFlex //(a legend in its own right)// [[Seagull]] GC-104, GC-105, GC-107, GC-109 [[Lubitel]] Kiev-Arsenal 60 and 88 !!!Also excellent and should be under $100 __used__ RicohFlex RolleiCord GraFlex22 !!MF ToyCameras KodakBrownieFiesta [[Holga]] [[Diana]] !!Other MF Cameras SHKOLNIK Russian 6x6 120

A cheap medium format (size 127 film) camera from 1965, based on the success of the original KodakBrownie line introduced in 1900. !!Specs: *127 rollfilm *1-5/8 x 1-5/8 image size (4x4 cm) *f/11 *1/35-1/50 seconds *1 7/8 (46mm) wide spools *160 iso film is produced still. [[Brownie Fiesta Flickr pool|http://flickr.com/groups/browniefiesta/]] [img[ images/browniefiesta.jpg ]]

//All info from [[photo.net|http://photo.net/equipment/film]] Note: I havn't checked if all these come in 120 size// !Color Slide "E6" Film: *Fuji velvia (ISO 50, but AMAZING color) *Fuji Sensia II *Fuji Astia and Provia F !B&W Negative Film *Ilford Pan F (ISO 50) *~TMAX-400 (ISO 400, and better than ~TMAX-100 apparently) !Color Negative "C41" Print Film: Kodak Gold 100 Kodak Royal Gold 400 !InfraredPhotography Negative Film: *Kodak High Speed Infrared *Konica Infrared 750. Konica is slower, has a narrower spectral response and results in higher contrast, finer grained images. !Film to AVOID: *Agfa Ultra 50. *Anything 200 speed. If you're going to be shooting bad pictures outdoors in bright sunlight, go for the 100 and then you can make huge enlargements. If you're going to be shooting with available light and/or fill flash and/or in deep shade, you'll need the extra stop from ISO 400 (and maybe more). 200 really isn't noticeably better quality than 400 and it isn't noticeably faster than 100. *Any color negative film not made by Kodak or Fuji. It takes big bucks and a lot of R&D to compete in this market. Other companies are generally catching up to where Fuji and Kodak were three years ago.

!Classics The Illiad and The Odyssey The Barchester Chronicles Pride and Prejudice Gulliver's Travels Jane Eyre War and Peace David Copperfield Vanity Fair Madame Bovary Middlemarch !Authors: greg egan ian mcdonald alistair reynolds ken macleod Iain Sinclair Jack Womack Iain M. Banks J.G. Ballard Ursula LeGuin Octavia Butler !Fiction The Magic Circle - by Katherine Neville The Messenger - Daniel Silva Auriel rising - Elizabeth Redfern The Charlie Bone series Lily Dale: Awakening The Stand by Stephen King To Your Scattered Bodies Go by Philip Jose Farmer Gateway by Frederik Pohl Spin State by Chris Moriarty Old Man's War by John Scalzi Fred Saberhagen's Berzerker Day Of The Triffids by John Wyndham Flatland: A Romance in Many Dimensions by Edwin A. Abbott Do Androids Dream of Electric Sheep? - Philip K. Dick The Minority Report - Philip K. Dick Accelerando - Charles Stross More Than Human - Theodore Sturgeon Down And Out In The Magic Kingdom - Cory Doctorow Altered Carbon - Richard Morgan Samuel R. Delany - "Dhalgren", "Babel 17", or "Stars In My Pocket Like Grains Of Sand" Lord of Light - roger zelanzny ...And Call Me Conrad - Roger Zelazny Permutation City - greg egan oceanic - greg egan The John Varley Reader Perdido Street Station tom clancy - The Hunt for Red October

1 ripe banana, mashed 2 cups water 1/2 cup uncooked oatmeal (plus maybe a lil extra) 1 and 1/2 cups flour 1 tsp baking powder opps correction: 2 tsp baking powder 1 tsp cinnamon 1/2 tsp nutmeg dolop of vanilla extract

^^Feel free to put random links and reminders to yourself on here, and try to delete them when no longer needed. If long-term reminders/links are needed, give them their own tiddler! What fun!^^ the guild http://www4.funimation.com/video/?page=video&v=4842 http://urbanvelo.org/mongoose-cachet-review-150-walmart-bike/#more-15670 http://www.funnyordie.com/videos/477f3b6bc5/between-two-ferns-with-zach-galifianakis-from-between-two-ferns-comedy-deathray-and-zach-galifianakis http://www.newegg.com/Product/Product.aspx?Item=N82E16813128372 Blink, and The Girl in the Fireplace, and Dalek http://journal.neilgaiman.com/2010/03/three-quarters-of-way-around-world.html http://starslip.com/2005/05/23/starslip-number-1/ ----------- BoredList

http://www.photolinks.com/ResultsPage18.html?COUNTRY=United%20States&STATE=Maine

A Ballad, by Carl S. this morning when i tried to wake up i thought i had no cause to rise then i said what if i can look into your eyes your the reason the sun does shine i wonder if you know that you are reeeallyy fine hot cake la-ady will you hold my hand? and by hand of course you know i mean the thing that makes me a man hot cake la-ady sometimes you wear a white dress im thinking you have probably geussed that it makes me have happy time in pa-ants at staff meetings you talk a lot i wonder if youve ever thought of gettin down, makin the sex youd probably do me if you saw me flex (my dong-muscles) hot cake la-ady will you hold me tonight? and by hold of course you know what i mean i hope your tight hot cake la-ady do you remember that time when we sat so close at the pizza pa-arty? all i remember is thinking how we could get so nau-ughty oooh hot cake la-ady

ChuckNorris InfiniteLoop

//Reference tidbits. [[Notes go elsewhere|Notes]] // AltCodes PeriodicTable CoDecs EmotIcons GenealogyResearch EarthShip NeoDaq AutoSaveOption SamsungCodes

!Conference Calls : What you need to do to have conference calls: #Open up a copy of Google Talk on all computers with which you wish to conference. #After one copy is opened make a new shortcut for Google Talk but at the end of it add /nomutex. If you installed it to the default folder then your shortcut should read "C:\Program Files\Google\Google Talk\googletalk.exe" /nomutex #Open 2nd instances of the software on every user's computer. After this start a chain: User 1 should connect on one instance to user 2. User 2 will connect on his second instance to user 3. User 3 will connect using his second instance back to user 1. With this chain everyone is connected to everyone.

fine enough for detailed work full tang single edge 4-6" blade non-serated 5/32 and 8/32" thick Sog Seal Pup Becker Fallkniven F1

http://www.fancypantsadventures.com/ http://www.dungeonrunners.com/ http://www.konjak.org/chalk.htm http://www.dyson-game.com/ http://www.ea.com/redalert/news-detail.jsp?id=62 http://sc2.sourceforge.net/ http://www.freeallegiance.org/ http://www.newgrounds.com/portal/view/254456 http://savage2.s2games.com/main.php

http://www.cheapass.com/bpu/butnrulz.html http://www.buttonmen.dhs.org/~bm/menu.fcgi?topic=877&page=&cmd=view_topic&board=2 http://www.buttonmen.dhs.org/~bm/menu.fcgi?cmd=menu

[[Photo ID Badge maker | http://bighugelabs.com/flickr/badge.php]] [[ | ]] [[ | ]] [[ | ]] [[ | ]] http://www.3ayak.org/yazi/flickr-oyuncaklari http://www.pedagonet.com/other/flickr.htm http://www.dopiaza.org/flickr/ http://www.quickonlinetips.com/archives/2005/03/great-flickr-tools-collection/ http://www.pimpampum.net/toys/ http://www.flickr.com/groups/flickrtoys/ http://bighugelabs.com/flickr/

A common rule of thumb for estimating how fast the exposure needs to be for a given focal length is the one over focal length rule. This states that for a 35 mm camera, the exposure time needs to be at least as fast as one over the focal length in seconds. In other words, when using a 200 mm focal length on a 35 mm camera, the exposure time needs to be at least 1/200 seconds-- otherwise blurring may be hard to avoid. Keep in mind that this rule is just for rough guidance; some may be able to hand hold a shot for much longer or shorter times than this rule estimates. For users of digital cameras with cropped sensors, one needs to convert into a 35 mm equivalent focal length.

!Digital SLR [[Canon]] DigitalRebelXTi [[Canon]] [[20d]] http://www.steves-digicams.com/2006_reviews/alpha100_pg6.html http://www.steves-digicams.com/2005_reviews/rebelxt_pg7.html !Regular Digital [[Fuji]] FinepixA210 [[Sony]] DSC-F17

!Mods http://planetfallout.gamespy.com/mods/all/ http://www.fallout3nexus.com/downloads/categories.php http://www.strategyinformer.com/pc/mods/fallout3/mod.html http://www.bethsoft.com/bgsforums/index.php?showforum=45/ http://nma-fallout.com/forum/dload.php?action=category&cat_id=66 http://fallout3.rpg-mods.com/ !Data http://fallout.wikia.com/wiki/Fallout_3 - Wiki http://www.swfcabin.com/swf-files/1233758925.swf - Interactive Map http://geck.bethsoft.com/index.php/Main_Page - The Geck !Mods I Like http://planetfallout.gamespy.com/mods/60/A-C-E-Amplified-Crippled-Effects

definitions notes reference recipes

berries - a cup a day (blueberries especially) beets cabbage olives guava swiss chard spinach and kale cinnamon purslane pom juice goji berries a�ai (ah-sigh-ee) prunes pumpkin seeds Sweet Potatoes Tomatoes (paste, grape, sauce, juice) 1% or Skim milk Broccoli Wild Salmon Yogurt and Kefir Tumeric or Curry Powder fresh herbs quinoa barley Buckwheat old fashioned oatmeal garlic hot peppers sprouts nuts (raw & unsalted) eggs kiwi ---------- lean beef - grass fed, 2 3oz servings/week rosemary and thyme rub (these herbs rid the body of cancer-causing substances by up to 87%) beans - (especially black beans) 4 cups/week tea - 4 cups a day ---------- ---- Old fashioned Oatmeal - 1 /2 cup old fashioned oatmeal, 1/6 cup chopped dried apricots, 1 Tbsp. brown sugar and dash of cinnamon and almond extract in a preheated, wide-mouth thermos. Add 1 cup of steamed fat-free or low-fat milk and close tightly. In the morning just open the thermos, sprinkle with 2 tsp. slivered almonds, and you have a warm, delicious breakfast waiting for you!

Usernames are fixed now. If you see a tiddler authored by "undefined", it was made before the fix. You can change it to your own name by double-clicking the tiddler to go into editing mode, then hitting "done".

# faster than a squirt of hen shit # she's as crooked as a screw auger # silent like the p in swimming # he lies like a rug # doesn't amount to a piss-hole in a snow bank # he has a hair across his ass # Who's who at the zoo # Up to our ears in alligators # You might as well stand on your head and stack bb's

{{{ javascript:(function(){function z(y){return y.y>=pageYOffset}function r(y){return y.y>pageYOffset};function go(c,n){a=[];for(I=document.images,i=0;i<I.length;i++)if(c(j=I[i])&&j!=a[a.length-1])a.push(j);if(x=a.length){j=a.sort(function(u,v){return u.y-v.y})[Math.min((n+x)%x,x-1)];scrollTo(0,j.y);return j}}if(!document.links.length)go(r,0);else{m='/[^/]*\\.(jpe?g|png|gif)$';if(m!=null){m=new RegExp(m,'i');E={};l=0;i=document.links.length;while(i--)if((u=document.links[i].href).match(m)&&!E[u])E[u]=i,++l;I=new Array(L=l);if(1||confirm(l+' matches. View all?')){p=[];for(u in E){I[--l]=new Image();p.unshift('<img onclick=%22document.images.length>1&&this.parentNode.removeChild(this)%22 src=%22'+(I[l].src=u)+'%22>');I[l].onload=function(){var p=top.p;if(!--L)with(document){open();write('<html><body bgcolor=black style=margin:0;text-align:center>'+p.join('')+'</body></html>');close();onkeydown=function(e){k=e?e.which:event.keyCode;if(k==48)k+=10;if(k>48&&k<59)go(function(){return 1},k-49);else if(k==16||k==32)go(r,0);else if(k==13)go(function(y){return y.y<pageYOffset},-1);else if(k==46)go(z,0).onclick();else if(k==17)with(go(z,0))scrollTo(0,y+((height-innerHeight)>>1))}}}}}}}})() }}}

!Misc Info sensor size: 22.2 x 14.8 mm max res: 3888 x 2592 image ratio: 3:2 Effective pixels: 10.1 million Sensor detectors: 10.5 million Focal length multiplier: 1.6 kit lens: ~EF-S 18-55mm 1:3.5-5.6, 58mm [img[Steves Digicams Review|images/digitalrebelxti.jpg][http://www.steves-digicams.com/2006_reviews/rebelxti.html]]

Need to find some good tutorials. In the meantime, heres a [[print book|http://photo.net/learn/books/infrared-photography-handbook]]

PhotographyTerms RulesOfThumb PSandPSPIdeas [[Cameras]] FilmInfo MeteringInfo YourCameraDoesNotMatter InfraredPhotography PhotographySites Know the PhotographersRight! SellingPhotos CameraSellers ExpiredFilm [[E6 Processing Shop|http://www.chromedigital.com/e6.html]] - recommended by ken rockwell

OneOverFocalLengthRule NightPhotography [[Sunny 16 Rule|http://en.wikipedia.org/wiki/Sunny_16_rule]]

TomsCameras DoodysCameras !!Categories *[[35mmCameras]] *DigitalCameras *MediumFormatCameras *LargeFormatCameras *InstantCameras !!Cameras We Want (you know in case you were wondering)

!!The Best If you're buying film you ''need'' to read GreatFilm. Also a good site for understanding [[good films|http://photo.net/equipment/film]] !!A note on film ''Color Slide film'' (called E6 by the pros) is more vivid than color negative, however having prints made is expensive without owning your own slide scanner. ''Color Negative film'' (aka C41) can be less vivid than slide film, but still very colorful or not, depending on the film, speed, and exposure. It can be printed and processed cheaper than color slide film, but does not show how the scene was upon shooting, which can be a problem when getting it printed several years later (if you don't remember exactly how the colors looked for a particular shot). ''Black and White Negative film'' is archival, and will outlast both color types by several multiples of years, however with digital scanning this is not as big a concern as it used to be. //Tom plans on shooting negative film most of the time (color and b&w) for the ease of getting prints and for $$$ sake, but will experiment with E6 (he hears looking at color slides on a light table is very addictive). If he gets use of a good scanner in the future, he may shoot all color in E6.// !!Film Type Info BlackandWhiteFilm ColorFilm !!Film Scanners [[CanoScan 8400F|http://www.amazon.com/gp/offer-listing/B000F78L40/ref=pd_bbs_sr_olp_1/002-1675009-6669619?ie=UTF8&s=electronics&qid=1194146601&sr=8-1]] [[CanoScan 8800F|http://reviews.cnet.com/scanners/canon-canoscan-8800f-flatbed/4014-3136_7-32593962.html?tag=sub]]

Tommy's Favorites: Doody's Favorites: [[A Walk Through Durham Township|http://www.durhamtownship.com]] [[Overshadowed|http://www.overshadowed.com]] [[Daily Snap|http://www.dailysnap.com]]

http://www.fredparker.com/ultexp1.htm

For an extremely detailed explanation, see [[www.uscoles.com/fstop.htm|http://www.uscoles.com/fstop.htm]]

[[Aperature]] [[Exposure]] [[f/stop]] FocalLength RawFormat

The Rolleicord was a popular medium-format twin lens reflex camera made by Franke & Heidecke (Rollei) between 1934 and 1976. It was a simpler, less expensive version of the high-end Rolleiflex TLR, aimed at amateur photographers who wanted a high-quality camera but could not afford the expensive Rolleiflex. Several models of Rolleicord were made; the later models generally had more advanced features and tend to be valued higher in today's market. The first Rolleicord, introduced in November 1933, was the Rolleicord I. This camera was a simplified version of the Standard Rolleiflex, with a cheaper 75mm Zeiss Triotar lens and a simplified film advance mechanism using a knob instead of the crank found on the Rolleiflex. The Rolleicord I was available either with a plain leatherette covering or elaborately patterned metal faceplates. The latter variant is referred to as the "Art Deco" Rolleicord. Later models incorporated improved designs for the taking lens, including the Carl Zeiss Tessar and Schneider Kreuznach Xenar, both of which appeared on the Rolleiflex. However, while the Rolleiflex was available with an f/2.8 lens, the Rolleicord was never offered with a larger aperture than f/3.5, thus ensuring its pedigree as an "amateur" camera. An accessory, known as a Rolleikin kit, was available for the Rolleicord to enable it to accept 35mm film. //- from WikiPedia -// [img[ images/rolleicord.jpg ]]

Rolleiflex is the name of a long-running and diverse line of high-end cameras made by the German company Rollei. The "Rolleiflex" name is most commonly used to refer to Rollei's premier line of medium format twin lens reflex (TLR) cameras. (A companion line intended for amateur photographers, Rolleicord, existed for several decades.) However, a variety of TLRs and SLRs in medium, 35 mm, and digital formats have also been produced under the Rolleiflex label. The Rolleiflex series is marketed primarily to professional photographers. The Rolleiflex TLR film cameras were notable for their compact size, reduced weight, superior optics and bright viewfinders. An ingenious tapered mirror allowed the size of the viewing lens (the top lens) 'internal compartment' to be reduced, and this smaller compartment was dovetailed with the bottom taking lens 'compartment', which decreased the overall size and weight of the camera. The high-quality lenses, manufactured (by Zeiss and Schneider) further differentiated the Rolleiflex TLR from many of its competitors. The mechanical wind mechanism was robust and clever, making film loading semi-automatic and quick. A wide range of accessories made this camera a more complete system, allowing close-ups, added filters and quick tripod attachment. Some art photographers still shoot with Rolleiflex TLR film cameras and black-and-white film, the later 2.8F and 3.5F models being very popular. Modern Rolleiflex TLRs are still being manufactured; available focal lengths include 50mm, 80mm, and 135mm. The late-model cameras are collectible, particularly in Japan. //- from WikiPedia -// [img[ images/rolleiflex.jpg ]]

![[Polaroid]] *JobPro *LandCamera

[[Camerapedia.org|http://www.camerapedia.org/]] - A camera encyclopedia. Not complete, but has a LOT of cameras. Tommy's Favorites: [[cambridgeincolour.com|http://www.cambridgeincolour.com/tutorials.htm]] - Incredibly in-depth tutorials on everything from lenses to the fundamentals of color. [[Photo.net|http://photo.net/]] - Tons of info and guides [[opacity.us|http://www.opacity.us/]] - UrbEx photography [[how to do anything photographic|http://kenrockwell.com/tech.htm]] [[The Nocturnes|http://www.thenocturnes.com/]] - Night Photography Gallery and [[guides|http://www.thenocturnes.com/resources.html]] [[HDR tutorial|http://hdr101.com/?page_id=4]] Doody's Favorites: [[A Walk Through Durham Township|http://www.durhamtownship.com]] [[Overshadowed|http://www.overshadowed.com]] [[Daily Snap|http://www.dailysnap.com]] [[Kleptography - Don Ellis Photography|http://www.kleptography.com]] [[How to Make Great Photographs|http://kenrockwell.com/tech/howto.htm]]

[[Nikon]] L35-AF GoProHero 35mm

[[Fake tilt-shift lens technique|http://recedinghairline.co.uk/tutorials/fakemodel/]] [[Improve your photographs with classic art|http://www.unfocusedbrain.com.nyud.net:8090/projects/match_color/examples.php]]

Shanghai Seagull Camera Ltd is a Chinese camera maker located in Shanghai, China. Seagull is the oldest camera maker in China.[1] The product line of Seagull includes TLR cameras, SLR cameras, CCD and SLR camera lenses, large-format cameras, film, night vision scopes, and angle viewfinders. Seagull has made 21 million cameras since it was founded in 1958.[citation needed] Seagull adopted Minolta's manual SLR mount and camera design under license, and continues to produce it long after Minolta moved on to automatic cameras.

!!Highlights: *Zeiss 5x (38-190mm equiv.) optical zoom (10x digital) *Night Shot and Night Framing *Laser hologram focus-assist *Was the first 5MP camera on the market [img[Steves Digicams Review|images/sonyf717.jpg][http://www.steves-digicams.com/2002_reviews/f717.html]]

//update me please!// [img[Steves Digicams Review|images/20d.jpg][http://www.steves-digicams.com/2004_reviews/20d.html]]

''TEH BEST CAMERA COMPANY EVAR!!!!!!!1''

GC-105 Medium Format Twin Lens Reflex (TLR) Camera with Built-in 75mm f/3.5 Lens Seagull The Seagull GC-105 is the second of three cameras in the Seagull medium format roster. Like the GC-104 this non-metered classically-styled twin-lens reflex camera is patterned in the time-honored design of older Yashicamats. Its lightweight simple design consists of a waist-level... More finder with pop-up magnifier manual film crank advance and separate shutter speed and aperture levers. The GC-105 includes the same built-in (non-interchangeable) 75mm f/3.5 Seagull lens but also includes a brighter f/2.8 viewing lens that helps make focusing easier. The GC-105 also has a split-image focusing screen (not included in the GC-104). Please note that the GC-105 is only for the 6 x 6cm format and does not contain the additional 6 x 4.5cm format mask included with the GC-104. A major difference between the cameras is the self-cocking shutter of the GC-105 that is activated by advancing the film (The GC-104 requires separate film advance and shutter cocking). The mechanical lens shutter design provides flash synchronization at all speeds up to 1/300 second and there is also Bulb exposure. This camera also features a cold flash shoe and PC terminal for external electronic flash connection. //- from [[Seagull]]'s Website -// [img[ images/gc105.jpg ]] //- image copyright B&H photo. Please don't sue me, I'll take it down if you ask! (^_-) -//

//Update me please!// [img[Steves Digicams Review|images/finepixa210.jpg][http://www.steves-digicams.com/2003_reviews/fuji_a210.html]]

Type the text for 'LargeFormatCameras'

Brownie was the name of a long-running and extremely popular series of simple and inexpensive cameras made by Kodak. The Brownie popularized low-cost photography and introduced the concept of the snapshot. The first Brownie, introduced in February, 1900,[1] was a very basic cardboard box camera with a simple meniscus lens that took 2�-inch square pictures on 117 rollfilm. With its simple controls and initial price of $1 USD, it was intended to be a camera that anyone could afford and use. The camera was named after Frank Brownell, its inventor who was a subcontractor of Eastman Kodak, and then ascribed to Palmer Cox's popular cartoon characters. One of the most popular Brownie models was the Brownie 127, millions of which were sold between 1952 and 1967. The Brownie 127 was a simple bakelite camera for 127 film which featured a simple meniscus lens and a curved film plane to reduce the impact of deficiencies in the lens. Having written an article in the 1940s for amateur photographers suggesting an expensive camera was unnecessary for quality photography, the famous Picture Post photographer Bert Hardy used a Brownie camera to stage a carefully posed snapshot of two young women sitting on railings above a breezy Blackpool promenade. //- from WikiPedia -// [img[ images/brownie2.jpg ]]

Similar in design to many other hinge-fronted cameras Polaroid released in the eighties and nineties, the Job Pro uses Polaroid 600 integral film. The Job Pro and - its successor the Job Pro 2 - are cast in bright 'safety' yellow, to highlight their suitability for building and work sites. The bodies are reportedly designed for durability, but on examination they seem practically identical to 600 models of their era. Polaroid also released two 'Business Edition' 600 models; these were essentially the same cameras as the Job Pro and Job Pro 2 with different colouration. Features common to this series of special market 600-series integral film cameras are: * 116mm fixed-focus 1-element plastic lens * Close-up adaptor that slides across lens * Flash auto-fires for every picture * Exposure compensation buttons on camera front. //- from [[Camerapedia.org|http://www.camerapedia.org/wiki/Polaroid_Job_Pro]] -// [img[Camerapedia.org|images/jobpro.jpg][]]

A camera company specializing in InstantCameras

The Holga is a medium format toy camera that recently became ultra-popular, even something of a cult. It is quite cheap and poorly made. Everything in the camera is plastic, including the lens, and this leads to blown-out, wild-looking photos with plenty of light leaks. The worst optics ever produce some of the most striking images�this is lomography at its best (or worst, depending on how you view it)... //- from [[Camerapedia.org|http://www.camerapedia.org/wiki/Holga]] -// [img[Camerapedia.org|images/holga.jpg][http://www.camerapedia.org/wiki/Holga]]

A toy camera is an inexpensive camera made almost entirely out of plastic, including the lens. They are usually made in China or the former Soviet Union. The Diana, LOMO and Holga are typically the cameras most associated with the term. The dreamy effects of using toy cameras has been documented in plenty of photo exhibits, such as the annual Krappy Kamera show in the Soho neighborhood of New York. Various publications such as Photography magazine dated Fall of 1977 extolled the virtues of the Diana camera, a toy camera, in its own right as an "art" producing image maker. Several books have also featured the work of toy cameras, such as "The Diana Show, Iowa," and "Angels at the Arno" to name a few. //- from [[Camerapedia.org|http://www.camerapedia.org/wiki/Toy_camera]] -//

The Diana camera is a so-called "toy camera" that originated in the 1960s produced the Great Wall Plastic Co. in China. The camera was produced under many names for different markets. Some were sold as promotional items (there is a Readers Digest version, for example). Most Dianas use 120 film but some versions of the camera take 127 or 620 film. The lens is plastic with some vignetting in the resulting photographs. Light leaks are a possibility and a lot of users put black tape over the seams to make the cameras leak proof. Each frame is 4cm x 4cm so a roll of 120 film will give you 16 frames. Focusing is done by twisting the lens barrel to 3 zones, 4-6ft, 6-12ft, or 12ft to infinity. //- from [[Camerapedia.org|http://www.camerapedia.org/wiki/Diana]] -// [img[Camerapedia.org|images/diana.jpg][http://www.camerapedia.org/wiki/Diana]]

Introduced in 1983, the L35AF was Nikon's very first AF compact. Nikon didn't screw around here: the lens is a FIVE element f/2.8, which is just about as sharp as my 17-35mm f/2.8 AF-S that cost me 150 times as much, without a body! The L35AF also offers in-viewfinder indication of focused distance, so unlike with other point-and shoots you know if you are in focus or not. AF is super-accurate; better than some other AF lenses on my F100. My meter was 1/3 stop off; I set ASA 64 for ISO 50 Velvia. Doing that I get great accuracy for slide film. Heck, the meter seems to be smart enough to compensate for bright whites in daylight. Metering is through the filter, so filter compensation is automatically applied. I usually leave an 81A in place all the time. Heck, it actually does have a 46mm filter thread so you can use real filters, unlike any of the other posh point-and-shoots like the 35Ti or Contax T3. I preferred the L35AF to the other $1,000 point-and-shoots back in 1999 because of the ability to use real filters and the in-viewfinder indication of focused distance. As of 2007 I've been given a Konica Hexar and bought a Nikon 35Ti, which were way too expensive for me back in 1999, but today seem far superior. //- from [[Kenrockwell.com|http://www.kenrockwell.com/nikon/l35af.htm]] -// [img[Kenrockwell.com|images/l35af.jpg][http://www.kenrockwell.com/nikon/l35af.htm]]

A very good camera company, almost as good as [[Canon]].

Here is [[a wonderful explanation of RAW|http://www.cambridgeincolour.com/tutorials/RAW-file-format.htm]] >The RAW file format is digital photography's equivalent of a negative in film photography: it contains untouched, "raw" pixel information straight from the digital camera's sensor. The RAW file format has yet to undergo demosaicing, and so it contains just one red, green, or blue value at each pixel location. Digital cameras normally "develop" this RAW file by converting it into a full color JPEG or TIFF image file, and then store the converted file in your memory card. Digital cameras have to make several interpretive decisions when they develop a RAW file, and so the RAW file format offers you more control over how the final JPEG or TIFF image is generated. This section aims to illustrate the technical advantages of RAW files, and makes suggestions about when to use the RAW file format.

@@color(green):''14 November 2009''@@ - My movies to watch tiddler was getting far too long so I split it into 8 separate tiddlers lexographically. - TomG - ---- @@color(green):''29 January 2009''@@ - I added a fix so the usernames wont show up as undefined, but you will need to clear your cookies for it to take effect. - TomG - ---- @@color(green):''15 April 2008''@@ - Over 200 tiddlers! ---- @@color(green):''10 October 2007''@@ - I've added a plugin to drag [[tiddlers]] up or down like notecards, so they can be arranged in whatever order you like. To do this just mouse over the title of a tiddler, and click and drag it up or down then let go. Hopefully this will make organizing things much easier. ---- @@color(green):''9 October 2007''@@ - [[Doody]] and I Have added a ton of photography information under the befitting name of PhotographyStuff, which is located in the menu to the left. - TomG -

TomG is [[Euicho]], the proprietor of this tiddlywiki and author of [[euicho.com|http://euicho.com]]. I have an [[About Me|http://euicho.com/?page_id=134]] page if you'd like to know more about... well, me! Here are some of the places I frequent: *I blog at http://euicho.com *Twitter at http://twitter.com/euicho *post bookmarks at http://del.icio.us/euicho *post photos at http://flickr.com/photos/euicho *and co-host a (fairly) weekly humor/tech talk-radio show turned podcast at http://tmws.euicho.com *I also have a page with most of the rss feeds from the above sites aggregated at http://euicho.tumblr.com Basically, if you search the InterWobbles for [[Euicho]] you'll find me (^_-)

Doody, aka ThunderDood or MadMan, cannot be summed up by mere words. He must tell us himself: Well, after that introduction from TomG, there is not much more to say. I am a meteorologist who is very interested in photography of all types. I enjoy skateboarding reading and hanging out with my friends. Please check out my photoblog at: [[Madman's Photoblog|http://madmane.euicho.com]] You can also find out more about me, and what I am doing at: [[Doody's Twitter|http://twitter.com/datblonddood]] [[Doody's Pownce|http://pownce.com/datblonddood]]

see [[Doody]]

see TomG

Urban Exploration or UrbEx is the act of exploring abandoned or derelict places or structures for the thrill, entertainment, knowledge, and photography. See more here: http://delicious.com/euicho/UrbEx

copic multiliner tombow brush tip staedtler brush tip (foam) duo sakura FABER-CASTELL Pitt Artists' Pens - brush PENTEL Color Brush

http://goldeneyesource.com/ http://www.moddb.com/mods?filter=Search&kw=&released=1&style=def&theme=def&game=61&type=2 http://Zombiemaster.org http://www.dystopia-game.com http://awakening.hl2files.com/ http://developer.valvesoftware.com/wiki/Rock_24#Direct_downloads http://ts.hlgaming.com/home.php http://www.moddb.com/mods/4878/ravenholm/ http://www.moddb.com/mods/7754/penetration/ http://www.moddb.com/mods/5803/minerva/ ------ ZombieMasterTweaks

!Doody's Cameras: *[[Canon]] [[20d]] (Primary) *[[Seagull]] TLR *[[Nikon]] L35-AF *[[Polaroid]] JobPro (600 film) *[[Fuji]] FinepixA210 *GoProHero 35mm point and shoot with Waterproof housing *[[Kodak]] No2ABrownie *[[Sony]] DSC-F17 Doody wants: Konica Hexar

!!sleepers fish, powr, yipp, roo, helt, lupe !!hyper CHPS, EEEEE !!focused ACFI, EEEEE, kson, ldsc, natn, peop, skbd, swnc, tnpt, tsrc, tnah

InterWobbles is a made up word used jestingly for the internet. !!Evolution #internet / the web #interweb #intarwebs #interwobbles //see also// [[weut!]]

A spelling TomG possibly coined, possibly not, for the exclaimation woot!

!Notes //Notes, reminders, and things to remember that are not for [[Reference]]// AnimeToCheckOut BandsToCheckOut BooksToCheckOut MoviesToCheckOut GamesToCheckOut HealthyFoodsToEat AsciiArt AutoSaveOption BirthdayList DoodysTiddler CreepyPasta PortalNotes RussiaPhotos Half-Life2Mods WebGames StarTrekMovies !!Adopted Orphan Tiddlers # ArtPens # BattleField2CoOp # BbsInfo # BpmAnalyzers # ClearMemoryShortcut # ExampleTags # FlashPlayer9OnThe770 # FlickrToys # FunnyQuotes # GoogleMapsLatitudeAndLongitude # GoogleTalk # HackerZines # HarryPotter # HellBoyComics # HotCakeLady # HowToBeatATrafficTicket # InBefore # InlineJavascriptPlugin # InstallJavaMIDlets # [[Jokes]] # L-Lysine # ListAll # MafiaDeath # MailServerInfo # MainMenu # MainePhotographySearch # MalReynolds # PhP # [[Python]] # RearrangeTiddlersPlugin # [[Recipes]] # RemovedShareInfoFromIphoneTemplate # ShowOnlyImagesJS # ShowsToDownload # SiteSubtitle # SiteTitle # [[Sites]] # StyleSheet # SummerInternships # TiddlyWikiFeatures # ToRead # TomToKill # TvShowsToWatch # [[undefined]] # UrbanDead # VideoCardBuyingHelp # WebCams # WordFilter # ZombieMasterImprovements # [[diyBagsAndWallets]] # X64DriverWorkaround

InfiniteLoop

Rollei Retro is the same as Agfa APX (same iso) [[see here|http://www.digitaltruth.com/chart/special/rollei.html]]

Python is a high-level, structured, open-source programming language that can be used for a wide variety of programming tasks. It is good for simple quick-and-dirty scripts, as well as complex and intricate applications. It is an interpreted programming language that is automatically compiled into bytecode before execution (the bytecode is then normally saved to disk, just as automatically, so that compilation need not happen again until and unless the source gets changed). It is also a dynamically typed language that includes (but does not require one to use) object oriented features and constructs. The most unique aspect of Python is that whitespace is significant; instead of block delimiters (braces, in the C family of languages), indentation is used to indicate where blocks begin and end. !!!!!Links [[http://code.enthought.com/enthon/]] [[python.org community|http://www.python.org/community/index.html]] [[python usenet group|http://groups.google.com/group/comp.lang.python]]

/*** ''InlineJavascriptPlugin for ~TiddlyWiki version 1.2.x and 2.0'' ^^author: Eric Shulman - ELS Design Studios source: http://www.TiddlyTools.com/#InlineJavascriptPlugin license: [[Creative Commons Attribution-ShareAlike 2.5 License|http://creativecommons.org/licenses/by-sa/2.5/]]^^ Insert Javascript executable code directly into your tiddler content. Lets you ''call directly into TW core utility routines, define new functions, calculate values, add dynamically-generated TiddlyWiki-formatted output'' into tiddler content, or perform any other programmatic actions each time the tiddler is rendered. !!!!!Usage <<< When installed, this plugin adds new wiki syntax for surrounding tiddler content with {{{<script>}}} and {{{</script>}}} markers, so that it can be treated as embedded javascript and executed each time the tiddler is rendered. ''Deferred execution from an 'onClick' link'' By including a label="..." parameter in the initial {{{<script>}}} marker, the plugin will create a link to an 'onclick' script that will only be executed when that specific link is clicked, rather than running the script each time the tiddler is rendered. ''External script source files:'' You can also load javascript from an external source URL, by including a src="..." parameter in the initial {{{<script>}}} marker (e.g., {{{<script src="demo.js"></script>}}}). This is particularly useful when incorporating third-party javascript libraries for use in custom extensions and plugins. The 'foreign' javascript code remains isolated in a separate file that can be easily replaced whenever an updated library file becomes available. ''Defining javascript functions and libraries:'' Although the external javascript file is loaded while the tiddler content is being rendered, any functions it defines will not be available for use until //after// the rendering has been completed. Thus, you cannot load a library and //immediately// use it's functions within the same tiddler. However, once that tiddler has been loaded, the library functions can be freely used in any tiddler (even the one in which it was initially loaded). To ensure that your javascript functions are always available when needed, you should load the libraries from a tiddler that will be rendered as soon as your TiddlyWiki document is opened. For example, you could put your {{{<script src="..."></script>}}} syntax into a tiddler called LoadScripts, and then add {{{<<tiddler LoadScripts>>}}} in your MainMenu tiddler. Since the MainMenu is always rendered immediately upon opening your document, the library will always be loaded before any other tiddlers that rely upon the functions it defines. Loading an external javascript library does not produce any direct output in the tiddler, so these definitions should have no impact on the appearance of your MainMenu. ''Creating dynamic tiddler content'' An important difference between this implementation of embedded scripting and conventional embedded javascript techniques for web pages is the method used to produce output that is dynamically inserted into the document: * In a typical web document, you use the document.write() function to output text sequences (often containing HTML tags) that are then rendered when the entire document is first loaded into the browser window. * However, in a ~TiddlyWiki document, tiddlers (and other DOM elements) are created, deleted, and rendered "on-the-fly", so writing directly to the global 'document' object does not produce the results you want (i.e., replacing the embedded script within the tiddler content), and completely replaces the entire ~TiddlyWiki document in your browser window. * To allow these scripts to work unmodified, the plugin automatically converts all occurences of document.write() so that the output is inserted into the tiddler content instead of replacing the entire ~TiddlyWiki document. If your script does not use document.write() to create dynamically embedded content within a tiddler, your javascript can, as an alternative, explicitly return a text value that the plugin can then pass through the wikify() rendering engine to insert into the tiddler display. For example, using {{{return "thistext"}}} will produce the same output as {{{document.write("thistext")}}}. //Note: your script code is automatically 'wrapped' inside a function, {{{_out()}}}, so that any return value you provide can be correctly handled by the plugin and inserted into the tiddler. To avoid unpredictable results (and possibly fatal execution errors), this function should never be redefined or called from ''within'' your script code.// ''Accessing the ~TiddlyWiki DOM'' The plugin provides one pre-defined variable, 'place', that is passed in to your javascript code so that it can have direct access to the containing DOM element into which the tiddler output is currently being rendered. Access to this DOM element allows you to create scripts that can: * vary their actions based upon the specific location in which they are embedded * access 'tiddler-relative' information (use findContainingTiddler(place)) * perform direct DOM manipulations (when returning wikified text is not enough) <<< !!!!!Examples <<< an "alert" message box: {{{ <script>alert('InlineJavascriptPlugin: this is a demonstration message');</script> }}} dynamic output: {{{ <script>return (new Date()).toString();</script> }}} <script>return (new Date()).toString();</script> wikified dynamic output: {{{ <script>return "link to current user: [["+config.options.txtUserName+"]]";</script> }}} <script>return "link to current user: [["+config.options.txtUserName+"]]";</script> dynamic output using 'place' to get size information for current tiddler {{{ <script> if (!window.story) window.story=window; var title=story.findContainingTiddler(place).id.substr(7); return title+" is using "+store.getTiddlerText(title).length+" bytes"; </script> }}} <script> if (!window.story) window.story=window; var title=story.findContainingTiddler(place).id.substr(7); return title+" is using "+store.getTiddlerText(title).length+" bytes"; </script> creating an 'onclick' button/link that runs a script {{{ <script label="click here"> if (!window.story) window.story=window; alert("Hello World!\nlinktext='"+place.firstChild.data+"'\ntiddler='"+story.findContainingTiddler(place).id.substr(7)+"'"); </script> }}} <script label="click here"> if (!window.story) window.story=window; alert("Hello World!\nlinktext='"+place.firstChild.data+"'\ntiddler='"+story.findContainingTiddler(place).id.substr(7)+"'"); </script> loading a script from a source url {{{ <script src="demo.js">return "loading demo.js..."</script> <script label="click to execute demo() function">demo()</script> }}} where http://www.TiddlyTools.com/demo.js contains: >function demo() { alert('this output is from demo(), defined in demo.js') } >alert('InlineJavascriptPlugin: demo.js has been loaded'); <script src="demo.js">return "loading demo.js..."</script> <script label="click to execute demo() function">demo()</script> <<< !!!!!Installation <<< import (or copy/paste) the following tiddlers into your document: ''InlineJavascriptPlugin'' (tagged with <<tag systemConfig>>) <<< !!!!!Revision History <<< ''2006.01.05 [1.4.0]'' added support 'onclick' scripts. When label="..." param is present, a button/link is created using the indicated label text, and the script is only executed when the button/link is clicked. 'place' value is set to match the clicked button/link element. ''2005.12.13 [1.3.1]'' when catching eval error in IE, e.description contains the error text, instead of e.toString(). Fixed error reporting so IE shows the correct response text. Based on a suggestion by UdoBorkowski ''2005.11.09 [1.3.0]'' for 'inline' scripts (i.e., not scripts loaded with src="..."), automatically replace calls to 'document.write()' with 'place.innerHTML+=' so script output is directed into tiddler content Based on a suggestion by BradleyMeck ''2005.11.08 [1.2.0]'' handle loading of javascript from an external URL via src="..." syntax ''2005.11.08 [1.1.0]'' pass 'place' param into scripts to provide direct DOM access ''2005.11.08 [1.0.0]'' initial release <<< !!!!!Credits <<< This feature was developed by EricShulman from [[ELS Design Studios|http:/www.elsdesign.com]] <<< !!!!!Code ***/ //{{{ version.extensions.inlineJavascript= {major: 1, minor: 4, revision: 0, date: new Date(2006,1,5)}; config.formatters.push( { name: "inlineJavascript", match: "\\<script", lookahead: "\\<script(?: src=\\\"((?:.|\\n)*?)\\\")?(?: label=\\\"((?:.|\\n)*?)\\\")?\\>((?:.|\\n)*?)\\</script\\>", handler: function(w) { var lookaheadRegExp = new RegExp(this.lookahead,"mg"); lookaheadRegExp.lastIndex = w.matchStart; var lookaheadMatch = lookaheadRegExp.exec(w.source) if(lookaheadMatch && lookaheadMatch.index == w.matchStart) { if (lookaheadMatch[1]) { // load a script library // make script tag, set src, add to body to execute, then remove for cleanup var script = document.createElement("script"); script.src = lookaheadMatch[1]; document.body.appendChild(script); document.body.removeChild(script); } if (lookaheadMatch[2] && lookaheadMatch[3]) { // create a link to an 'onclick' script // add a link, define click handler, save code in link (pass 'place'), set link attributes var link=createTiddlyElement(w.output,"a",null,"tiddlyLinkExisting",lookaheadMatch[2]); link.onclick=function(){try{return(eval(this.code))}catch(e){alert(e.description?e.description:e.toString())}} link.code="function _out(place){"+lookaheadMatch[3]+"};_out(this);" link.setAttribute("href","javascript:;"); link.setAttribute("title",""); link.style.cursor="pointer"; } else if (lookaheadMatch[3]) { // run inline script code var code="function _out(place){"+lookaheadMatch[3]+"};_out(w.output);" code=code.replace(/document.write\(/gi,'place.innerHTML+=('); try { var out = eval(code); } catch(e) { out = e.description?e.description:e.toString(); } if (out && out.length) wikify(out,w.output); } w.nextMatch = lookaheadMatch.index + lookaheadMatch[0].length; } } } ) //}}}

1/3 cup black peppercorns 1/3 cup sugar 1-1/2 tablespoons dried thyme crumbled 1 teaspoon whole allspice Wine (red or white up to taste) dark soy source, mushroom flavour if you can get it (less salty and more flavour) fresh garlic for a terrifically tender steak, marinate it in a combination of olive oil, red wine vinegar, Worcestershire sauce, scallions and fresh thyme for at least one hour and as much as overnight. Heat an outdoor grill or a grill pan on high heat. Place the steak on the grill and DO NOT move it. High heat allows the steak to sear in the juices. For a thick steak, 1 � to 2 inches, turn after 8 to 10 minutes. Sear the steak on the other side. The steak is done when you place your index finger onto the surface and you feel resistance. The less resistance, the more rare the steak. Remember that your steak will continue to cook after you remove it from the grill, so for a juicy steak, remove it from the heat before you feel it is done.

http://www.earthship.org/ http://www.green-trust.org/rammedearth.htm http://www.greenhomebuilding.com/qanda/rammedearthqanda.htm http://www.touchtheearthranch.com/tireconst.htm http://www.touchtheearthranch.com/tirehousefaq.htm http://www.aidg.org/building.htm http://www.tnstaafl.net/Earthship/earthship.html http://www.touchtheearthranch.com/tirestart.htm http://www.genrefluent.com/earthshi.htm http://www.sustainablelivingsystems.org/WCHI%20web%20page/building_construction.htm http://listserv.repp.org/pipermail/greenbuilding/1999-june/014319.html http://en.wikipedia.org/wiki/Earthships http://www.greenhomebuilding.com/qanda/earthshipqanda.htm http://www.daycreek.com/dc/HTML/dc_earthship.htm http://lounz.tripod.com/Earthship/Earthship2.html http://www.lowcarbon.co.uk/ http://lists.ibiblio.org/pipermail/permaculture/1997-July/006621.html http://www.spiritofmaat.com/archive/apr2/eship.htm http://www.bluerockstation.com/face.html http://www.sanjuancountry.com/personalpage/construction.html http://www.earthpower1.com/Earthshipframing.html http://www.sovereignty.org.uk/features/footnmouth/eehome.html of rammed earth have several advantages over wood-frame construction. The walls are fireproof, rot resistant, and impervious to termites. The solid, 18-24 in (45.72-60.96 cm) thick walls are nearly soundproof. The massive walls help maintain a comfortable temperature within the house, damping temperature swings that normally occur on hot summer days or cold winter nights. When designed and oriented to take the best advantage of solar energy, a rammed earth house can be comfortable with 80% less energy consumption than a wood-frame house. When a homeowner uses the unpaid labor of himself, relatives, and friends, and when he can obtain many of the building materials for free, the construction cost can be held to less than half that of a wood-frame house. Historically, the longest lasting rammed earth walls were made of soil that was 70% sand and 30% clay. The soil from a new building site is tested to determine its suitability. Organic material must be removed from the soil and, if necessary, a different type of soil can be trucked in and mixed with the existing dirt to create a blend that will work. Cement may be added to the soil to increase both its strength and its resistance to moisture�usually at about one-fourth the ratio that would be used to make concrete. Steel reinforcing bars are placed in the foundations and sometimes in the walls. Plywood is used to make the removable forms for standard rammed earth construction. Sheets of three-quarter-inch (1.9 cm) plywood are thick enough. High-density-overlay (HDO) panels, which have a thin, plastic coating on one side, work especially well because they release more easily from the wall after construction. This not only leaves a clean finish on the just-completed wall, but it leaves the form boards in good condition to be used on future projects. Rammed-earth tire construction uses discarded automobile tires, aluminum cans, and cardboard in addition to compacted soil. About 1,000 tires are used to build the walls of a 2,000 sq ft (609.6 sq m) house. Design Rammed earth houses are custom designed to make the most energy-efficient use of the site. They can be successfully designed for many climate regions, including humid areas with cold winters. The size and placement of windows is an important factor in taking advantage of solar heating in the winter and cooling breezes in the summer. The house can be positioned to take advantage of hills that offer protection from storms. Shade trees or trellised vines offer relief from summer heat but admit warm sunlight in winter. the tire method, a row of used automobile tires is simply laid atop the concrete footing, perhaps centered around steel reinforcing bars that extend out of the footing. The tires are then filled with soil. About 1,000 tires are used to build the walls of a 2,000 sq ft 1609.6 sq m) house. the prepared soil into these molds, which are removed after the walls are completed. The rammed-earth tire method is a commonly used alternative. The descriptions that follow are overviews of the standard and tire methods. Preparing the site * 1 An inch or two (2.5-5 cm) of topsoil is removed from the building site and stored so it can be replaced around the completed structure. Organic matter such as weeds and roots are removed and may be composted for use in post-construction landscaping. After the site is cleared, the outline of the house is staked out. The soil is excavated to a depth that guarantees a level surface; the excavation includes the floor area of the building as well as a 3 ft (1 m) surrounding buffer zone. A trench may be dug so that the walls will be anchored into the ground to a depth below the winter freezing line. Laying the foundation * 2 The foundation, which is made of reinforced concrete, consists of a footing that may be as narrow as the thickness of the wall or up to three times that thickness, depending on the strength of the underlying soil. The footing is extended above ground level to form a short "stem wall" that will connect the rammed earth walls to the footing. Depending on the architectural design, a slab floor may also be poured. Analyzing the soil * 3 A variety of tests are conducted to determine the suitability of the local soil for construction material. For example, a particle determination test reveals the relative proportions of sand and silt in the sample. A compaction test is performed by forming a ball of mud and dropping it from a height of 3 ft (1 m); the degree to which the ball disintegrates on impact reveals its usefulness for building. Other, more precise, tests can be performed at a geotechnical laboratory. If the native soil is unsuitable or inadequate for building, it can be blended with or replaced by soil from another source. Soil may be purchased from a quarry, or it might be available as refuse from a nearby construction site, in which case it could be delivered free or at a minimal cost. Framing the walls * 4 Traditionally, wood forms were used to build up walls 2 ft (0.6 m) at a time. After the mold was filled with fully compacted soil, it would be removed and reset to form the next section of wall. More efficient methods now allow forms to be constructed for the entire height of the wall (even more than one story). Horizontally, the framework may form the complete length of wall, or it may form shorter panels [e.g., 8 ft (2.44 m) long] separated by 6 in (15 cm) gaps that can be filled with reinforced concrete for enhanced structural strength. Framing is a major component of the construction process, in terms of both importance and time; it usually takes less time to fill and compact the soil within the forms than it does to set, align, and remove the framework. In the case of rammed-earth tire construction, wood forms are not used. A row of used automobile tires is simply laid atop the concrete footing, perhaps centered around steel reinforcing bars that extend out of the footing. After each layer of tires has been filled and compacted, another layer will be added, offset by half the tire diameter from the layer below. Tamping the soil * 5 Traditional tampers are made of a heavy wooden block with a handle extending upward through its center. A more compact version can be made from a 4 in (10 cm) square steel plate welded to a section of 1 in (2.5 cm) pipe. A 4-6 in (10-15 cm) layer of moistened soil is placed inside the form, and a worker drops the tamper from a height of 12-18 in (30-46 cm). In fact, most of the work is now done quickly with pneumatic tampers, and manual devices are used only in tight spaces around electrical boxes or plumbing pipes. After many repetitions with the tamper over the entire surface of the layer, the noise made by the impacting tamper changes from a dull thud to a ringing sound. This happens when the soil has been compacted to about half of its original volume. At this point, another layer of prepared soil is added, and the tamping process is repeated. When the tamping is finished, the wood forms are removed. The tamping process is different when tires are used as the framework. In this case, a sheet of cardboard is placed across the bottom of the hole in the tire, and moistened soil is shoveled into the tire. The dirt is packed by hand into the interior of the tire, and then it is compacted by repeated blows with a sledge hammer. Using this technique, about three wheelbarrow loads (350 lb or 158.9 kg) of soil can be packed into each tire. Pounding the dirt causes the tire's walls to bulge, interlocking the tire to the row below. As additional layers are added and the wall becomes taller, scaffolding must be constructed so workers have a place to stand while filling and pounding the tires. Finishing the walls * 6 Interior faces of walls are often finished with plaster. If such a coating is not applied, the wall should be treated with a clear, penetrating sealant to prevent dust from sloughing off. Because stone (even when manmade from rammed earth) is somewhat porous, it may be necessary to apply sealant to weatherproof the exterior faces of the walls in certain climate areas. Rammed earth tire walls are finished by inserting aluminum cans into gaps between the tires and filling remaining voids with adobe (straw-reinforced mud). Earth is packed against the exterior face of the wall, creating a flat surface that completely conceals the tires. Wall interiors are finished with 2-4 in (5-10 cm) of plaster or stucco. Byproducts/Waste Rammed earth structures use natural resources efficiently. Those made of packed tires even make productive use of some of society's trash. Because the tires are sealed within 3 ft (0.9 m) thick walls, neither oxygen nor the sun's ultraviolet rays can react with them. This means they cannot catch fire and they do not release toxic chemicals. The structures qualify for better fire ratings than wood-frame buildings, and they do not smell of rubber. ======================================== Difficulty meeting building codes? ========================================

1/4 c. orange juice 2 tbsp. ketchup 2 tbsp. melted butter 2 tbsp. chopped parsley 1 finely chopped garlic clove 1/2 tsp. oregano 1/2 tsp. pepper 1/2 c. soy sauce 1/8 c. dry white wine 1/2 c. olive oil 2 tbsp. Dijon style mustard 1 tsp. Worcestershire sauce place in shallow baking dish. Combine remaining ingredients. Pour over fish and let stand for 30 minutes turning once. Remove fish, reserving sauce for basting. Place fish in well greased hinged wire grills. Cook for 8 minutes on grill (barbecue). Baste frequently while cooking. Turn and cook 7 -10 minutes longer or until fish flakes with fork. Serves 8.

YoonFamilyKalbi ASimpleBrine VeganPancakes SwordfishMarinade http://blog.cookingwithtraderjoes.com/2009/07/21/sweet-and-sour-tofu-stir-fry.aspx

http://www.abandoned.ru/ http://www.stumbleupon.com/tag/russia/ http://englishrussia.com/?p=720 http://community.livejournal.com/urban_decay/ http://www.schicklerart.com/archive/russian_photography/index.htm http://del.icio.us/search/?all=russia%20photography&page=2 http://www.photoblogs.org/bookmarks/russia

https://secure.logmein.com/products/hamachi/list.asp I think we just install this, create a VPN with it, then one of us hosts a server.

{{{ sudo gainroot wget http://nmacleod.com/nokia/n800/microb_flash-4.2007.tar.gz tar xvzf microb_flash-4.2007.tar.gz -C / rm /usr/lib/browser/plugins/libflashplayer.so tar xvzf microb_flash-4.2007.tar.gz -C / cd /usr/lib ln -s libplayback-1.so.0.0.4 libplayback-1.so.0 ln -s /usr/lib/browser/plugins/libflashplayer.so /home/user/.mozilla/plugins/libflashplayer.so tar xvzf microb_flash-4.2007.tar.gz -C / }}}

Amnesia Assassin's Creed (Director's Cut Edition) Assassin's Creed 2 Batman: Arkham Asylum battlefield: bad company 2 bioshock 1 and 2 blur borderlands Civ V company of heroes crysis Crysis: Warhead dante's inferno dead space 1 & 2 deus ex 2 Dragon age origins enemy teretory: quake wars fable 2 far cry 2 god of war 1 and 2 gta iv halo 2 and 3 jade empire kotor I and II mass effect Medal of Honor: Airborne mirror's edge modern warfare 2 overlord Penumbra project origin quake 4 Red Faction: Guerrilla resident evil 5 section 8: prejudice silent hill 5 spore stalker call of pripyat system shock 2 team fortress 2 The Chronicles of Riddick: Escape From Butcher Bay - Developer's Cut timeshift Transformers: War For Cybertron Tribes: Vengeance uncharted 2 you are empty

BlockbusterRecommendations JapaneseHorror UpcomingMovies ------------ MoviesList -------------- PhilipKDickMovies ------- ConspiracyMovies

Valkyrie Wansapanataym Warlords (Tau ming chong), The wasteland We Live in Public we own the night Whalerider Whatever works Whisper of the Heart World Cinema Zombie Strippers

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*If you have no preference for f-stop (DoF is not an issue) try f5.6. True f2 would make for a much shorter exposure, but it will also lead to more haloing.

DoF, or Depth of Field, is the portion of a photo that is in focus. A higher f number (smaller [[Aperature]] hole) gives greater DoF, at the risk of losing image quality through [[diffraction|http://www.cambridgeincolour.com/tutorials/diffraction-photography.htm]].

http://www.krages.com/phoright.htm

http://kenrockwell.com/tech/notcamera.htm Just one man's opinion, but I've long agreed with this. Plus, he quotes Ansel Adams' similar point of view on the matter. I feel you should buy your camera based on what you need. "I want to take night shots, ergo I need a camera that will do 20minute exposures if I want." or "I want to shoot some skateboard sequences so I want a camera that can do X FPS burst." etc...

{{{ <?php if ($single) { ?> <div style="float: right; margin: 6px 0px 6px 12px">  </div> <?php } ?> }}}

http://bermangraphics.com/press/ebay.htm [[add photo metadata|http://www.microsoft.com/windowsxp/using/digitalphotography/prophoto/photoinfo.mspx]] http://shutterstock.com http://www.dreamstime.com http://istockphoto.com/index.php

[[Ebay Fine Cameras and Watches|http://stores.ebay.com/Fine-Cameras-and-Watches_W0QQcolZ2QQdirZ1QQfsubZQ2d33QQftidZ2QQtZkm]]

[[BPL|http://www.burrellprolabs.com/stockhouse/home.htm]] - check the expired link toward the bottom of the page. [[photosuperia.com|http://www.photosuperia.com/fuji-chrome-velvia-rvp-120-100f-speed-medium-format-slide-film-pack-of-dating-052007-p-298.html]] http://www.ultrafineonline.com/fuprord10pr1.html http://www.ultrafineonline.com/fucn100sucop.html

A continuation of Eastman Kodak's successful Brownie Camera line, the No. 2A Brownie took 2� x 4� inch exposures on size 116 rollfilm. This model dates to later in the production run, as it is of metal construction. Most of the first Brownie Cameras in all sizes were made primarily of heavy cardstock covered with black leatherette.

IncidentVsReflected MeterForLandscape

From [[this photo.net forum|http://photo.net/bboard/q-and-a-fetch-msg?msg_id=00EEFE]] Differences between incidence and reflected light meters. Tim Armes, Nov 18, 2005; 09:38 a.m. Hi all, I hoping that someone here will be able to explain something to me that's been playing on my mind for a while - the difference in usage between incident and reflacted light meters. I understand that an incidence meter mesures the amount of light falling on a subject, whereas the reflected light meter meters the amount of light being reflected back off the subject, but I don't understand the following: 1) How is the incident meter useful? The reflected light from a metal sheet will be far higher than that off black cloth, even if the light source is the same. Since the incident meter knows nothing of the material, how can it possible give you an exposure level for the object? 2) Why so you have to face the indicence meter at the camera rather than the source when taking a reading? 3) When would you use one type of meter over the other? Why? I ask you to read this article: http://www.ephotozine.com/techniques/viewtechnique.cfm?recid=195 Now, the author says: "... what you want is a situation where the background is 2.5 f/stops brighter than the subject. If your meter will allow you to do this, the very best way is to take a reflected light reading of the background and an incident reading of the subject. The reason for this is that the reflected reading takes into account the colour of the background while the incident reading of the subject is independent of colour and reflectivity." What does the colour of the subject matter when calculating the exposure? How does this achieve the 2.5stop difference? I don't get that at all. He goes on to explain: "...if your meter does not allow you to take reflected light readings, use it in incident mode, both at the background position and at the subject position and adjust diffuser and light until you get the same reading at both positions." Same reading? How will this achieve the 2.5stop difference? "...If you can only take reflected readings use the meter directly at the background, onto an 18 percent grey card at the subject position and aim for the same reading at each position. Starting with a white (ish) background, you will now have a true white background for your images." I'm still lost. The background meters x eV to be rendered 18% grey. The grey card also needs x eV to be rendered 18% grey. Take the photo - grey card against grey background. What am I missing? Thanks for you help, Tim Answers Kelly Flaniganphoto.net patron prolific poster, Nov 18, 2005; 09:56 a.m. The incident meter will give a far better exposure for a snow scene; beach; or hockey rink surface. A refective meter will tend to underexposue; and give you grey snow; a greyish beach; a grey ice rink floor. Reflective meters are will give a decent exposure with a grey object. With a white obeject they underexpose; with a black object they over expose. Many of us old timers jsut still use a refective meter most of the time for casual images; and just bias up or down the exposure; based on experience with white and dark objects. With a refective meter; a dark; grey; and white object will tend to all come out greyish; since you are not using a proper reference in 2 of the 3 cases. Kelly Flaniganphoto.net patron prolific poster, Nov 18, 2005; 10:03 a.m. There can also be NO correct exposure for a "snapshot"; since the lighting ratio is too broad. Here filling the shadows; moving the lights; setting up reflectors will make the scene/photo manageable. In movies a HUGE amount of effort is placed in lighting; and understanding lighting ratios. I feeel folks who only do still photos sometimes get caught up in the "grey card debate" and metering and ignore lighting. The incident meter is common in movie work; copying; product photography; etc to gain control of lighting. Tim Armes, Nov 18, 2005; 10:13 a.m. Hi, Thanks for your responses. I'm so used to the idea of compensating for a reflective meter bases on the subject that I grasped the fact that you don't need to compensate for an incidence meter, good point. Now, how does that work, exactly? The meter knows exactly how much light is needed to produce a correct exposure for a given ISO, and returns a suggested aperture/shutter speed to expose a 18% subject being subjected to the given amount of light? Kelly Flaniganphoto.net patron prolific poster, Nov 18, 2005; 10:16 a.m. The grey card evolved from copying ; process work; and graphic arts before WW2. The white side of the card was a 90 percent reflectance; the reverse on FIFTH the reflectance. This is where the 18 percent number comes from. With weak wimpy early meters; many times the needle barely moved; and reversing the card would move the meter. Thus one could get a reading; and increase the timed copy shot by 5 times. Most shots with these graphic arts cameras are times with a timer; turning off the lights on and off for the exposure. The grey card/white card was used with graphic arts work to get trial exposures and was used in the graphics arts photo industry when FDR was president. The whole saga of "If meters where or where not calibrated for 18% grey cards" didnt existl; there wasnt even a ISO or ASA system before WW2. There was a different system for each meter maker; one for GE; one for Weston meters etc. The ASA sytem was developed for the military during WW2; to cut thru the crap 3 or 4 film speed systems. Your "Defender" film might be Weston 10; Ge 13; Kodak speed 40. Kelly Flaniganphoto.net patron prolific poster, Nov 18, 2005; 10:23 a.m. The white dome of an incident meter is pointed towards the light; it measures the light level. Then magically :) this gives the expsoure level. If the suns output dropped in half; the meter will know. If you read with a reflective meter; the dark uniforms and white uniforms will give different meter readings at a basketball game. If a shot has both sides players; do you expose to make the black team grey; or the white team grey; or make them look correct? Which shot would look best? Kelly Flaniganphoto.net patron prolific poster, Nov 18, 2005; 10:42 a.m. With an old copy camera; the exposure was measured; dialed in; and the first negs seen. Then the SAME exposure might be most of the time used for newspaper; blueprints; bluelines; business cards; flyers; since lighting was the same; controlled with a voltage regulator. With a reflective meter you can be chasing your own tail; each object gives a different exposure; with the lighting fixed. Folks use incident light meters to gain control; reduce scrap; have better yields. In move work the burn rate is many thousands of dollars per hour; gaining control keeps costs in check. Understanding lighting and metering is "KEY" to helping with these costs. There maybe NO exposure that is correct for a scene; because the lighting is toooooo harse. No amount of farting around with 18% grey cards and incident meters will move the lights. The lights and reflectors are moved by a human. Metering is just a tool; changing the lighting requires timing of an outside shot; fill lights; fill flash; or extra lights and reflectors; or moving the subject. Camera makers have sold the public on their XYZ cameras meter will make the killer babe shot with crappy lighting. Lighting requires experimenting; stuff folks rarely do much anymore. Many folks want to "buy" the camera that ABC uses; and ignore the lighting stuff. Even in the 1960's/1970's SLRs were marketed' "its fully automatic; its fully you" - Konica? Guy Hammondphoto.net patron prolific poster, Nov 18, 2005; 10:51 a.m. Aye, the most useful reflective meter is a spot meter. You meter something, decide how many stops above or below the mid-grey you want it, and dial that number in, not the number the meter reads. You would only transcribe a spot meter directly if you pointed it at a grey card (IMHO). jim feldman, Nov 18, 2005; 12:13 p.m. use both! I won't repeat all the good reasons to own an incident meter, but a spot meter is very handy for understanding the dynamic range of your scene. If, after testing with your digi cam/workflow or profiling your film/development process, you know you have say +2.5 and -3 stops of range (center being the 18% mark), then you can predict if you can fit your scene to your process. It also can tell you if you need to bias the exposure up or down to hold shadows or keep highlights from blocking/blowing out. I have two seperate meters, but Sekonic makes a combo. Heller Harrisphoto.net patron, Nov 18, 2005; 01:12 p.m. Sekonic.com: Incident vs Reflective Metering Jonathan Brewer, Nov 18, 2005; 01:44 p.m. Kelly has hit the 'nail on the head', there's exposure and there's lighting, one is incorporated in the consideration of establishing the other, the masters of duplication/establishing a many times naturalistic setting in scene, whether it was Cinematographer Conrad Hall, or Rembrandt, considered where they were going in what they did with their lighting. It's not JUST exposure, but an effort to SUGGEST/SAY something, to show this mood, this time of day, this effect, and in doing that, ultimately you can say there's no such thing as the CORRECT exposure, THERE IS 'looks right', 'looks very interesting', 'I like that effect, how did you do it',....and so forth. See a movie called the 'Conformist', a lighting masterpiece, when watching this movie, consider that most movies are shot w/tungsten balanced film, sensible because when shooting inside on the set, traditionally, the scenes were lit w/tungsten lights, and when the crew moves outside on exteriors, the Asst. Cameraman doesn't have to be told to slap on the 85B in front of the lens, a warm filters which balances the film for the additional blue hitting the scene from the sun. In the 'Conformist', you'll see a then innovative technique, one interior scene is lit w/tungsten lighting, you can see through the windows that it's snowing, it's also blue, because the DP didn't correct for the light coming through the windows, and it looks blue and cold, it looks NATURAL, the shot inside is lit w/tungsten lights, exposed on tungsten balanced film, and the daylight streaming in registers a blue hue, which because it's snowing, accentuates the effect of 'it's cold outside', IT LOOKS RIGHT, because the DP DOESN'T correct for the mismatch between daylight and a tungsten balance film. There's no right or wrong, or correct, only did what you do work, and why you did it. Clay Ransom, Nov 18, 2005; 02:42 p.m. Heres the old exaple were did in school. (If you can get a hold of a 4x5 camera and some b&w polaroid film it helps this example) You have a guy with a black shirt standing infront a black wall. You take a refective meter reading. Its taking a reading of all that black with a little skin and it is make a reading based of 18% grey. The picture is obviously much darker than 18%. So, what the picture is underexposed and the man face is white and lacking detail. The reverse is true also. White shirt, white wall and the mans face is overexposed and very dark. By using the incedent light meter will only read the light that is falling on the subject. Reading the light at 18% grey and giving you the correct exposure. So it reads all the light hitting the subjuct, where that relective meter only picks up the light reflecting off teh subject. Incednet light meter are great in situation where you can get close to a subject. reflective are great for landscapes etc. The best is learn how to use you meters togeather for "proper exposure". I hope this makes since my typing dosent always work like my brain. I hoped it helped. Ben Holland, Nov 18, 2005; 03:37 p.m. Heller, brilliant. I was thinking of the following comparison (I have it in a book), http://sekonic.com/BenefitsOfIncident.html and when I checked your link, the precise images I had in mind were just one link away from there. The most concise demonstration between incident and reflective I've found yet. Tim Armes, Nov 21, 2005; 06:10 a.m. Thank you all for your answers. I now understand from you answers and posted links that the incidence meter effectively acts as a neutral grey subject. You face it towards the camera (and NOT the ligt source and someone else suggested) and it essential tells you the exposition that would be needed to expose a neutral grey subject at that point as a neutral grey subject on the film. With the exposure set, all other objects shoould fall into place - white will be white, black will be black, etc. By facing it at the camera you're considering the light that would be reflected back to the camera from the subject. It's all very simple when the principles are explained. That all said, the other questions that I posed regarding the studio lighting on a budget link still don't make much sense to me. I now understand why the incidence reading should be the same for the foreground and background, but I still don't think that you should aim for the same readings when using a reflected light meter. And I'm still confused by his "very best" method of using an incidence reading on the subject and a reflectance reading on the background. He doesn't actually explain what he's aiming for with each reading (same value or 2.5stops difference) Thanks, Tim

From [[this photo.net forum|http://photo.net/bboard/q-and-a-fetch-msg?msg_id=00DnvR]] metering a landscape russel wong, Oct 08, 2005; 08:58 p.m. i only have a handheld meter (not spot meter) and would like to know how to meter a landscape. also, how do i meter for sunrise/sunset situations that will get me the mood and not neccesarily detail.does fog/mist alter the meter reading? Answers Stephen Lewisphoto.net patron, Oct 08, 2005; 09:20 p.m. Expose for highlights if you're shooting slides, shadows if you're using negative film (particularly B&W). Try to have no more than 5-7 stops difference between the brightest and darkest portions of the scene (so you don't blow the highlights or block the shadows). Mist or fog can alter the situation depending on whether the mist/fog is brighter or darker than the rest of the scene. If you're having trouble discerning just what you're metering, use a substitute object closeby which has the same range of brightness. I used a reflective broad meter (not spot) for the first 15 yrs and never had a problem with landscapes using the above guidelines. Try them out and record on a piece of paper your exposure (shutter & f stop, and what you based your exposure on)) for each shot, after you have the results (slides or prints) visually compare the results against your log to see where you could have improved your results. Before you know it, it will become second nature to you. russel wong, Oct 08, 2005; 09:39 p.m. THANKS STEPHEN.i was referring to BW negs.so u use a reflected reading and not a incident reading? Stephen Lewisphoto.net patron, Oct 08, 2005; 09:59 p.m. Russel - I've used both, although I tend to use reflected readings about 80% of the time and incident readings about 20 % of the time. It really depends on where I am (relative to the scene I'm photographing) and what light I can best measure. A friend who's relatively new to photography borrowed a medium format camera of mine a couple of weeks ago, put in some Velvia 50 and went to try out his skills using a reflective meter and the sunny 16 rule. Last week he brought me the results which included some outstanding sunset shots right on the button along with some daylight landscape shots in semi-wooded/landscaped areas which could have come from a travel magazine. I was astounded at his initial results, and he was a happy camper. We agreed that taking time, thinking through the process, and using a tripod helped him be successful. I'm sure you can achieve the same degree of success. Roger Hicks, Oct 09, 2005; 04:15 a.m. Dear Russel, Use the reflected mode, and 'favour' the shadows, i.e. point the meter towards the darkest area of the scene, without necessarily going out of your way to get close to it. Cheers, Roger (www.rogerandfrances.com -- and take a look at Photo School on that site) Edward Ingoldphoto.net patron prolific poster, Oct 09, 2005; 09:20 a.m. Incident light readings are often the best choice if the subject is close, like closeups in nature or the studio. This is problematic for landscapes, when you generally cannot measure from the subject position. Instead, you must guess that the meter is in the same light or take a reflected reading. Furthermore, landscapes often have a wide brightness range where you desire detail in both shadows and highlights. For that, the best choice is a spot meter and a working knowledge of the Zone System. Since you have an averaging (reflected light?) meter, you can't measure the dynamic range to be captured. The acceptance angle is typically 15 to 30 degrees, or more. In this case, make a judgement whether the scene is dark, light or average, and compensate from your direct reading. If dark, open up 1 or 2 stops, etc. Alternately, measure you hand (or a grey card) held in light similar to the subject. Remember, a bright light or area (cloudy sky) will over-influence your reading. Blue sky is easy - north sky is Zone 5. It takes experience to use a spot meter correctly - it depends on the results you wish and feedback from your results. As a rule of thumb, you want to measure the brightest and darkest areas in which detail is desired. For B&W film, those shadows should be place between Zone 2 and Zone 5 (-3 to 0 stops under reading). The highlights will mostly take care of themselves, but you may have trouble with detail in spots higher than Zone 8 (determined once you have placed the shadows). You can adjust development times with B&W to alter the contrast for more or less dynamic range as needed. With fog or mist, decide whether you see a dark mist, bright mist or average mist, and adjust accordingly from the direct reading. The meter will always render the target as medium grey - Zone 5 - which is generally too dark (underexposed) for the "foggy" effect. For sunsets, again determine what is important. If you meter the sun directly (and it's not off scale), it will be rendered as dark orange, and everything else will be as silhouettes or shadow. If the clouds have detail and color you wish to retain, point away from the sun, perhaps 15 to 30 degrees, to the middle of the area you see as important. It pays to bracket - plus or minus 1 stop increments are close enough for B&W (or negative color). David Senesac, Oct 10, 2005; 05:16 p.m. I use a digital 5-degree spot and incident meter for my large format work. I tend meter landscapes both incident and spot and note readings in EV values. Even though the results of my exposures have been surprisingly accurate I feel it is wise for a landscape photographer to continue gaining regular experience and skill at estimating proper exposures because such can be the most critical part of the photography process. Also the variety of landscape and nature lighting is vast and complex for which a human mind has the potential to improve on any robotic scheme that ever might be devised. I've gotten skilled enough that by my eyes alone I can usually guess pretty accurately what the incident EV reading will show unless it is overcast or early or late in the day. For digital work one can take and immediately look at saved results and then tweak exposure on followup shots. But for conventional film like the Provia 100F I use, one either must bracket or guess accurately. And because 4x5 sheet film and development is pricy, I often choose not to bracket and rather rely on being accurate with just one shot. Just metering parts of a landscape and mathimatically combining the results won't guarantee good results. Landscapes tend to have a considerable range in brightness values. And of course evenly illuminated different colors all meter differently than 18% gray. Also the different colors meter differently if the sun is front lighting the subject or one is using the range of side lighting. Depending on what one considers the important elements in a scene, will also influence an exposure setting. I prefer to read out and think in EV values and later set shutter speed and aperature because relating single numbers to lighting is mentally simple leading to a better grasp for natural lighting. I tend to pay more attention to perpendicular to the sun incident readings because that provides a general indication of the overall lighting from which other readings and scene specifics can be modified. That is especially useful early and late when spot metering off objects or skies can be tricky. Of course one must always rely on comparing the results of exposed film to what settings one used in order to fine tune one's ...guessing. ...David www.davidsenesac.com Jeff Bishop, Oct 12, 2005; 06:28 p.m. Another thought is that if you are shooting slides, I would try to keep the light within three stops. This is still pushing it, as if I remember correctly slides shouldn't exceed a 3:1 light ratio. (Ref: Kodak Pro Photo Guide). The 3:1 ratio is only about 1 2/3rds stop between the brightest and darkest areas. Good luck finding that in nature!

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4Chan is an image board website based on the Japanese 2Chan imageboard. It is host to the infamous and highly offensive [[/b/]] board (where [[Anon]] resides), as well as other interesting though usually [[NSFW]] boards. It started mainly as a sort of english version of 2chan started by moot, a somethingawful.com forum user that saw room for improvement. 4Chan began with mainly Japanese pop culture boards like anime, hentai, comics, etc, but now hosts forums for most any topic of interest to a bored male on the internet. Some women frequent 4Chan but if they post photos of themselves asking if they're pretty or not they immediately get a "TitsOrGTFO!" Dispite its flaws and the horrible people that frequent 4Chan, it is usually so damn funny that you can't help yourself from checking it out when bored on the net (as long as you are able to NEVER take anything on 4Chan seriously). //Note: The owners and contributors to this TiddlyWiki are not racists or pedos. It is the non racist, non pedo stuff on 4chan that is funny. We pay no attention to the rest.// (^_^) !!4Chan Links [[4ChanGlossary]] http://4chan.org - The Main Site http://status.4chan.org - If 4chan is down http://shii.org/2ch/ - The Overchan http://rapidsearch.yi.org/?faq=1 http://party-van.blogspot.com/ [img[ http://www.lurkmore.com/wiki/images/thumb/6/6c/WelcomeTo4chan.png/400px-WelcomeTo4chan.png ]]

Acronym for Not Safe For Work

Hallo! This is a glossary for 4Chan terms and memes that aren't immediately obvious. Please feel free to contribute. See the Example4ChanGlossaryEntry for the format of an entry. ^^//note: do not tag [[4Chan]] glossary terms with "definition". Instead use only "4ChanGlossary" with that exact capitalization. Thanks!//

@@color(darkviolet)://noun//@@ Anon is short for Anonymous, referring to the fact that posting on /b/ used to be forcedly anonymous. That is no longer so, but hardly anyone signs posts with a name. You can be the biggest asshole in the world when you are anonymous. !!Usage # Anonymous is legion # Anonymous never forgives # Anonymous can be horrible, senseless, uncaring monster # Anonymous is still able to deliver

//see// [[Anon]]

@@color(darkviolet)://noun, verb//@@ When a meme, thread, or picture is so amazing that you feel it is the funniest thing you have ever seen, and can look back upon it with fondness and still find it funny 2 years later, it was an Epic Win. Otherwise it is just a normal post, a [[Win]], [[Fail]], or perhaps EpicFail. Unfortunately many people throw the term around far too often when they really just mean [[Win]] or just don't know what the hell they are talking about. !!Usage "This thread is an Epic Win!" or "Did you see Matt Epic Win last week? That was amazing!" !!SOME Examples of Epic Wins *[[The 300 meme|http://www.encyclopediadramatica.com/index.php/300]] *[[Epic 4chan threads google search|http://www.google.com/search?q=epic+4chan+threads&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:en-US:official&client=firefox-a]] see also [[Win]], [[Fail]], EpicFail

@@color(darkviolet)://verb, noun//@@ When someone attempts to be funny, but is not funny at all, they Fail. Also, their attempt is said to be "a Fail". //see also EpicWin, [[Win]], EpicFail//

@@color(darkviolet)://verb,noun//@@ When a meme, thread, or picture tries for greatness, but falls short in the most abysmally horrible way, it becomes an Epic Fail. Do not confuse Epic Fail with a regular [[Fail]], which would be an attempt at [[Win]] or EpicWin that sucks, or is just retarded, but is not so on a grandiose scale. This is a common error made by so-called "NewFag"s //see also// EpicWin, [[Win]], [[Fail]]

@@color(darkviolet)://verb,noun//@@ When someone make a very funny remark, thread, picture, etc, it becomes a Win. It may not be considered for EpicWin status unless the general consensus of the entire InterWobbles is that it is possibly the most hysterical thing ever. //see also// EpicWin, [[Fail]], EpicFail

@@color(darkviolet)://noun//@@ A Pic Win is a bastardization of EpicWin as pronounced by Shit Talker version 1.2 by Jaundice.

!Official Group: ACES or The Holders of Decay Website: The Holders of Decay !!Just brainstorming Dark Wanderings League of Unsubtle Historians Nights/Days/Knights of Ruin Rogue Historians Society The Holders of Decay ~IndArc (Industrial Archaeologists OR Industrial Archaeology Society) Unhabitation

@@color(darkviolet)://noun//@@ A corruption of "source". Sauce! or SAUCE! is a [[/b/tard]]'s way of asking for the source of an image, usually for porn so that they can [[Fap]] to it.

@@color(darkviolet)://verb,noun//@@ definition goes here. ''Note: usage/examples/see also may be optional'' !!Usage //see also// tiddler-link-goes-here

The Japanese name (meaning "four leaves") of not only 4chan, but a myriad of people, fictional and otherwise. The favorite around 4chan is Yotsuba Koiwai from Azuma Kiyohiko's manga Yotsubato. She is a green-haired girl with 4 short pigtails, and is 4chan's unofficial mascot. [img[ http://upload.wikimedia.org/wikipedia/en/0/0b/4chan.png ]] From [[www.lurkmore.com/wiki|http://www.lurkmore.com/wiki/index.php?title=Yotsuba]]: > 25794137 > >On 29th of April 2007 some idiot (or possibly a deliberate troll) posted in /b/ a request of Rule 34 on Yotsuba, 4chan's mascot and 404 error icon, calling her "404 girl". This was obviously the result of not LURKING MOAR and was unanimously dubbed "The failest post to ever fail". Since then, a number of trollings using that very same request, in a copypasta manner, were seen on /b/. Since this is a relatively new meme, /b/tards that didn't LURK MOAR often fall for it and take the OP seriously. This results in often funny threads and fetches a few lulz.

@@color(darkviolet)://phrase//@@ Posted to predict that an established meme will soon be posted in the thread, in the form of "In before [meme]." If the predicted meme is indeed posted, a reply of "In after [meme]." may follow. Slightly more rarely, the initial prediction may be replied to with "In with [meme]." or "In during [meme]." It can also be applied to tripfags who have predictable behavior and will often post in such thread that are relevant to their interest.

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@@color(darkviolet)://noun//@@ A term describing the lurkers at [[/b/]]. !!Usage "All the [[/b/]]tards are bogging down 4Chan so I can't read /p/" /b/ = </life> //see also// [[Anon]]

@@color(darkviolet)://verb//@@ To fap, or [[Fapping]] is a euphemism for masturbating !!Usage "Damn! I'd fap to it."

http://ipv6.google.com/search?hl=en&q=Google+Maps+%2B+Yahoo+Geocoding&start=10&sa=N http://groups.google.com/group/Google-Maps-API/web/resources-non-google-geocoders?pli=1 {{{ yfQOxFTV34HPX1p81u3hPjXOEcg8.FgWfFcjwMtMJC1PcAb8K5R1Q4BsZq7f }}}

@@color(darkviolet)://verb,noun//@@ (Japanese, pronounced "sah-geh", short for "sageru", meaning "to lower") On both Futaba and 4chan, placing "sage" in the email field when posting prevents a reply from moving a post to the top of a page. As posts stop being bumped when a certain number of replies (which varies from board to board) is reached, sage can sometimes prevent crappy posts from ever returning to the top of the page. But it usually doesn't, because trolls tend to deliberately bump any saged thread they see. One of the major concepts carried over from 2chan to the other chans, [[Age]] and Sage determine whether a reply will bump a thread to the top of the page. !!Usage Put "sage" in the email field of your reply to a post made of [[Fail]]. //see also// [[Age]]

@@color(darkviolet)://verb,noun//@@ (Japanese, pronounced "ah-gay", short for "ageru", meaning "to raise") The opposite of [[Sage]]. On both Futaba and 4chan, any ordinary reply is an "age", bumping it to the top of the page (at least until a large number of replies have been made). Placing "age" in the in the email field is unnecessary, but is sometimes done to signify a particularly enthusiastic "age". //see also// [[Sage]]

@@color(darkviolet)://phrase//@@ I came is a translation of ｷﾀ Which is the Japanese equivalent to [[Win]], popularised through the series 'Densha Otoko', it means 'Its come', but is usually translated as 'I came'.

@@color(darkviolet)://noun//@@ The 4chan team put them in place a while back, apparently, just for the hell of it. When submitting a post to /b/, any specific word or phrase (typically meme-related ones that are heavily overused) may be changed to something else. The mods make wordfilters out of annoyance at overused memes, for the lulz, or both. !!Wordfilters in /b/ sup == RON PAUL then == than 7chan == 8chan b7 == a random letter a-h followed by a random number 1-8 bring back == down with buttsex == BUTTSEX (displayed in wacky font and background colours) divide by 0 == divide by n (where n=1-9) divided by 0 == divided by n (where n=1-9) duck == egg fatget == I AM A HUGE FAGGOT. PLEASE RAPE MY FACE. ftw, for the win == sucks GNAA == RIAA grinman == bitchtits (as of midnight feb 21 2007) help == he;lp is back == is back (IN POG FORM) moar == more niggers and biscuits == wiggers and triscuits over 9000 == under n (where n<9000) penis == PENIS (displayed in wacky font and background colours) penis penis penis penis penis == PENIS (no background color, rest of post gets removed) rule 34, rule34 == rule (random 10-digit number) stickam == butts terrorism == viral marketing terrorist == mooninite vagina == VAGINA (displayed in wacky font and background colours) zomg == zing {{{:votedrelin:}}} == The code to make the "5" gif appear in a post, if you are a mod. The graphic is a nod to 4chan's secret /5/ board which died. //from www.lurkmore.com//

//@@color(gray):10.29.7007@@// http://www.newegg.com/Product/Product.aspx?Item=N82E16814150285 http://www.newegg.com/Product/Product.aspx?Item=N82E16814130339 [[From j3r3my|http://www.overclock.net/graphics-cards-general/54675-graphics-card-ranking.html] !!Piplelines and Clock Speeds Entry-level cards usually have four pixel pipelines. Midrange cards have 8 or 12 pipelines. High-end cards have 16 or more pipelines. Higher clock speeds are always better, but if you're choosing between pipelines or clock speeds, it's usually better to select more pipes over more MHz. Having eight pipelines running at 400MHz is much better than having four pipelines running at 500MHz.

One of Nvidia's graphics card lines. All their best cards are GeForce.

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!!Unleashed >Most people who d/l the cracked version also need to get the portal fix. If that still doesn't work then try this: >Comment out or remove the line MountCacheManual = 428 in your steamemu.ini file, and make a link (shortcut) to hl2.exe with the following added to the 'target' under the shortcut tab: >{{{-steam -game portal -DXlevel 90}}} !!Dopeman >for everyone who have problem with game where intro plays and then disappears: >Make a shortcut out of hl.exe, goto it's proporties and where it says "C:\whatever\hl2.exe" add there (after ") this: {{{-game portal}}} >when you see whiteness there is no other way than just copy parameters from "My_CoMp_Sucks.bat" file SO: >{{{"C:\whatever\hl2.exe" -game portal -window -dxlevel 81 +mat_forcehardwaresync 0}}}.

@@color(red):Jesse Haines:@@ though i'm not such a fan of the zombie master gameplay mechanics @@color(red):Jesse Haines:@@ one shambler @@color(red):Jesse Haines:@@ one shotgun shell @@color(red):Jesse Haines:@@ banshees, which are fast @@color(red):Jesse Haines:@@ should be comparatively weak @@color(red):Jesse Haines:@@ hulks which are powerful and strong @@color(red):Jesse Haines:@@ should be slow.. much slower @@color(green):euicho@gmail.com/work:@@ oh yeah heh @@color(green):euicho@gmail.com/work:@@ yeah definately @@color(green):euicho@gmail.com/work:@@ they get progressively tougher to kill @@color(green):euicho@gmail.com/work:@@ and the weapons suck @@color(green):euicho@gmail.com/work:@@ but i still dig the game @@color(red):Jesse Haines:@@ right, where banshees should be the weakest @@color(red):Jesse Haines:@@ but their speed should make them harder to hit @@color(red):Jesse Haines:@@ shamblers should go down in one shot @@color(red):Jesse Haines:@@ to the head with a pistol @@color(red):Jesse Haines:@@ and shotty @@color(red):Jesse Haines:@@ but not body shots @@color(red):Jesse Haines:@@ unless its with a shotty point blank @@color(red):Jesse Haines:@@ which just means adjusting the spread on the shotty @@color(red):Jesse Haines:@@ Its all just balancing issues in my mind @@color(green):euicho@gmail.com/work:@@ yeah definintely. Well, it is still beta so you should contact the dev team and let them know. @@color(green):euicho@gmail.com/work:@@ it really can be improved with just some config file changes on their part @@color(red):Jesse Haines:@@ yes and no @@color(red):Jesse Haines:@@ the speeds sure @@color(red):Jesse Haines:@@ damamge sure @@color(red):Jesse Haines:@@ but the hit boxes are another story @@color(green):euicho@gmail.com/work:@@ yeah true. they'd have to adjust the models @@color(green):euicho@gmail.com/work:@@ but hell i'd be happy with speed and damage for now @@color(red):Jesse Haines:@@ you could change that shit yourself I bet @@color(red):Jesse Haines:@@ there's probably a config file somwhere that controls that stuff @@color(red):Jesse Haines:@@ but you'd be permanently banned from steam for cheating @@color(green):euicho@gmail.com/work:@@ yeah hah @@color(green):euicho@gmail.com/work:@@ well, if you could convince the server op to change it then it'd be fine @@color(green):euicho@gmail.com/work:@@ they can change whatever @@color(green):euicho@gmail.com/work:@@ we should really just run our own server off my desktop machine @@color(red):Jesse Haines:@@ that's true, you could just load a script to make changes to the server @@color(green):euicho@gmail.com/work:@@ with all our input we'd have one of the best servers there @@color(green):euicho@gmail.com/work:@@ in terms of fun @@color(red):Jesse Haines:@@ Well fuck yeah @@color(red):Jesse Haines:@@ have the server give hints on what the fuck to do @@color(red):Jesse Haines:@@ cause new players like me have no idea @@color(green):euicho@gmail.com/work:@@ yeah definitely. i should make a ZM tutorial @@color(green):euicho@gmail.com/work:@@ take some fraps vids and stuff @@color(green):euicho@gmail.com/work:@@ give em a walkthrough @@color(red):Jesse Haines:@@ There should never be a lack of ammo either @@color(red):Jesse Haines:@@ that explosion shit should go @@color(red):Jesse Haines:@@ I'm a fan of survival levels though @@color(red):Jesse Haines:@@ like that apartment block @@color(red):Jesse Haines:@@ that would be a cool level if it involved more human interaction @@color(green):euicho@gmail.com/work:@@ yeah its too damn big @@color(green):euicho@gmail.com/work:@@ i love the warehouse level cause its pure survivla @@color(green):euicho@gmail.com/work:@@ but appartment is tooo long. if you die near the beginning its like 40 minutes till the level restarts @@color(green):euicho@gmail.com/work:@@ should be 15 or so @@color(green):euicho@gmail.com/work:@@ maybe 25 @@color(red):Jesse Haines:@@ should have objectives @@color(red):Jesse Haines:@@ like boarding up windows @@color(red):Jesse Haines:@@ hoarding food @@color(green):euicho@gmail.com/work:@@ and ammo should def. be at least increased per #players. some maps have ammo for like 4 ppl with 20 ppl playing its ridiculous @@color(red):Jesse Haines:@@ have an ammo cache @@color(green):euicho@gmail.com/work:@@ yeah. even if you have to like hunt down a randomly spawned key to open teh ammo cache @@color(red):Jesse Haines:@@ have traps that are time sensitive @@color(red):Jesse Haines:@@ that way you prepare the house for the zombie invasion @@color(red):Jesse Haines:@@ but you don't have to worry about it for so long @@color(green):euicho@gmail.com/work:@@ yeah like how ppl block up all the entrances in the backwoods house one @@color(red):Jesse Haines:@@ and if you want to find supplies you need to go outside @@color(red):Jesse Haines:@@ where the zombies all are @@color(red):Jesse Haines:@@ so you use the ammo and venture out in parties, with the lower damamge to clear a path @@color(red):Jesse Haines:@@ find supplies @@color(red):Jesse Haines:@@ bring em back to the house @@color(red):Jesse Haines:@@ and prepare for the next trap @@color(red):Jesse Haines:@@ have one floor of the house overrun at a time, forcing you to the roof or something @@color(red):Jesse Haines:@@ I think a giant estate level like that would be a lot of fun @@color(green):euicho@gmail.com/work:@@ shit you should create maps @@color(green):euicho@gmail.com/work:@@ heheh @@color(green):euicho@gmail.com/work:@@ ill have to post these suggestions to the developer forum @@color(red):Jesse Haines:@@ well there is only so much you can do @@color(red):Jesse Haines:@@ time, energy @@color(green):euicho@gmail.com/work:@@ yeah. a whole level is a big fuckin thing @@color(red):Jesse Haines:@@ right @@color(red):Jesse Haines:@@ and how would one begin to do such a thing @@color(green):euicho@gmail.com/work:@@ but it won't hurt to suggest stuff to the dev team anyway @@color(red):Jesse Haines:@@ I have no clue how to mod hl2 levels @@color(green):euicho@gmail.com/work:@@ yeah @@color(red):Jesse Haines:@@ let alone zm hl2 levels @@color(green):euicho@gmail.com/work:@@ yeah the most we know is that you use hammer heh @@color(green):euicho@gmail.com/work:@@ http://en.wikipedia.org/wiki/Valve_Hammer_Editor @@color(red):Jesse Haines:@@ I could just see the level now @@color(green):euicho@gmail.com/work:@@ but thats like creating your house/lawn in 3d studio max @@color(green):euicho@gmail.com/work:@@ not a small task @@color(red):Jesse Haines:@@ " Zombies are in the house" @@color(red):Jesse Haines:@@ "Run motherfucker" @@color(green):euicho@gmail.com/work:@@ hahah @@color(red):Jesse Haines:@@ well no @@color(red):Jesse Haines:@@ its probably not hard to model at all @@color(red):Jesse Haines:@@ the modeling is the easy part @@color(red):Jesse Haines:@@ I do that everyday @@color(red):Jesse Haines:@@ texturing it @@color(green):euicho@gmail.com/work:@@ well, if you build it i'll script it @@color(green):euicho@gmail.com/work:@@ lol @@color(red):Jesse Haines:@@ doing the lighting @@color(green):euicho@gmail.com/work:@@ ah yeah @@color(red):Jesse Haines:@@ scrpting the spawn locations @@color(green):euicho@gmail.com/work:@@ I can deal with scripting. its the 3d modeling/texturing/rendering shit im not so good at @@color(red):Jesse Haines:@@ I'm decent enough at it @@color(red):Jesse Haines:@@ I think hammer has its own built in modeler anyway @@color(green):euicho@gmail.com/work:@@ yeah it must @@color(green):euicho@gmail.com/work:@@ seems to anyway by the screenshots @@color(green):euicho@gmail.com/work:@@ i think you can just place a light source too and direct it, blender is good that way. @@color(red):Jesse Haines:@@ we already have hammer since we downloaded the source sdk @@color(green):euicho@gmail.com/work:@@ oh nice @@color(green):euicho@gmail.com/work:@@ then i may play with it later today @@color(red):Jesse Haines:@@ but we mights needs to finds some better documentation @@color(red):Jesse Haines:@@ the ones I can find are all dated

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*To treat symptoms: 3,000mg per day in divided doses *To prevent recurrences: 500 � 1,500 mg per day

For Windows, cause it's the only one that needs this: {{{%SystemRoot%\System32\rundll32.exe advapi32.dll,ProcessIdleTasks}}}

!!Authors Andre Norton Charles Stross john scalzi John Shirley Lewis Shiner Michael Swanwick Rudy Rucker Bruce Bethke Thomas Pynchon --------------------- !!Lists http://www.sfsite.com/lists/orion01.htm !!Books The Stand: Expanded Edition: For the First Time Complete and Uncut (Signet) The Yiddish Policeman�s Union Vernor Vinge = A Fire Upon the Deep (1992), A Deepness in the Sky (1999) and Rainbows End (2006) The Curse of Chalion Falling Free Barrayar Virtual Girl Year Zero Phillip k Dick - Do andoids dream of electric sheep Rudy Rucker - Wetware Schismatric Islands in the net PLUS Visionary in Residence The Difference Engine Gridlinked by Neal Asher Accelerando by Charles Stross Glasshouse by Charles Stross When Gravity Falls Software and Wetware - Rudy Rucke Frontera and Deserted Cities of the Heart - Lewis Shiner Halo - Tom Mattox The Falling Woman and The City Not Long After - Pat Murphey City Come A-Walkin' , and the A Song Called Youth trilogy: Eclipse, Eclipse Penumbra , and Eclipse Corona - John Shirly Blood Music - Greg Bear Metrophage - Richard Kadrey Mindplayers, Synners, Fools, Tea from an Empty Cup and Patterns - Pat Cadigan Vacuum Flowers - Michael Swanwick Valis - Philip K. Dick The Stars My Destination - Alfred Bester More Than Human - Theodore Sturgeon Gun With Occasional Music - Jonathan Lethem Martian Chronicles, Ray Bradury Universe Robert A. Heinlein Beyond This Horizon Robert A Heinlein Tau Zero Poul Anderson The Enemy Stars Poul Anderson A Case of Conscience James Blish Mission of Gravity Hal Clement Vintage Season C. L. Moore Starship Brian Aldiss Downbelow Station C.J. Cherryh Rite of Passage Alexei Panshin Vurt by Jeff Noon (Brilliant british cyberpunk) Flow My Tears, The Policeman Said The Three Stigmata of Palmer Eldritch The Transmigration of Timothy Archer ------ The Second Coming of Steve Jobs iCon: Steve Jobs --------- !!zombie books Amazon.com: Autumn: Books: David Moody Amazon.com: Deadlands: Books: Scott A. Johnson Amazon.com: Eve of the Dead: Books: Nathan Tucker Amazon.com: Plague of the Dead (The Morningstar Strain): Books: Z. A. Recht,Travis Adkins,Bowie Ibarra Amazon.com: Reign of the Dead: Books: Len Barnhart Amazon.com: Rise and Walk: Books: Gregory Solis Amazon.com: Twilight of the Dead: Books: Travis Adkins The Dead: Mark E. Rogers !!Some good sf The War of the Worlds, 1898, HG Wells The Purple Cloud , 1901, MP Shiel The House on the Borderland, 1908, W Hope Hodgson Metropolis, 1927, Fritz Lang Last & First Men, 1930, Olaf Stapledon At the Mountains of Madness, 1936, HP Lovecraft Out of the Silent Planet, 1938, CS Lewis The Golden Amazon, 1944, John Russel Fearn 1984, 1949, George Orwell The Paradox Men, 1953, Charles L Harness Shambleau & Others, 1953, CL Moore Dan Dare: Operation Saturn, 1953/4, Frank Hampson Them!, 1954, dir Douglas The Man with Absolute Motion, 1955, Silas Water Tiger Tiger, 1955, Alfred Bester The Incredible Shrinking Man, 1957, dir Arnold Quatermass 2, 1957, Nigel Kneale Journey Into Space, 1953/8, Charles Chilton The Sirens of Titan, 1959, Kurt Vonnegut Rogue Moon, 1960, Algis Budrys The Voices of Time, 1962, JG Ballard The Alley God, 1962, Philip Jose Farmer A for Andromeda, 1962, Fred Hoyle & John Elliot V, 1963, Thomas Pynchon The Secret of Sinharat, 1964, Leigh Brackett The Terminal Beach, 1964, JG Ballard The Anything Box, 1965, Zenna Henderson Alphaville, 1965, dir Goddard Babel 17, 1966, Samuel R Delany Mr Da V & Other Stories, 1967, Kit Reed Report on Probability A, 1968, Brian W Aldiss The Final Programme, 1968, Michael Moorcock The Atrocity Exhibition, 1969, JG Ballard Vermillion Sands, 1971, JG Ballard 334, 1972, Thomas M Disch Ten Thousand Light Years from Home, 1973, James Tiptree Jr The Clangers, 1969/74, Oliver Postgate The Grain Kings, 1976, Keith Roberts Altered States, 1978, Paddy Chayevsky Timescape, 1980, Gregory Benford Repo Man, 1984, dir Cox Schismatrix, 1985, Bruce Sterling The Unconquered Country, 1986, Geoff Ryman Escape Plans, 1986, Gwyneth Jones A Spaceship Built of Stone, 1987, Lisa Tuttle War Fever, 1990, JG Ballard Sarah Canary, 1991, Karen Joy Fowler Feersum Endjinn, 1994, Iain M Banks Fairyland, 1996, Paul J McCauley What�s He Building in There ?, 1999, Tom Waits Under the Skin, 2000, Michel Faber Synners, 2001, by Pat Cadigan Natural History, 2003, Justina Robson Samorost, 2003, Jakub Dvorsky Dare, 2005, Gorillaz The Weight of Numbers, 2006, Simon Ings

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http://www.diamondnexuslabs.com/jewelry/product_info.php?cPath=63_65&products_id=1071 http://charlandjewelers.biz/images/edu_diamond_sizes.gif Cut: Avoid deep/shallow cuts Carat: Biggest carat afford, then down by .05 Color: G-I Clarity: F through SI means that there are no visible flaws, even though there may be some internal ones (F=Flawless and SI=Slightly Included). # Even going down to an I grade will not affect the outward appearance of a diamond unless you look at it through a magnifying glass. It will however lower the value.

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0985 -Clarke, Arthur C. - 2010 Odyssey Two http://rapidshare.com/files/115952416/0985.part1.rar http://rapidshare.com/files/115952415/0985.part2.rar http://rapidshare.com/files/115952413/0985.part3.rar 0986 -Clarke, Arthur C. - 2061 Odyssey Three http://rapidshare.com/files/115952951/0986.part1.rar http://rapidshare.com/files/115957611/0986.part2.rar 0064 - Clarke, Arthur C. - 3001: The Final Odyssey http://rapidshare.com/files/110125807/0064.rar 0999 -Clarke, Arthur C. - The Hammer of God http://rapidshare.com/files/116025480/0999.part1.rar http://rapidshare.com/files/116025654/0999.part2.rar ------ 0254 -Crichton, Michael - Airframe http://rapidshare.com/files/105247172/0254.rar ------ 0787 -Gaiman, Neil - Interworld http://rapidshare.com/files/112636495/0787.part1.rar http://rapidshare.com/files/112639947/0787.part2.rar http://rapidshare.com/files/112640319/0787.part3.rar 0788 -Gaiman, Neil - Neverwhere http://rapidshare.com/files/112640598/0788.part1.rar http://rapidshare.com/files/112642669/0788.part2.rar 0275 - Gaiman, Neil - Stardust http://rapidshare.com/files/105341649/0275.rar ------ 0914 -Heinlein, Robert A. - Assignment in Eternity http://rapidshare.com/files/113801440/0914.part1.rar http://rapidshare.com/files/113801800/0914.part2.rar 0915 -Heinlein, Robert A. - Beyond This Horizon http://rapidshare.com/files/113802950/0915.rar 0917 -Heinlein, Robert A. - Double Star http://rapidshare.com/files/113805847/0917.rar 0920 -Heinlein, Robert A. - Gentlemen Be Seated http://rapidshare.com/files/113812273/0920.rar 0923 -Heinlein, Robert A. - Methuselah's Children http://rapidshare.com/files/113815726/0923.rar 0926 -Heinlein, Robert A. - Rocket Ship Galileo http://rapidshare.com/files/113822183/0926.rar 0933 -Heinlein, Robert A. - The Man Who Sold The Moon http://rapidshare.com/files/113839606/0933.part1.rar http://rapidshare.com/files/113840525/0933.part2.rar 0933 -Heinlein, Robert A. - The Man Who Sold The Moon http://rapidshare.com/files/113839606/0933.part1.rar http://rapidshare.com/files/113840525/0933.part2.rar ------ 0255 -Crichton, Michael - Congo http://rapidshare.com/files/105249665/0255.rar 0256 -Crichton, Michael - Eaters of the Dead http://rapidshare.com/files/105251262/0256.rar 0257 -Crichton, Michael - Jurassic Park http://rapidshare.com/files/105251355/0257.part1.rar http://rapidshare.com/files/105254287/0257.part2.rar 0258 -Crichton, Michael - Next http://rapidshare.com/files/105255611/0258.part1.rar http://rapidshare.com/files/105255712/0258.part2.rar 0259 -Crichton, Michael - Prey http://rapidshare.com/files/105256260/0259.part1.rar http://rapidshare.com/files/105257641/0259.part2.rar 0260 -Crichton, Michael - State of Fear http://rapidshare.com/files/105257898/0260.part1.rar http://rapidshare.com/files/105260569/0260.part2.rar 0786 - Crichton, Michael - The Andromeda Strain http://rapidshare.com/files/112636432/0786.rar 0262 -Crichton, Michael - The Great Train Robbery http://rapidshare.com/files/105266492/0262.rar 0263 -Crichton, Michael - The Lost World http://rapidshare.com/files/105268074/0263.part1.rar http://rapidshare.com/files/105268424/0263.part2.rar 0264 -Crichton, Michael - The Terminal Man http://rapidshare.com/files/105268782/0264.rar 0265 -Crichton, Michael - Timeline http://rapidshare.com/files/105269915/0265.part1.rar http://rapidshare.com/files/105274507/0265.part2.rar http://rapidshare.com/files/105275237/0265.part3.rar ------ 0142 -Herbert, Frank - 01 Dune - Dune http://rapidshare.com/files/110359806/0142.part1.rar http://rapidshare.com/files/110362060/0142.part2.rar 0143 -Herbert, Frank - 02 Dune - Dune Messiah http://rapidshare.com/files/110363998/0143.rar 0144 -Herbert, Frank - 03 Dune - Children of Dune http://rapidshare.com/files/110368529/0144.part1.rar http://rapidshare.com/files/110372862/0144.part2.rar 0145 -Herbert, Frank - 04 Dune - God Emperor of Dune http://rapidshare.com/files/110375952/0145.part1.rar http://rapidshare.com/files/110376238/0145.part2.rar 0146 -Herbert, Frank - 05 Dune - Heretics of Dune http://rapidshare.com/files/110376590/0146.part1.rar http://rapidshare.com/files/110379553/0146.part2.rar 0147 -Herbert, Frank - 06 Dune - Chapterhouse Dune http://rapidshare.com/files/110382412/0147.part1.rar http://rapidshare.com/files/110383917/0147.part2.rar 0148 -Herbert, Frank - Dune Prequels 1 House Atreides http://rapidshare.com/files/110392191/0148.part1.rar http://rapidshare.com/files/110392300/0148.part2.rar http://rapidshare.com/files/110392925/0148.part3.rar 0149 -Herbert, Frank - Dune Prequels 2 House Harkonnen http://rapidshare.com/files/110398458/0149.part1.rar http://rapidshare.com/files/110398466/0149.part2.rar http://rapidshare.com/files/110398817/0149.part3.rar 0150 -Herbert, Frank - Dune Prequels 3 House Corrino http://rapidshare.com/files/110405163/0150.part1.rar http://rapidshare.com/files/110407027/0150.part2.rar http://rapidshare.com/files/110407185/0150.part3.rar 0151 -Herbert, Frank - Hunters of Dune http://rapidshare.com/files/110408649/0151.part1.rar http://rapidshare.com/files/110412578/0151.part2.rar 0152 -Herbert, Frank - Legends of Dune 1 The Butlerian Jihad http://rapidshare.com/files/110412588/0152.part1.rar http://rapidshare.com/files/110418393/0152.part2.rar http://rapidshare.com/files/110420057/0152.part3.rar 0153 -Herbert, Frank - Legends of Dune 2 The Machine Crusade http://rapidshare.com/files/110420089/0153.part1.rar http://rapidshare.com/files/110421408/0153.part2.rar http://rapidshare.com/files/110424201/0153.part3.rar 0154 -Herbert, Frank - Legends of Dune 3 The Battle of Corrin http://rapidshare.com/files/110425162/0154.part1.rar http://rapidshare.com/files/110430385/0154.part2.rar http://rapidshare.com/files/110431943/0154.part3.rar ------ 0447 - King, Stephen - Bag of Bones- (1998) http://rapidshare.com/files/106308414/0447.part1.rar http://rapidshare.com/files/106310699/0447.part2.rar http://rapidshare.com/files/106315347/0447.part3.rar http://rapidshare.com/files/106316532/0447.part4.rar http://rapidshare.com/files/106317569/0447.part5.rar http://rapidshare.com/files/106320304/0447.part6.rar 0308 -King, Stephen - Black House- (with Peter Straub)- (2001) http://rapidshare.com/files/105478276/0308.part1.rar http://rapidshare.com/files/105478907/0308.part2.rar http://rapidshare.com/files/105481070/0308.part3.rar 0309 -King, Stephen - Blaze- (2007) http://rapidshare.com/files/105482235/0309.part1.rar http://rapidshare.com/files/105482909/0309.part2.rar http://rapidshare.com/files/105485030/0309.part3.rar 0448 -King, Stephen - Blood and Smoke- (2000) http://rapidshare.com/files/106322749/0448.part1.rar http://rapidshare.com/files/106327356/0448.part2.rar 0310 -King, Stephen - Carrie- (1974) http://rapidshare.com/files/105485560/0310.rar 0311 -King, Stephen - Cell- (2006) http://rapidshare.com/files/105486230/0311.rar 0449 -King, Stephen - Dark Visions- (with George Martin & Dan Simmons)- (1988) http://rapidshare.com/files/106327433/0449.part1.rar http://rapidshare.com/files/106327765/0449.part2.rar http://rapidshare.com/files/106328457/0449.part3.rar 0450 -King, Stephen - Desperation- (1996) http://rapidshare.com/files/106329587/0450.part1.rar http://rapidshare.com/files/106330006/0450.part2.rar http://rapidshare.com/files/106335243/0450.part3.rar 0307 - King, Stephen - Different Seasons - Apt Pupil- (1982) http://rapidshare.com/files/105477160/0307.rar 0325 - King, Stephen - Different Seasons - The Body- (1982) http://rapidshare.com/files/105711789/0325.rar 0461 - King, Stephen - Different Seasons - The Breathing Method- (1982) http://rapidshare.com/files/106516531/0461.rar 0532 - King, Stephen - Different Seasons - The Shawshank Redemption- (1982) http://rapidshare.com/files/107082013/0532.rar 0451 -King, Stephen - Dreamcatcher- (2000) http://rapidshare.com/files/106341261/0451.part1.rar http://rapidshare.com/files/106341693/0451.part2.rar http://rapidshare.com/files/106343721/0451.part3.rar http://rapidshare.com/files/106344128/0451.part4.rar http://rapidshare.com/files/106346957/0451.part5.rar http://rapidshare.com/files/106357602/0451.part6.rar http://rapidshare.com/files/106358141/0451.part7.rar 0313 - King, Stephen - Duma Key- (2008) http://rapidshare.com/files/105489449/0313.part1.rar http://rapidshare.com/files/105489817/0313.part2.rar http://rapidshare.com/files/105491917/0313.part3.rar 0452 -King, Stephen - Everythings Eventual- (2002) http://rapidshare.com/files/106360893/0452.part1.rar http://rapidshare.com/files/106361220/0452.part2.rar http://rapidshare.com/files/106361466/0452.part3.rar 0507 -King, Stephen - Everythings Eventual - Autopsy Room 4- (2002) http://rapidshare.com/files/106786874/0507.rar 0508 -King, Stephen - Everythings Eventual - Everythings Eventual- (the short story)- (2002) http://rapidshare.com/files/106786880/0508.rar 0317 - King, Stephen - Everythings Eventual - In The Deathroom- (2002) http://rapidshare.com/files/105518493/0317.rar 0509 -King, Stephen - Everythings Eventual - Little Sisters of Eluria- (2002) http://rapidshare.com/files/106786881/0509.part1.rar http://rapidshare.com/files/106786877/0509.part2.rar 0510 -King, Stephen - Everythings Eventual - Lucky Quarter- (2002) http://rapidshare.com/files/106786875/0510.rar 0320 - King, Stephen - Everythings Eventual - Lunch At Gotham Cafe- (2002) http://rapidshare.com/files/105525091/0320.part1.rar http://rapidshare.com/files/105527266/0320.part2.rar http://rapidshare.com/files/105529283/0320.part3.rar http://rapidshare.com/files/105530809/0320.part4.rar 0511 -King, Stephen - Everythings Eventual - Riding the Bullet- (2002) http://rapidshare.com/files/106786996/0511.rar 0512 -King, Stephen - Everythings Eventual - The Road Virus Heads North- (2002) http://rapidshare.com/files/106788908/0512.rar Duma Key http://rapidshare.com/files/107806485/dume_-_sking.part01.rar http://rapidshare.com/files/107812207/dume_-_sking.part02.rar http://rapidshare.com/files/107817456/dume_-_sking.part03.rar http://rapidshare.com/files/107822775/dume_-_sking.part04.rar http://rapidshare.com/files/107827236/dume_-_sking.part05.rar http://rapidshare.com/files/107831546/dume_-_sking.part06.rar http://rapidshare.com/files/107835865/dume_-_sking.part07.rar http://rapidshare.com/files/107839889/dume_-_sking.part08.rar http://rapidshare.com/files/107841474/dume_-_sking.part09.rar 0453 -King, Stephen - Firestarter- (1980) http://rapidshare.com/files/106364599/0453.part1.rar http://rapidshare.com/files/106366965/0453.part2.rar http://rapidshare.com/files/106375886/0453.part3.rar http://rapidshare.com/files/106379173/0453.part4.rar http://rapidshare.com/files/106379756/0453.part5.rar 0454 -King, Stephen - Four Past Midnight- (complete)- (1990) http://rapidshare.com/files/106383442/0454.part1.rar http://rapidshare.com/files/106383952/0454.part2.rar http://rapidshare.com/files/106385850/0454.part3.rar http://rapidshare.com/files/106394770/0454.part4.rar http://rapidshare.com/files/106398846/0454.part5.rar http://rapidshare.com/files/106402945/0454.part6.rar http://rapidshare.com/files/106403743/0454.part7.rar http://rapidshare.com/files/106405731/0454.part8.rar 0324 - King, Stephen - Four Past Midnight - Secret Window Secret Garden- (1990) http://rapidshare.com/files/105709503/0324.rar 0513 -King, Stephen - Four Past Midnight - The Langoliers- (1990) http://rapidshare.com/files/106788955/0513.part1.rar http://rapidshare.com/files/106790218/0513.part2.rar 0649 -King, Stephen - Four Past Midnight - The Library Policeman- (1990) http://rapidshare.com/files/111412410/0649.part1.rar http://rapidshare.com/files/111415077/0649.part2.rar 0333 - King, Stephen - Four Past Midnight - The Sun Dog- (1990) http://rapidshare.com/files/105747748/0333.rar 0315 - King, Stephen - From A Buick 8- (2002) http://rapidshare.com/files/105497343/0315.part1.rar http://rapidshare.com/files/105498459/0315.part2.rar http://rapidshare.com/files/105499418/0315.part3.rar http://rapidshare.com/files/105500611/0315.part4.rar http://rapidshare.com/files/105505798/0315.part5.rar http://rapidshare.com/files/105507046/0315.part6.rar http://rapidshare.com/files/105508178/0315.part7.rar 0529 - King, Stephen - From the Borderlands - Stationary Bike- (2006) http://rapidshare.com/files/107041081/0529.rar 0316 - King, Stephen - Gerald's Game- (1992) http://rapidshare.com/files/105509478/0316.part1.rar http://rapidshare.com/files/105514420/0316.part2.rar http://rapidshare.com/files/105515787/0316.part3.rar http://rapidshare.com/files/105516280/0316.part4.rar 0455 -King, Stephen - Hearts In Atlantis- (1999) http://rapidshare.com/files/106414802/0455.part1.rar http://rapidshare.com/files/106418559/0455.part2.rar http://rapidshare.com/files/106418799/0455.part3.rar http://rapidshare.com/files/106422975/0455.part4.rar http://rapidshare.com/files/106423514/0455.part5.rar http://rapidshare.com/files/106446346/0455.part6.rar 0318 - King, Stephen - Insomnia- (1994) http://rapidshare.com/files/105520986/0318.rar 0465 - King, Stephen - It- (1986) http://rapidshare.com/files/106536274/0465.part1.rar http://rapidshare.com/files/106536961/0465.part2.rar http://rapidshare.com/files/106538018/0465.part3.rar http://rapidshare.com/files/106542168/0465.part4.rar http://rapidshare.com/files/106544512/0465.part5.rar http://rapidshare.com/files/106545022/0465.part6.rar 0319 - King, Stephen - Liseys Story- (2006) http://rapidshare.com/files/105521001/0319.part1.rar http://rapidshare.com/files/105523660/0319.part2.rar 0456 -King, Stephen - Misery- (1987) http://rapidshare.com/files/106447479/0456.part1.rar http://rapidshare.com/files/106460316/0456.part2.rar http://rapidshare.com/files/106456684/0456.part3.rar 0457 -King, Stephen - Night Shift- (1978) http://rapidshare.com/files/106456883/0457.part1.rar http://rapidshare.com/files/106459945/0457.part2.rar http://rapidshare.com/files/106463024/0457.part3.rar http://rapidshare.com/files/106469889/0457.part4.rar http://rapidshare.com/files/106473654/0457.part5.rar 0514 -King, Stephen - Night Shift - Boogeyman- (1978) http://rapidshare.com/files/106791672/0514.rar 0312 -King, Stephen - Night Shift - Children of the Corn- (1978) http://rapidshare.com/files/105488896/0312.rar 0515 -King, Stephen - Night Shift - Gray Matter- (1978) http://rapidshare.com/files/106792196/0515.rar 0650 -King, Stephen - Night Shift - I am the Doorway- (1978) http://rapidshare.com/files/111415655/0650.rar 0516 -King, Stephen - Night Shift - I Know What You Need- (1978) http://rapidshare.com/files/106792287/0516.rar 0651 -King, Stephen - Night Shift - Jerusalems Lot- (1978) http://rapidshare.com/files/111415709/0651.rar 0517 -King, Stephen - Night Shift - One for the Road- (1978) http://rapidshare.com/files/106793040/0517.rar 0518 -King, Stephen - Night Shift - Quitters Inc- (1978) http://rapidshare.com/files/106793435/0518.rar 0519 -King, Stephen - Night Shift - The Last Rung on the Ladder- (1978) http://rapidshare.com/files/106793818/0519.rar 0652 -King, Stephen - Night Shift - The Mangler- (1978) http://rapidshare.com/files/111415847/0652.rar 0522 - 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A. - The Dark Elf Trilogy 01 - Homeland http://rapidshare.com/files/116487361/1073.part1.rar http://rapidshare.com/files/116490611/1073.part2.rar 1074 -Salvatore, R. A. - The Dark Elf Trilogy 02 - Exile 1074 -Salvatore, R. A. - The Dark Elf Trilogy 02 - Exile http://rapidshare.com/files/116490883/1074.part1.rar http://rapidshare.com/files/116497544/1074.part2.rar 1075 -Salvatore, R. A. - The Dark Elf Trilogy 03 - Sojourn http://rapidshare.com/files/116498524/1075.part1.rar http://rapidshare.com/files/116498967/1075.part2.rar 1076 -Salvatore, R. A. - The Hunter's Blades Trilogy 01 - The Thousand Orcs http://rapidshare.com/files/116501207/1076.part1.rar http://rapidshare.com/files/116504305/1076.part2.rar http://rapidshare.com/files/116504491/1076.part3.rar 1077 -Salvatore, R. A. - The Hunter's Blades Trilogy 02 - The Lone Drow http://rapidshare.com/files/116505146/1077.part1.rar http://rapidshare.com/files/116513510/1077.part2.rar http://rapidshare.com/files/116513567/1077.part3.rar 1078 -Salvatore, R. A. - The Hunter's Blades Trilogy 03 - The Two Swords http://rapidshare.com/files/116516515/1078.part1.rar http://rapidshare.com/files/116519946/1078.part2.rar http://rapidshare.com/files/116520855/1078.part3.rar 1079 -Salvatore, R. A. - The Icewind Dale Trilogy 03 - The Halfling's Gem http://rapidshare.com/files/116527451/1079.part1.rar http://rapidshare.com/files/116530340/1079.part2.rar 0171 -Tolkien, J. R. R. - 1 - Fellowship of the Ring http://rapidshare.com/files/104793545/0171.part1.rar http://rapidshare.com/files/104794721/0171.part2.rar 0172 -Tolkien, J. R. R. - 2 - Two Towers http://rapidshare.com/files/104799963/0172.part1.rar http://rapidshare.com/files/104802670/0172.part2.rar 0173 -Tolkien, J. R. R. - 3 - Return of the King http://rapidshare.com/files/104804067/0173.part1.rar http://rapidshare.com/files/104808468/0173.part2.rar ------ Dale Brown Storming Heaven http://rapidshare.com/files/29161422/DB-Storming_Heaven.part1.rar.html http://rapidshare.com/files/29162473/DB-Storming_Heaven.part2.rar.html Dreamland http://rapidshare.com/files/36637060/DB-Dreamland.rar.html Razor�s Edge http://rapidshare.com/files/36638146/DB-Dreamland-Razor_s_Edge.rar.html Strike Zone http://rapidshare.com/files/36639165/DB-Dreamland-Strike_Zone.rar.html Net Force Cybernation http://rapidshare.com/files/567965/TC-NF-CN.rar Hidden Agendas http://rapidshare.com/files/567981/TC-NF-HA.rar Point of Impact http://rapidshare.com/files/567972/TC-NF-PoI.rar State of War http://rapidshare.com/files/567976/TC-NF-SoW.rar Virtual Vandals http://rapidshare.com/files/29267390/TC-NF1-Virtual_Vandals.rar.html ------ Robin Cook Crisis http://rapidshare.com/files/11903833/RC-Crisis.part1.rar.html http://rapidshare.com/files/11903997/RC-Crisis.part2.rar.html Marker http://rapidshare.com/files/11904844/RC-Marker.part1.rar.html http://rapidshare.com/files/11905115/RC-Marker.part2.rar.html ------ Michael Crichton Airframe http://rapidshare.com/files/17809056/MC-Airframe.part1.rar.html http://rapidshare.com/files/17809060/MC-Airframe.part2.rar.html Andromeda Strain http://rapidshare.com/files/568077/MC-AS.rar Congo http://rapidshare.com/files/12046512/MC_-_Congo.rar.html Closers http://rapidshare.com/files/11899201/MC-Closers.rar.html Eaters of the Dead http://rapidshare.com/files/567998/MC-EoD.rar The Great Train Robbery http://rapidshare.com/files/11899894/MC-Great_Train_Robbery.rar.html Jurassic Park http://rapidshare.com/files/17810255/MC-Jurassic_Park.part1.rar.html http://rapidshare.com/files/17810534/MC-Jurassic_Park.part2.rar.html Lost World http://rapidshare.com/files/29231705/MC-Lost_World.part1.rar.html http://rapidshare.com/files/29232083/MC-Lost_World.part2.rar.html Next http://rapidshare.com/files/17812232/MC-Next.part1.rar.html http://rapidshare.com/files/17812349/MC-Next.part2.rar.html Prey http://rapidshare.com/files/14761490/MC-P.part1.rar.html http://rapidshare.com/files/14761608/MC-P.part2.rar.html State of Fear http://rapidshare.com/files/568001/MC-SoF.part1.rar http://rapidshare.com/files/568003/MC-SoF.part2.rar http://rapidshare.com/files/568080/MC-SoF.part3.rar Terminal Man http://rapidshare.com/files/29233631/MC-Terminal_Man.rar.html Timeline http://rapidshare.com/files/567963/MC-T.rar ------ David Baldacci The Camel Club http://rapidshare.com/files/31164941/DB-The_Camel_Club.part1.rar.html http://rapidshare.com/files/31165371/DB-The_Camel_Club.part2.rar.html Collectors http://rapidshare.com/files/11964837/DB-Collectors.part1.rar.html http://rapidshare.com/files/11964958/DB-Collectors.part2.rar.html Hour Game http://rapidshare.com/files/11966449/DB-Hour_Game.part1.rar.html http://rapidshare.com/files/11966792/DB-Hour_Game.part2.rar.html Last Man Standing http://rapidshare.com/files/11968515/DB-Last_Man_Standing.part1.rar.html http://rapidshare.com/files/11953940/DB-Last_Man_Standing.part2.rar.html Mighty Johns http://rapidshare.com/files/31160477/DB-Mighty_Johns.rar.html Split Second http://rapidshare.com/files/31162623/DB-Split_Second.rar.html http://rapidshare.com/files/31168334/DB-Total_Control.part1.rar.html Total Control http://rapidshare.com/files/31169396/DB-Total_Control.part2.rar.html The Winner http://rapidshare.com/files/31166258/DB-The_Winner.rar.html Wish You Well http://rapidshare.com/files/31169901/DB-Wish_You_Well.rar.html ------ Robert Barr Dark Islandhttp://rapidshare.com/files/17814900/RB-Dark_Island.rar.html ------ Batman Dark Knighthttp://rapidshare.com/files/11960607/B-Dark_Knight.rar.html ------ Dan Brown Digital Fortresshttp://rapidshare.com/files/34598679/DB-Digital_Fortress.part1.rar.html http://rapidshare.com/files/34595977/DB-Digital_Fortress.part2.rar.html ------ Tom Clancy Bear and the Dragon http://rapidshare.com/files/567997/TC-B_D.rar Cardinal and the Kremlin http://rapidshare.com/files/17829457/TC-Cardinal_of_the_Kremlin.rar.html Clear and Present Danger http://rapidshare.com/files/17829726/TC-Clear_Present_Danger.rar.html Hunt for the Red October http://rapidshare.com/files/29265348/TC-Hunt_for_Red_October.part1.rar.html http://rapidshare.com/files/29266308/TC-Hunt_for_Red_October.part2.rar.html Netforce http://rapidshare.com/files/567999/TC-NF.rar Rainbow 6 http://rapidshare.com/files/17830333/TC-Rainbow_Six.rar.html Red Storm Rising http://rapidshare.com/files/29271424/TC-Red_Storm_Rising.part1.rar.html http://rapidshare.com/files/31172814/TC-Red_Storm_Rising.part2.rar.html http://rapidshare.com/files/31174651/TC-Red_Storm_Rising.part3.rar.html Sum of all Fears http://rapidshare.com/files/17830823/TC-sum_of_all_fears.rar.html Teeth of the Tiger http://rapidshare.com/files/29275056/TC-Teeth_Of_The_Tiger.part1.rar.html http://rapidshare.com/files/29277665/TC-Teeth_Of_The_Tiger.part2.rar.html Without Remorse http://rapidshare.com/files/568005/TC-WR.rar ------ Clive Cussler Atlantic Found http://rapidshare.com/files/36613547/CC-Atlantis_Found.part1.rar.html http://rapidshare.com/files/36614944/CC-Atlantis_Found.part2.rar.html Black Wind http://rapidshare.com/files/36617425/CC-Black_Wind.part1.rar.html http://rapidshare.com/files/36618122/CC-Black_Wind.part2.rar.html Blue Gold http://rapidshare.com/files/12015423/CC-Blue_Gold.part1.rar.html http://rapidshare.com/files/12015792/CC-Blue_Gold.part2.rar.html Cyclops http://rapidshare.com/files/23359473/CC-Cyclops.rar http://rapidshare.com/files/18926460/CC-Cyclops.rar Deep 6 http://rapidshare.com/files/12017487/cc-Deep_6.part1.rar.html http://rapidshare.com/files/12018050/cc-Deep_6.part2.rar.html Dragon http://rapidshare.com/files/29154202/CC-Dragon.rar.html Fire Ice http://rapidshare.com/files/36619429/CC-Fire_Ice.rar.html Flood Tide http://rapidshare.com/files/36620136/CC-Flood_Tide.rar.html Golden Buddha http://rapidshare.com/files/36623201/CC-Golden_Buddah.rar.html Iceberg http://rapidshare.com/files/567978/CC-I.rar Inca God http://rapidshare.com/files/36623835/CC-Inca_Gold.rar.html Mediterranean Caper http://rapidshare.com/files/36624143/CC-Mediterranean_Caper.rar.html Night Probe http://rapidshare.com/files/36624730/CC-Night_Probe.rar.html Pacific Vortex http://rapidshare.com/files/29155089/CC-Pacific_Vortex.rar.html Polar Shift http://rapidshare.com/files/36626607/CC-Polar_Shift.part1.rar.html http://rapidshare.com/files/36627071/CC-Polar_Shift.part2.rar.html Raise the Titanic http://rapidshare.com/files/36627498/CC-Raise_the_Titanic.rar.html Sahara http://rapidshare.com/files/29155706/CC-Sahara.rar.html Serpent http://rapidshare.com/files/12019689/cc-Serpent.part1.rar.html http://rapidshare.com/files/12020859/cc-Serpent.part2.rar.html Sacred Stone http://rapidshare.com/files/567994/CC-SS.rar Shock Wave http://rapidshare.com/files/36628227/CC-Shock_Wave.rar.html Skeleton Coast http://rapidshare.com/files/34807486/CC-Skeleton_Coast.part1.rar.html http://rapidshare.com/files/34808387/CC-Skeleton_Coast.part2.rar.html Treasure http://rapidshare.com/files/36632247/CC-Treasure.rar.html Treasure of Kahn http://rapidshare.com/files/36630813/CC-Treasure_of_Khan.part1.rar.html http://rapidshare.com/files/36631886/CC-Treasure_of_Khan.part2.rar.html Trojan Odyssey http://rapidshare.com/files/568009/CC-TO.rar Valhalla Rising http://rapidshare.com/files/29157218/CC-Valhalla_Rising.rar.html Vixen http://rapidshare.com/files/36633889/CC-Vixen_3.rar.html White Death http://rapidshare.com/files/36635905/CC-White_Death.part1.rar.html http://rapidshare.com/files/36636197/CC-White_Death.part2.rar.html ------ Jeffery Deaver The Blue Nowhere http://rapidshare.com/files/11997028/JD-Blue_Nowhere.part1.rar.html http://rapidshare.com/files/11997622/JD-Blue_Nowhere.part2.rar.html The Coffin Dancer http://rapidshare.com/files/31170794/JD-The_Coffin_Dancer.rar.html Shallow Graves http://rapidshare.com/files/34326603/JD-Shallow_Graves.rar.html ------ Ted Dekker Thr3e http://rapidshare.com/files/11908857/TD-Thr3e.rar.html ------ Frederick Forsyth Day of the Jackal http://rapidshare.com/files/29186834/FF-Day_of_the_Jackal.part1.rar.html http://rapidshare.com/files/29187268/FF-Day_of_the_Jackal.part2.rar.html Dogs of War http://rapidshare.com/files/36641310/FF-Dogs_of_War.part1.rar.html http://rapidshare.com/files/36641800/FF-Dogs_of_War.part2.rar.html Emperor http://rapidshare.com/files/29187418/FF-Emperor.rar.html Fist of God http://rapidshare.com/files/36644774/FF-Fist_of_God.part1.rar.html http://rapidshare.com/files/36647009/FF-Fist_of_God.part2.rar.html Odessa File http://rapidshare.com/files/29188744/FF-Odessa_File.rar.html ------ John Grisham Bleachers http://rapidshare.com/files/11890014/JG-Bleachers.rar.html Broker http://rapidshare.com/files/34329677/JG-Broker.rar.html Innoncent Man http://rapidshare.com/files/29195975/JG-Innocent_Man.rar.html Last Juror http://rapidshare.com/files/29197367/JG-Last_Juror.part1.rar.html http://rapidshare.com/files/29197389/JG-Last_Juror.part2.rar.html Partner http://rapidshare.com/files/12040656/JG-Partner.part1.rar.html http://rapidshare.com/files/12040863/JG-Partner.part2.rar.html Pelican Brief http://rapidshare.com/files/29198235/JG-Pelican_Brief.rar.html Street Lawyer http://rapidshare.com/files/12042023/JG-Street_Lawyer.part1.rar.html http://rapidshare.com/files/12042134/JG-Street_Lawyer.part2.rar.html Summons http://rapidshare.com/files/29199699/JG-Summons.rar.html Testament http://rapidshare.com/files/12043139/JG-Testament.part1.rar.html http://rapidshare.com/files/12043431/JG-Testament.part2.rar.html ------ Thomas Harris Hannibal Rising http://rapidshare.com/files/10992073/TH-HR-24-full.rar Red Dragon http://rapidshare.com/files/11952326/TH-Red_Dragon.part1.rar.html http://rapidshare.com/files/11952460/TH-Red_Dragon.part2.rar.html Silence of the Lambs http://rapidshare.com/files/29279068/TH-Silence_of_the_lambs.rar.html ------ Stephen King Dark Tower Gunslinger http://rapidshare.com/files/14770371/SK-DT-Gunslinger.rar.html Drawing of the Three http://rapidshare.com/files/14769363/SK-DT-Drawing_3.part1.rar.html http://rapidshare.com/files/14769514/SK-DT-Drawing_3.part2.rar.html Waste Lands http://rapidshare.com/files/14773506/SK-DT-Waste_Lands.part1.rar.html http://rapidshare.com/files/14774304/SK-DT-Waste_Lands.part2.rar.html Wizards and the Glass http://rapidshare.com/files/14775700/SK-DT-Wizard_and_Glass.part1.rar.html http://rapidshare.com/files/14777024/SK-DT-Wizard_and_Glass.part2.rar.html http://rapidshare.com/files/14777594/SK-DT-Wizard_and_Glass.part3.rar.html The Wolves of Calla http://rapidshare.com/files/14778921/SK-DT-Wolves_of_the_Calla.part1.rar.html http://rapidshare.com/files/14780194/SK-DT-Wolves_of_the_Calla.part2.rar.html Song of Susannah http://rapidshare.com/files/29242569/SK-DT-Song_of_Susannah.rar.html The Dark Tower http://rapidshare.com/files/14765176/SK-DT-Dark_Tower.part1.rar.html http://rapidshare.com/files/14766979/SK-DT-Dark_Tower.part2.rar.html http://rapidshare.com/files/14767628/SK-DT-Dark_Tower.part3.rar.html ------ Dean Koontz Brother Odd http://rapidshare.com/files/11877436/DK-Brother_Odd.rar.html Cold Fire http://rapidshare.com/files/29168269/DK-Coldfire.part1.rar.html http://rapidshare.com/files/29168959/DK-Coldfire.part2.rar.html Down in the Darkness http://rapidshare.com/files/34808635/DK-Down_In_The_Darkness.rar.html Demon Seed http://rapidshare.com/files/12027932/DK_-_Demon_Seed.rar.html Door to December http://rapidshare.com/files/29171261/DK-Door_to_December.part1.rar.html http://rapidshare.com/files/29171415/DK-Door_to_December.part2.rar.html Dragon Tears http://rapidshare.com/files/12029105/DK_-_Dragon_Tears.part1.rar.html http://rapidshare.com/files/12029200/DK_-_Dragon_Tears.part2.rar.html The Face http://rapidshare.com/files/12034396/DK-Face.part1.rar.html http://rapidshare.com/files/12035655/DK-Face.part2.rar.html False Memory http://rapidshare.com/files/29171261/DK-Door_to_December.part1.rar.html http://rapidshare.com/files/29171415/DK-Door_to_December.part2.rar.html Forever Odd http://rapidshare.com/files/12030843/DK-_Forever_Odd.rar.html From the Corner of His Eye http://rapidshare.com/files/29176725/DK-From_the_Corner_of_His_Eye.part1.rar.html http://rapidshare.com/files/29178624/DK-From_the_Corner_of_His_Eye.part2.rar.html Good Guy http://rapidshare.com/files/35408825/DK-Good_Guy.rar.html Husband http://rapidshare.com/files/12030034/DK_-_Husband.rar.html Icebound http://rapidshare.com/files/14744185/DK-Icebound.rar.html Intensity http://rapidshare.com/files/18929539/DK-Intensity.part1.rar http://rapidshare.com/files/18929897/DK-Intensity.part2.rar Life Expectancy http://rapidshare.com/files/12031863/DK-_Life_Expectancy.part1.rar.html http://rapidshare.com/files/12031976/DK-_Life_Expectancy.part2.rar.html Lightning http://rapidshare.com/files/29179748/DK-Lightning.rar.html Midnight http://rapidshare.com/files/29181119/DK-Midnight.part1.rar.html http://rapidshare.com/files/29181463/DK-Midnight.part2.rar.html Mr. Murder http://rapidshare.com/files/14745785/DK-Mr_Murder.part1.rar.html http://rapidshare.com/files/14746177/DK-Mr_Murder.part2.rar.html Odd Thomas http://rapidshare.com/files/11880753/DK-Odd_Thomas.rar.html One Door Away From Heaven http://rapidshare.com/files/12024368/DK-1_door.part1.rar.html http://rapidshare.com/files/12026823/DK-1_door.part2.rar.html http://rapidshare.com/files/12027152/DK-1_door.part3.rar.html Shadowfire http://rapidshare.com/files/12032930/DK-_Shadowfire.part1.rar.html http://rapidshare.com/files/12033370/DK-_Shadowfire.part2.rar.html Seize the Night http://rapidshare.com/files/29183268/DK-Seize_the_Night.rar.html Sole Survivor http://rapidshare.com/files/568119/DK-SS.part1.rar http://rapidshare.com/files/568134/DK-SS.part2.rar http://rapidshare.com/files/568132/DK-SS.part3.rar http://rapidshare.com/files/568125/DK-SS.part4.rar http://rapidshare.com/files/568102/DK-SS.part5.rar Strange Highways http://rapidshare.com/files/12036220/dk-strange_hwys.rar.html The Taking http://rapidshare.com/files/12036922/DK-Taking.rar.html Tick Tock http://rapidshare.com/files/17801320/DK-Tick_Tock.rar.html Trapped http://rapidshare.com/files/17801615/DK-Trapped.rar.html Velocity http://rapidshare.com/files/12037660/DK-Velocity.rar.html Twilight Eyes http://rapidshare.com/files/14747973/DK-Twilight_Eyes.part1.rar.html http://rapidshare.com/files/14748483/DK-Twilight_Eyes.part2.rar.html ------ Robert Ludlum The Altman Code http://rapidshare.com/files/29240184/RL-Altman_Code.rar.html The Aquitane Progression http://rapidshare.com/files/568015/RL-TAP.part1.rar http://rapidshare.com/files/568007/RL-TAP.part2.rar http://rapidshare.com/files/568127/RL-TAP.part3.rar http://rapidshare.com/files/568019/RL-TAP.part4.rar http://rapidshare.com/files/567991/RL-TAP.part5.rar Bourne Identity http://rapidshare.com/files/567980/RL-BI.rar Cassandra Compact http://rapidshare.com/files/33880787/RL-The_Cassandra_Compact.rar.html The Hades Factor http://rapidshare.com/files/11905744/RL-Hades_Factor.part1.rar.html http://rapidshare.com/files/11905863/RL-Hades_Factor.part2.rar.html ------ James Patterson 1st To Die http://rapidshare.com/files/36677197/JP-1st_To_Die.rar.html 3rd Degree http://rapidshare.com/files/29203168/JP-3rd_Degree.rar.html 4th of July http://rapidshare.com/files/31924967/JP-4th_of_July.rar.html Along Came a Spider http://rapidshare.com/files/29205052/JP-Along_Came_A_Spider.rar.html Beach House http://rapidshare.com/files/23365801/JP-Beach_House.rar http://rapidshare.com/files/22467349/JP-Beach_House.rar Beach Road http://rapidshare.com/files/22468578/JP-Beach_Road.rar http://rapidshare.com/files/23367195/JP-Beach_Road.rar Big Bad Wolf http://rapidshare.com/files/22472269/JP-Big_Bad_Wolf.rar http://rapidshare.com/files/23369338/JP-Big_Bad_Wolf.rar Honeymoon http://rapidshare.com/files/36678984/JP-Honeymoon.rar.html Judge & Jury http://rapidshare.com/files/11896389/JP-Judge___Jury.rar.html Season of the Machete http://rapidshare.com/files/34814669/JP-Season_of_the_Machete.rar.html Step on a Crack http://rapidshare.com/files/22474090/JP-Step_On_A_Crack.rar http://rapidshare.com/files/23370735/JP-Step_On_A_Crack.rar ------ Matthew Reilly Area 7 http://rapidshare.com/files/12047308/MR-_Area_7.part1.rar.html http://rapidshare.com/files/12047472/MR-_Area_7.part2.rar.html Contest http://rapidshare.com/files/22476152/MR-Contest.rar http://rapidshare.com/files/23373522/MR-Contest.rar Ice Station http://rapidshare.com/files/12048042/MR-Ice_Station.rar.html Scarecrow http://rapidshare.com/files/22478400/MR-Scarecrow.part1.rar http://rapidshare.com/files/22478878/MR-Scarecrow.part2.rar Temple http://rapidshare.com/files/12048898/MR-Temple.part1.rar.html http://rapidshare.com/files/12049303/MR-Temple.part2.rar.html ------

http://en.wikibooks.org/wiki/Samsung_SGH-D807 General Diagnostics for Samsung ~SGH-D807 and other Samsung phones: * *#0*# -- LCD Test Menu. * *#06# -- Show the IMEI number. * *#367# -- DB Profile Setting Menu. * *#1234# -- Displays the Firmware Version * *#9324# -- Phone Monitor. Press up and down to display more. * *#0228# or *#9998*228# -- (BAT) Battery statistics. Press up and down to display more. * *#0289# or *#9998*289# -- (BUZ) Buzzer test. * *#0638# or *#9998*638# -- (NET) SIM network ID. * *#0746# or *#9998*746# -- (SIM) SIM Information. * *#0778# or *#9998*778# -- (SST) SIM Service Table. Press up and down to display more. * *#0782# or *#9998*782# -- (RTC) Real Time Clock Display. Press the "#" key to refresh * *#0842# or *#9998*842# -- (VIB) Vibrator test. * *#1111# or *#9998*1111# -- Displays the Software Version. * *#1234# -- Displays the Firmware Version. * *#2222# or *#9998*2222# -- Displays the Hardware Version. * *#4357# or *#9998*4357# -- (HELP) Code help screen. Press up and down to display more. * *#4777*8665# -- GPRS Test and Configuration Menu. * *#5002*8376263# -- Additional handset information. Press up and down to display more. * *#9998*76# -- (PN) Production Number. * *#9998*377# -- (ERR) NVM error log. Press up and down to display more. * *#9998*667# -- (MMS) MMS Debug. * *#9998*968# -- Yamaha test. * *#9998*982# -- Edit IM settings * *#9998*2576# -- (BRKN) SIM Error. * *#9998*3323# -- (DEAD) Forced Crash. * *#9998*5282# -- (JAVA) Java Profile Menu. The "Install MIDlet" password is "235282" * *#9998*5646# -- (LOGO) GSM Logo set. Press up and down to set. * *#9324# -- Displays distances the nearest transmitter towers and their numbers. * *#732982# -- Unknown. Screen quickly says "Saved" but gives no indication as to what is saved. Wireless Application Protocol Configuration: * *#82# -- Display WAP User Agent. * *#92782# -- Edit the WAP User Agent. Default setting is "SEC-SGHD807/1.0 TSS/2.5" * *#827# -- Display WAP UA Profile. * *#927827# -- Edit WAP UA Profile. Default is setting "http://wap.samsungmobile.com/uaprof/d807_10.xml"\ Digital Audio Interference: * *#3243948# -- Digital Audio Interference (DAI) OFF (Resets Phone) * *#32436837# -- Digital Audio Interference (DAI) ON Bluetooth Configuration: * #*3888# -- Bluetooth test mode * *#232337# -- Displays Current Bluetooth MAC address * *#7263232337# -- Changes Bluetooth MAC address. A random number is chosen and you will lose all your previous bluetooth connections. Use with caution! Reset Codes: Data in the phone will be deleted! * *2767*3855# -- Full reset * *2767*2878# -- CUST reset * *2767*927# -- WAP reset * *2767*667# -- MMS reset * *2767*36245# -- Email reset Auto call pickup: * *#22766# -- Automatically receive call (incoming calls are picked up without you pushing any button) * *#227633# -- Manually receive call (disables above setting)

(1:46:22 PM) trevor: it's official... google maps 'street view' is too far (1:46:35 PM) tommyboyg: hahahah (1:46:50 PM) tommyboyg: you see where the one guy complained cause they caught him passed out drunk on his front lawn? (1:46:51 PM) tommyboyg: heheh (1:47:06 PM) trevor: nope... missed that one (1:47:16 PM) tommyboyg: they took it down (1:47:16 PM) trevor: c'mon... I can see my dads truck in the driveway (1:47:19 PM) trevor: it's creepy (1:47:22 PM) tommyboyg: oh nice lol (1:47:28 PM) tommyboyg: we don't have it here, too small a city (1:47:33 PM) trevor: in bangor? (1:47:39 PM) tommyboyg: yeah, even in portland i htink (1:47:45 PM) trevor: do you know how this system works? (1:47:49 PM) tommyboyg: yep (1:47:54 PM) tommyboyg: car with a camera on the roof (1:48:01 PM) tommyboyg: 4 cams actualy i think (1:48:06 PM) trevor: and they literally just drive around every street in america? (1:48:09 PM) tommyboyg: yep (1:48:13 PM) tommyboyg: in the major cities anyways (1:48:15 PM) trevor: multiple cameras... matrix style (1:48:18 PM) tommyboyg: heheh (1:48:22 PM) tommyboyg: bullet-time traffic (1:48:34 PM) trevor: maybe they would pay you to mount some cameras to your car and drive around bangor (1:48:47 PM) tommyboyg: hahah that'd be sweet (1:48:49 PM) tommyboyg: i'd do that shit (1:49:43 PM) trevor: omg! this is actually great! (1:49:46 PM) trevor: check this out... 13:50 (1:50:03 PM) trevor: so at the start of the summer, my dad and me reseeded our front lawn because it looked like shit (1:50:07 PM) trevor: it was all sandy and crap (1:50:21 PM) trevor: but we never took any pictures from before we seeded it... for the before and after (1:50:36 PM) trevor: but now..... thanks to this creepy service, I have that before picture (1:50:47 PM) tommyboyg: hahahahah (1:50:55 PM) tommyboyg: amazing

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!ideas woodcut/line art ancient royal-blue ink embelished framed harry potter !misc http://bibliodyssey.blogspot.com/2008/09/heart-for-arts-sake.html - !!!!! !Russian http://commons.wikimedia.org/wiki/Category:Postal_stationery_of_the_Soviet_Union - DUDE YES! !Searches http://www.google.com/search?hl=en&client=firefox-a&rls=org.mozilla%3Aen-US%3Aofficial&q=russian+stationary+lettersheets&btnG=Search http://www.google.com/search?hl=en&client=firefox-a&rls=org.mozilla:en-US:official&hs=mcT&pwst=1&q=postal+stationary+russia+OR+ussr+OR+soviet+OR+cccp&start=10&sa=N http://www.google.com/search?hl=en&client=firefox-a&rls=org.mozilla%3Aen-US%3Aofficial&hs=rd8&q=eclectic+stationary+lettersheets&btnG=Search

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https://wiki.mozilla.org/Labs/Ubiquity/Ubiquity_0.1_Author_Tutorial#The_Ubiquity_0.1_Command_Tutorial {{{ CmdUtils.CreateCommand({ name: "map-me", _getMapUrl: function() { var loc = CmdUtils.getGeoLocation(); var mapUrl = "http://maps.google.com/staticmap?"; var params = { center: loc.lat + "," + loc.long, size: "500x400", zoom: 14, key: "ABQIAAAAGZ11mh1LzgQ8-8LRW3wEShQeSuJunOpTb3RsLsk00-MAdzxmXhQoiCd940lo0KlfQM5PeNYEPLW-3w" }; return mapUrl + jQuery.param( params ); }, preview: function( pblock ) { var msg = "Inserts a map of your current location: <br/>"; msg += "<img src='%s'/>".replace( /%s/, this._getMapUrl() ); pblock.innerHTML = msg; }, execute: function( ) { CmdUtils.getImageSnapshot( this._getMapUrl(), function(imgData) { CmdUtils.setSelection( "<img src='" + imgData +"'/>"); }) } })----------------------------------------------------------------------------------------- CmdUtils.CreateCommand({ name: "tweets", homepage: "http://euicho.com/ubiquity/tweets", author: {name: "Thomas Gagnon", homepage: "http://euicho.com/"}, license: "MPL", _getTweets: function() { }, preview: function(previewBlock) { previewBlock.innerHTML = "fetching tweets..."; var previewTemplate = "Last 10 Twitters with friends: <br/>" + "${tweets}"; var previewData = {tweets:"no tweets"}; var previewHTML = CmdUtils.renderTemplate(previewTemplate, previewData); previewBlock.innerHTML = previewHTML; }, execute: function() { var statusUrl = "http://twitter.com/statuses/friends_timeline.json"; jQuery.ajax({ type: "GET", url: statusUrl, dataType: "json", error: function() { displayMessage("Twitter error"); }, success: function() { displayMessage("Tweets received!"); } }); } }) }}}

The Olympus Evolt E-330 is a digital SLR and was one of the first dSLRs to feature live view (through the lens, onto the lcd). Review: http://www.steves-digicams.com/2006_reviews/e330.html [img[http://www.shinyblue.com/temp/olympus-e330-reflections.jpg]]

Tom's of Maine - "Refreshing Mint" Conditioning Shave Cream Arko Cool Shaving Cream http://www.x-tremegeek.com/ http://www.sciplus.com

http://www.oldblivion.com/sm/index.php?action=printpage;topic=5831.0

I am so mad that I would punch jesus in the face. -Sam Y.- "that was a close one bob. good thing you've got that prehensile penis" -Zach- WWZD? not a god-damned thing -Zach- Florida, its to old people what cliffs are to lemmings -Zach- he's not the best accountant in the jewish phonebook -Zach- I don't have a beef with the deaf, but it's hard to learn with a person standing 3 feet from you and looking like she's having a sock-puppet fight with herself. -Jesse- "A Kabillion Friggabytes of RAM" -Jason- emo girls care about themselves, they are just mad nobody else does. -Jesse- (15:43:15) tommyboyg: you could make a "sorry you suck at life" card for hallmark (15:43:34) ScatterBrained J: That's a good idea.. the sorry your so emo card (15:43:42) tommyboyg: yeah lol (15:43:56) ScatterBrained J: on the inside it would say, we're sorry you suck and all but get the fuck over it (15:43:58) ScatterBrained J: loser (15:44:15) ScatterBrained J: then it would it spit at them, with your own saliva... thats how cool it would be (15:44:21) tommyboyg: "oh, oh, im sorry, don't go kill your sorry ass like your friend did" (15:44:26) ScatterBrained J: hahah (15:44:40) ScatterBrained J: No really I dare you not to use this pre packaged razor blade (15:44:45) ScatterBrained J: if your loser ass could open it (15:44:50) tommyboyg: rofl (15:45:06) ScatterBrained J: wow, emo kids suck (15:45:15) tommyboyg: yes. yes they do.

http://budk.com/category.asp?start=315&c=2300&c2c=tn ------ http://budk.com/tomahawk-guthook-blade-knife/p/17%20XL0599/c/6071/ http://budk.com/timber-rattler-blue-wood-skinner/p/17%20TR35/c/6071/ http://budk.com/product.asp?pn=17+CS92FCAT&bhcd2=1229730955 http://budk.com/ridge-runner-full-tang-skinner/p/17%20RR424/c/6071/

!Tom's Cameras: *OlympusE330 *Leica IIIc Rangefinder *CanonTX 35mm SLR *MinoltaX-370 35mm SLR *Minolta110ZoomSLR *KodakBrownieFiesta *[[Polaroid]] Land Camera (600 film) *[[Seagull]] GC-105 *KodakInstamatic500 !!!Lenses: *Olympus Zuiko 14-45mm 1:3.5-5.6 *Canon Zoom FD 100-200mm 1:5.6 *Canon FD 50mm 1:1.8 *Sigma ~Zoom-Master 35~70mm 1:2.8~4 *Montgomery Ward 67-503 Auto Zoom 1:3.8 85~205mm (minolta) *Vivitar RL Edition 28mm 1:2.8 Close Focus MC (minolta) *Deitz Auto Teleconverter 3X (minolta)

Gake no ue no Ponyo get smart Gilgamesh Girl Who Leapt Through Time, The Gone Baby Gone Goya's Ghosts habit (1997) Halloween hannibal rising In the Valley of Elah Indiana Jones and the Kingdom of the Crystal Skull he was a quiet man heat helvetica HENRY: PORTRAIT OF A SERIAL KILLER (1990) interview hitman Holy Mountain Invictus (2009) ivory line how to rob a bank Howl's Moving Castle Human Traffic I know who killed me In the Line of Fire (1993) I'll See You in My Dreams (2003) in the loop In the Name of the Father

This is an old Leica rangefinder camera. It was quite popular in scientific photography. More information: http://www.camerapedia.org/wiki/Leica_IIIc [img[http://farm2.static.flickr.com/1024/1470485148_26380efd5c.jpg]]

The Canon TX is a 35mm SLR More information can be found here: http://en.wikipedia.org/wiki/Canon_TX [img[http://www.collection-appareils.fr/canon/images/Canon_TX.jpg]]

The Minolta 110 Zoom SLR is a weird one. It's the first 110 camera I ever saw that took 110 film, and the first 110 I ever saw that had a zoom lens. More info here: http://camerapedia.org/wiki/Minolta_110_Zoom_SLR [img[http://farm1.static.flickr.com/82/271896435_8100e093f8.jpg]]

The Minolta X-370 is a manual-focus 35mm SLR More info: http://www.pbase.com/cameras/minolta/x_370 [img[http://waynenet.files.wordpress.com/2008/06/x370.jpg]]

The Kodak Instamatic 500 is a 126 film cartridge camera. The film is only made by a few custom companies and developed at a select range of camera shops. More info: http://camerapedia.org/wiki/Kodak_Instamatic_500 [img[http://farm1.static.flickr.com/89/271885559_d2075adcbd.jpg]]

Jesse

!!Areas/Components * Places > -- List of sites as excerpts with photo for each * Separate pages for each area we explore > -- Videos > -- Perhaps a members-only location/maps/beta area * About area (No specific/personal/identifying info) > -- about the website > -- mission statement/motivations > -- what we do/don't do * Education/Etiquette * Map !!Inspiration * http://atlasobscura.com/ * http://sub-urban.com * http://www.undercity.org/ * http://sleepycity.net/ * http://www.forbidden-places.net/explo1.php * http://www.urbex.nl/portal.php * http://www.urbanexplorers.net/ * http://www.stuofdoom.com/ * http://zonetour.org/ * http://infiltration.org * http://www.jinxmagazine.com/ !!Logo or Patch Idea Seal like the USA seal, but a raven who's claws are clutching an old camera and some decaying matter or other urbex tool(s). sense of decay, rust, etc in the background. See http://www.vecteezy.com/vf/515-Eagle-Seal for example !!To Do/Ideas * get added to directores and search engines! infiltration has a small directory with BEG, we need to get added. focus on content high info density ease of use easy navigability use whitespace to frame content ALSO: Big-picture style galleries

!!1. how to send a MMS (Picture Message) with the iPhone 3G. Go to your email client on the iPhone (the account you use to send email messages). In the to filed, put in the the phone number of the person you wish to send the video message to followed by their wireless subscriber�s email address (See below). If the person you wish to send the message to is with Sprint and their phone number is 111-222-3333 you would enter it as 1112223333@messaging.sprintpcs.com. IMPORTANT: Only use ten digit numbers in the US (Do NOT add a 1 in the front). Other Providers messaging addresses: Alltel = xxxxxxxxxx@message.alltel.com AT&T = xxxxxxxxxx@mms.att.net or @text.att.net Boost Mobile = xxxxxxxxxx@myboostmobile.com Cingular (AT&T) = xxxxxxxxxx@mms.mycingular.com Einstein PCS = xxxxxxxxxx@einsteinmms.com Sprint = xxxxxxxxxx@messaging.sprintpcs.com ~T-Mobile = xxxxxxxxxx@tmomail.net US Cellular = xxxxxxxxxx@mms.uscc.net Verizon Wireless = xxxxxxxxxx@vzwpix.com Virgin Mobile = xxxxxxxxxx@vmobl.com !!2. how to receive a MMS (Picture Message) with the iPhone. Simply have your contacts send picture messages to �your phone number� @text.att.net. So if your number is 111-222-3333, they should send it to 1112223333@text.att.net. now you can send and recieve MMS(picture message) on iPhone 3G. -//from:// http://freeiphoner.com/how-to-send-and-recieve-mmspicture-message-on-iphone-3g -

!Things to do when you're bored: WebComics http://www.ted.com http://www.nbc.com/merlin/video/categories/season-1/1127742/ http://www.popularmechanics.com/home_journal/how_to/4284709.html?page=2 http://www.drhorrible.com/ http://www.surfthechannel.com/info/documentaries/Freedom_Downtime/31415/The+Story+of+Kelvin+Mitnick.html?aid=14193javascript:; http://www.rocketboom.com/category/know-your-meme/ http://englishrussia.com/?p=1479 http://www.edwardtufte.com/bboard/q-and-a?topic_id=1

batteries: percentage clocks! lockscreens: weather widget http://iphoneoverdose.com/tag/winterboard-themes/ http://www.iclarified.com/entry/index.php?enid=3185 http://www.appleiphoneschool.com/2008/11/22/winterboard-mods-5/ http://www.hackthatphone.com/3x/themes_with_winterboard.html

http://www.geocaching.com/mark/details.aspx?PID=PE2144 http://www.geocaching.com/mark/details.aspx?PID=PE2146

"slipstreamed" OS X (Kalyway) http://i.gizmodo.com/5156903/how-to-hackintosh-a-dell-mini-9-into-the-ultimate-os-x-netbook http://www.insanelymac.com/forum/index.php?showtopic=83039& http://www.insanelymac.com/forum/index.php?showtopic=79526& http://www.insanelymac.com/forum/index.php?showtopic=70282 http://www.insanelymac.com/forum/index.php?showtopic=71784&st=500 http://www.insanelymac.com/forum/index.php?showtopic=137216 http://www.insanelymac.com/forum/index.php?showtopic=144626&pid=1132128&mode=threaded&start=#entry1132128 http://wiki.osx86project.org/wiki/index.php/Installation_Guides/Kalyway_DualBoot_10.5.2 http://pcwizcomputer.com/index.php?option=com_content&task=view&id=36&Itemid=32 http://wiki.osx86project.org/wiki/index.php/Install_to_a_USB_Hard_Drive http://wiki.osx86project.org/wiki/index.php/Installation_Guides

http://www.youtube.com/user/BOHUNTER http://www.youtube.com/user/EDBO23 http://primitiveways.com/knapping4.html

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* Make a will. * Pay off your credit cards. * Get term life insurance if you have a family to support. * Fund your 401(k) to the maximum. * Fund your IRA to the maximum. * Buy a house if you want to live in a house and can afford it. * Put six months' worth of expenses in a money market account. * Take whatever money is left over and invest 70% in a stock index fund and 30% in a bond fund through any discount broker, and never touch it until retirement. * If any of this confuses you, or you have something special going on (retirement, college planning, tax issues), hire a fee-based financial planner.

* http://www.blockbuster.com/outlet/recommendations/recommendationsByCollection/awardWinnersRecommendations * http://www.blockbuster.com/outlet/recommendations/recommendationsByCollection/filmFestivalsRecommendations * http://www.blockbuster.com/outlet/recommendations/recommendationsByCollection/independentRecommendations * http://www.blockbuster.com/outlet/collections/1001MoviesYouMustSee/1001Movies19801994 * http://www.blockbuster.com/outlet/collections/1001MoviesYouMustSee/1001Movies1995Now

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steampunk pens flip-out magnifier quill vs regular leather grip (sewn) gauges chambers valves gears screws rivets levers pulleys nuts pipes Materials: brass copper nickel leather twine wire threadding

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KURONEKO, aka THE BLACK CAT, 1968 Ring Series: ring rasen ring 2 Ring 0: Birthday S�ANCE, 2000 Ju-on, 2000 Ju-on 2, 2000 Ju-on: Shiroi Roujo Ju-on: Kuroi Shoujo One Missed Call (2004) Chakushin ari

Achira Acorn summer squash African violet Airplane Plant Algarroba Aluminium Plant Alumroot American Plane Tree Anthericum Comosum Antirrhinum Multiflorum Arabian Gentian Aregelia Artillery Plant Aspidium Falcatum Aubepine Autumn Olive Baby Rubber Plant Baby Tears Bachelors Buttons Ball Fern Bamboo Palm Bamboo Vine Bamboo Banana Banana Squash Barrel Cactus Beefsteak Plant Begonia Belmore Sentry Palm Big Shellbark Hickory Bitter Pecan Bitternut Hickory Black Haw Black Hawthorn Blaspheme vine Bloodleaf Plant Blooming Sally Blue Daisy Bluebottle Blushing Bromeliad Bold Sword Fern Boston Fern Bottle Palm Bottlebrush Brazilian Orchid Bride's Bonnet Bristly Greenbrier Brodiaea Pulchella Broom Hickory Bullbrier Bur Gourd Burro's Tail Buttercup Squash Butterfly Ginger Butterfly Iris Butterfly Squash Butterfly Tulip Butterfly Orchid Button Fern Caeroba Calathea Insignis California Pitcher Plant Callistemon Citrinus Callistemon Bradyandrus Callistemon Viminalis Calochortus Nuttalli Calthea Lancifolia Camellia Canada Hemlock Canary Date Palm Candle Plant Candycorn Plant Canna Lily Canterbury Bell Cape Jasmine Cape Primrose Carob Tree Carob Caroba Carobinha Carolina Hemlock Carrion Flower Carrot Fern Carrot Flower Casaba Melon Cast Iron Plant Cat Ear Cat Grass Catnip Cattleya Celosia Chamaedorean Humilis Chicken Gizzard Plant Chinese Fan Palm Chinese Plumbago Chlorophytum Chlorophytum Bichetii Chocolate Soldier Plant Christmas Dagger Fern Christmas Palm Christmas Orchid Cinnamon jasmine Cinquefoil Cirrhopetalum Clearweed Cliff Brake Fern Club Moss Cockscomb Coleus Common Staghorn Fern Confederate Jasmine Coolwort Copperleaf Coral Ardisia Coral Bells Cornflower Crape Myrtle Crataegus Phaenopyrum Crataegus Creeping Charlie Creeping Gloxinia Creeping Jenny Creeping Mahonia Creeping Pilea Creeping Rubus Creeping Zinnia Crepe Myrtle Crimson Bottlebush Crimson Cup Crossandra Cucumber Cushion Moss Cushon Aloe Cyrtudeira Reptans Dancing Doll Orchid Donkey Tail Dwarf Date Palm Easter Daisy Easter Lily Cactus Easter Orchid Easter lily Cactus Elephant Ear Begonia Emerald Ripple Peperomia English Hawthorn Epidendrum Episcia Fingernail Plant Fire Weed Forster Sentry Palm Fortunes Palm Freckle Face Friendship Plant Gerbera Gherkins Ghost Plant Ghost Leafless Orchid Giant White Inch Plant Giant Holly Fern Giant Aster Gibasis Geniculata Globe Thistle Gloxinia Gold Bloom Goldfish Plant Good Luck Palm Grape Hyacinth Grape Ivy Great Willow Herb Green Ripple Peperomia Greenbrier Hagbrier Haworthia Haw Hawthorn Hellfetter Hemlock Tree Hen & Chickens Fern Hickory Hindu Rope Plant Holly Fern Hollyhock Honey Locust Honey Plant Honeydew Melon Honeysuckle Fuchsia Hoya Hubbard Squash Hypocyrta Ice Plant Imbricata sword fern Irish moss Iron cross begonia Iron tree Ivy-leaf peperomia Ivy peperomia Jackson Brier Jacob's Ladder Japanese Aralia Japanese Pittosporum Japanese moss Japanese holly fern Jasmine Jewel orchid Joseph's coat Jungle geranium Kaempferis Kahali Ginger Kenilworth Ivy Kentia Palm Kenya Palm Kenya Violet Kharoub King and Queen Fern King of the Forest King Nut Kuang-yen- pa-hsieh Lace Flower Vine Lace Orchid Ladies Ear Drops Lady Lou Lady Palm Lagerstroemia Indica Lance Pleumele Large Lady Palm Leather Peperomia Lemon Bottlebrush Leng-fen tu'an Leopard Orchid Leopard Lily Lesser Snapdragon Lily of the Valley Orchid Linden Lipstick Plant Little Fantasy Peperomia Little Zebra Plant Living Rock Cactus Living Stones Locust Pods Lou-lang-t'ou Luther Madagascar Jasmine Magnolia Bush Mahonia Aquifolium Malabar Gourd Malaysian Dracaema Manila Palm Mapleleaf Begonia Maranta Marbled Fingernail Mariposa Lily Maroon Mary-Bud Measles Plant Melons Metallic Peperomia Metallic Leaf Begonia Mexican Firecracker Mexican Snowballs Mexican Rosettes Minature Maranta Minature Marble Plant Minature Fish Tail Miniature Date Palm Mistletoe Cactus Mockernut Hickory Mosaic Plant Mosiac Vase Moss Phlox Moss Agate Moss Rose Moss Campion Moss Fern Mossy Campion Mother Fern Mother of Pearl Plant Mother Spleenwort Mountain Camellia Mountain Grape Mulberry Bush Musa Paradisiaca Muscari spp. Muscari Armeniacum Muskmellon Narrow Leafed Pleomele Natal Plum Neanthe Bella palm Neanthebella Nematanthus spp. Neoregelia Nephrolepsis Nerve Plant New Silver and Bronze Night Blooming Cereus Odontoglossum spp. Old World Orchid Old Man Cactus Orange Star Oregon Grape Ossifragi Vase Paddys Wig Painted Lady Palm Lily Pampus Grass Panamiga Pansy Orchid Paradise Palm Parlor Plant Parlor Palm Parsley Fern Peace Begonia Peacock Plant Pearl Plant Pearly Dots Peperomia Peltifolia Peperomia Rotundifolia Peperomia Fosteri Peperomia Sandersii Peperomia Hederifolia Pepper Face Persian Violet Pheasant Plant Piggy Back Plant Pigmy Date Palm Pignut Hickory Pignut Pilea Microphylla Pilea Mucosa Pink Polka Dot Plant Pink Pearl Pink Starlite Pink Brocade Pirliteiro Pitaya Plantanus Occidentalis Plantanus Orientalis Platinum Peperomia Platycerium Alicicorne Plumbago Larpentiae Plush Plant Polka Dot Plant Polystichum Falcatum Pony Tail Porcelain Flower Pot Marigold Prairie Snowball Prairie Lily Prayer Plant Prickly Bottlebrush Prostrate Coleus Purple Waffle Plant Purple Baby Tears Purple Passion Vine Purpleosier Willow Queencup Queens Spiderwort Queensland Arrowroot Rabbits Foot Fern Rainbow Orchid Red African Violet Red Veined Prayer Plant Red Berried Greenbrier Red Hawthorne Red Palm Lily Red Edge Peperomia Reed Palm Resurrection Lily Rex Begonia Rhynchophorum Ribbon Plant Roosevelt Fern Royal Velvet Plant Rubber Plant, Baby Russian Olive Saffron Spike Zebra Saint Bernards Lily Sand Lily Sand Verbena Satin Pellionia Sawbrier Scabious Scarborough Lily Scarlet Orchid Scarlet Sage Sego Lily Shagbark Hickory Shan ku'ei-lai Shellbark Hickory Shiny Leaf Smilax Shrimp Cactus Silver Nerve Plant Silver Table Fern Silver Pink Vine Silver Bell Silver Heart Silver Star Silver Berry Silver-Leaf Peperomia Silver Tree Anamiga Slender Deutzia Small Fruited Hickory Smilax Tamnoides Vas Hispida Speckled Wood Lily Spice Orchid Spider Ivy Spider Plant Spotted Laurel Squarenut Squirrels Foot Fern Star Jasmine Star Plant Star Tulip Star Window Plant Star Lily Strawberry Striped Blushing Sugar Pods Sulfur Flower Summer Hyacinth Swedish Ivy Sweet William Sweetheart Peperomia Sweetheart Hoya Sword Fern Tahitian Bridal Veil Tailed Orchid Tall Feather Fern Tall Mahonia Teasel Gourd Texas Sage Thea Japonica Thimble Cactus Thorn Apple Ti Hu-Ling Tiger Orchid Toad Spotted Cactus Torch Lily Tous-Les-Mois Trailing Peperomia Tree Cactus Tree Gloxinia Tropical Moss True Cantalope Tu Fu-Ling Tulip Poplar Tulip Tree Turban Squash Turf Lily Umbrella Plant Urbinia Agavoides Usambara Violet Variegated Philodendron Leaf Peperomia Variegated Wax Plant Variegated Wandering Jew Variegated Oval Leaf Peperomia Variegated Laurel Velvet Plant Venus Fly Trap Verona Fern Verona Lace Fern Vining Peperomia Violet Slipper Gloxinia Waffle Plant Walking Anthericum Washington Hawthorn Water Hickory Watermelon Peperomia Watermelon Begonia Watermelon Pilea Wax Plant Wax Rosette Weeping Sergeant Hemlock Weeping Bottlebrush Weisdornbluten West Indian Gherkin Western Sword White Edged Swedish Ivy White Heart Hickory White Ginger Whitman Fern Wild Buckwheat Wild Sarsaparilla Wild Lantana Wild Strawberry Wild Hyacinth Willow Herb Windmill Palm Winter Cattleya Withered Snapdragon Woolflower Yellow-Flowered Gourd Yellow Bloodleaf Yerba Linda Zebra Haworthia Zebra Plant Zinnia sp. Zucchini Squash

http://www.drupaltherapy.com/node/52 http://nicksergeant.com/blog/drupal/html-mockup-full-drupal-site-tutorial-part-i-introduction-and-installation http://www.siteground.com/tutorials/drupal-tutorial/ http://groups.drupal.org/node/22319 http://tips.webdesign10.com/drupal-theming-tutorials

http://www.mediawiki.org/wiki/Manual:FAQ http://meta.wikimedia.org/wiki/Help:Contents http://www.mediawiki.org/wiki/Installation http://www.mediawiki.org/wiki/Manual:Configuration_settings http://www.mediawiki.org/wiki/Manual:User_rights http://www.mediawiki.org/wiki/Manual:Preventing_access http://www.mediawiki.org/wiki/Manual:Industrialization_guide#Setting_the_wiki_configuration.2C_with_a_wiki-administrator http://www.mediawiki.org/wiki/Extension:ConfirmAccount http://www.mediawiki.org/wiki/Manual:FAQ#How_do_I_administrate.2Fmanage_user_rights.3F http://www.mediawiki.org/wiki/Category:Corporate_Must-have_extensions ---------------------- http://www.mediawiki.org/wiki/Manual:Importing_external_content http://www.mediawiki.org/wiki/Manual:Industrialization_guide http://www.mediawiki.org/wiki/Extension:Preloader ---------------------- reset a user password update user set user_password = md5(concat(user_id,'-',md5('NewPassword'))) where user_name='username'

http://www.strategic-air-command.com/bases/Loring_AFB.htm

Foods: Alcohol Apple seeds Apricot pits Avocados Cherry pits Chocolate and candy Xylitol (candy/gum) Coffee (grounds, beans, chocolate covered espresso beans) Grapes Hops (used in home beer brewing) Macadamia nuts Moldy foods Mushrooms Mustard seeds Onions and onion powder (scallions and related plants) Garlic Peach pits Potato leaves and stems (green parts) Raisins Rhubarb leaves Salt Tea Tomato leaves and stems (green parts) Walnuts Yeast dough caffeine Tobacco Raw eggs Raw fish Tuna (the most common cause of Steatitis or Yellow Fat Disease, caused by a diet high in unsaturated fatty acids) ---------------- Plants: Alfalfa Almond (Pits of) Aloe Vera Alocasia Amaryllis Apple (seeds) Apple Leaf Croton Apricot (Pits of) Arrowgrass Asparagus Fern Autumn Crocus Avacado (fuit and pit) Azalea Baby's Breath Baneberry Bayonet Beargrass Beech Belladonna Bird of Paradise Bittersweet Black-eyed Susan Black Locust Bleeding Heart Bloodroot Bluebonnet Box Boxwood Branching Ivy Buckeyes Buddist Pine Burning Bush Buttercup Cactus, Candelabra Caladium Calla Lily Castor Bean Ceriman Charming Dieffenbachia Cherry (pits, seeds & wilting leaves) Cherry, most wild varieties Cherry, ground Cherry, Laurel Chinaberry Chinese Evergreen Christmas Rose Chrysanthemum Cineria Clematis Cordatum Coriaria Cornflower Corn Plant Cornstalk Plant Croton Corydalis Crocus, Autumn Crown of Thorns Cuban Laurel Cutleaf Philodendron Cycads Cyclamen Daffodil Daphne Datura Deadly Nightshade Death Camas Devil's Ivy Delphinium Decentrea Dieffenbachia Dracaena Palm Dragon Tree Dumb Cane Easter Lily * Eggplant Elaine Elderberry Elephant Ear Emerald Feather English Ivy Eucalyptus Euonymus Evergreen Ferns Fiddle-leaf fig Florida Beauty Flax Four O'Clock Foxglove Fruit Salad Plant Geranium German Ivy Giant Dumb Cane Glacier IvyGolden Chain Gold Dieffenbachia Gold Dust Dracaena Golden Glow Golden Pothos Gopher Purge Hahn's Self-Branching Ivy Heartland Philodendron Hellebore Hemlock, Poison Hemlock, Water Henbane Holly Honeysuckle Horsebeans Horsebrush Horse Chestnuts Hurricane Plant Hyacinth Hydrangea Indian Rubber Plant Indian Tobacco Iris Iris Ivy Jack in the Pulpit Janet Craig Dracaena Japanese Show Lily * Java Beans Jessamine Jerusalem Cherry Jimson Weed Jonquil Jungle Trumpets Kalanchoe Lacy Tree Philodendron Lantana Larkspur Laurel Lily Lily Spider Lily of the Valley Locoweed Lupine Madagascar Dragon Tree Marble Queen Marigold Marijuana Mescal Bean Mexican Breadfruit Miniature Croton Mistletoe Mock Orange Monkshood Moonseed Morning Glory Mother-in Law's Tongue Morning Glory Mountain Laurel Mushrooms Narcissus Needlepoint Ivy Nephytis Nightshade Oleander Onion Oriental Lily * Peace Lily Peach (pits and wilting leaves) Pencil Cactus Peony Periwinkle Philodendron Pimpernel Plumosa Fern Poinciana Poinsettia (low toxicity) Poison Hemlock Poison Ivy Poison Oak Pokeweed Poppy Potato Pothos Precatory Bean Primrose Privet, Common Red Emerald Red Princess Red-Margined Dracaena Rhododendron Rhubarb Ribbon Plant Rosemary Pea Rubber Plant Saddle Leaf Philodendron Sago Palm Satin Pothos Schefflera Scotch Broom Silver Pothos Skunk Cabbage Snowdrops Snow on the Mountain Spotted Dumb Cane Staggerweed Star of Bethlehem String of Pearls Striped Dracaena Sweetheart Ivy Sweetpea Swiss Cheese plant Tansy Mustard Taro Vine Tiger Lily * Tobacco Tomato Plant (green fruit, stem and leaves) Tree Philodendron Tropic Snow Dieffenbachia Tulip Tung Tree Virginia Creeper Water Hemlock Weeping Fig Wild Call Wisteria Yews -- e.g. Japanese Yew English Yew Western Yew American Yew ------------------------------ Other Materials: Acetaminophen (Tylenol) Aspirin Bleach Boric Acid Brake Fluid Cleaning Fluid Deodorants Deodorizers Detergent Disinfectants Dye Fungicides Furniture Polish Herbicides Ibuprofen Insecticides Laxatives Lead Metal Polish Mineral Spirits Mothballs Nail Polish & Remover Paint Paint Remover Paracetamol Petrol Phenylbutazone Rubbing Alcohol Shoe Polish Snail/Slug Bait Suntan Lotion Tar Teflon Weedkiller Windshield Washer Fluid Wood Preservatives Zinc

MESSENGER (2010) by cinecycle http://video.google.com/videosearch?hl=en&client=firefox-a&rls=org.mozilla:en-US:official&hs=JlE&q=(((bike+OR+bicycle)+AND+(messenger+OR+courier))+AND+documentary)&um=1&ie=UTF-8&ei=nTetSvvQKYXLlAfo3a3SBg&sa=X&oi=video_result_group&ct=title&resnum=4# http://www.google.com/search?hl=en&client=firefox-a&rls=org.mozilla:en-US:official&hs=Q6t&q=(((bike+OR+bicycle)+AND+(messenger+OR+courier))+AND+documentary)&start=10&sa=N http://urbanvelo.org/download/ http://www.63xc.com/gregg/101_2.htm http://urbanvelo.org/tech/ http://www.nybma.com/links.htm http://www.sheldonbrown.com/ ------------ !TO BAI? * http://www.amazon.com/ACTION-WHEEL-ALLOY-TRACK-SILVER/dp/B001DTX77U/ref=sr_1_34?ie=UTF8&s=sporting-goods&qid=1256765088&sr=1-34 * http://www.amazon.com/Schwinn-Exit-Fixed-Gear-Road-Wheels/dp/B001STXBAI/ref=pd_sbs_sg_2

20x20 - some house space {{{ Delay 9000 Mousepos 537, 337 Leftclick Mousepos 587, 337 Leftclick Mousepos 637, 337 Leftclick Mousepos 687, 337 Leftclick Mousepos 737, 337 Leftclick Mousepos 512, 349 Leftclick Mousepos 562, 349 Leftclick Mousepos 612, 349 Leftclick Mousepos 662, 349 Leftclick Mousepos 712, 349 Leftclick Mousepos 762, 349 Leftclick Mousepos 487, 361 Leftclick Mousepos 537, 361 Leftclick Mousepos 587, 361 Leftclick Mousepos 637, 361 Leftclick Mousepos 687, 361 Leftclick Mousepos 737, 361 Leftclick Mousepos 787, 361 Leftclick Mousepos 462, 373 Leftclick Mousepos 512, 373 Leftclick Mousepos 562, 373 Leftclick Mousepos 612, 373 Leftclick Mousepos 662, 373 Leftclick Mousepos 712, 373 Leftclick Mousepos 762, 373 Leftclick Mousepos 812, 373 Leftclick Mousepos 437, 385 Leftclick Mousepos 487, 385 Leftclick Mousepos 537, 385 Leftclick Mousepos 587, 385 Leftclick Mousepos 637, 385 Leftclick Mousepos 687, 385 Leftclick Mousepos 737, 385 Leftclick Mousepos 787, 385 Leftclick Mousepos 837, 385 Leftclick Mousepos 412, 397 Leftclick Mousepos 462, 397 Leftclick Mousepos 512, 397 Leftclick Mousepos 562, 397 Leftclick Mousepos 612, 397 Leftclick Mousepos 662, 397 Leftclick Mousepos 712, 397 Leftclick Mousepos 762, 397 Leftclick Mousepos 812, 397 Leftclick Mousepos 862, 397 Leftclick Mousepos 387, 409 Leftclick Mousepos 437, 409 Leftclick Mousepos 487, 409 Leftclick Mousepos 537, 409 Leftclick Mousepos 587, 409 Leftclick Mousepos 637, 409 Leftclick Mousepos 687, 409 Leftclick Mousepos 737, 409 Leftclick Mousepos 787, 409 Leftclick Mousepos 837, 409 Leftclick Mousepos 887, 409 Leftclick Mousepos 362, 421 Leftclick Mousepos 412, 421 Leftclick Mousepos 462, 421 Leftclick Mousepos 512, 421 Leftclick Mousepos 562, 421 Leftclick Mousepos 612, 421 Leftclick Mousepos 662, 421 Leftclick Mousepos 712, 421 Leftclick Mousepos 762, 421 Leftclick Mousepos 812, 421 Leftclick Mousepos 862, 421 Leftclick Mousepos 912, 421 Leftclick Mousepos 337, 433 Leftclick Mousepos 387, 433 Leftclick Mousepos 437, 433 Leftclick Mousepos 487, 433 Leftclick Mousepos 537, 433 Leftclick Mousepos 587, 433 Leftclick Mousepos 637, 433 Leftclick Mousepos 687, 433 Leftclick Mousepos 737, 433 Leftclick Mousepos 787, 433 Leftclick Mousepos 837, 433 Leftclick Mousepos 887, 433 Leftclick Mousepos 937, 433 Leftclick Mousepos 312, 445 Leftclick Mousepos 362, 445 Leftclick Mousepos 412, 445 Leftclick Mousepos 462, 445 Leftclick Mousepos 512, 445 Leftclick Mousepos 562, 445 Leftclick Mousepos 612, 445 Leftclick Mousepos 662, 445 Leftclick Mousepos 712, 445 Leftclick Mousepos 762, 445 Leftclick Mousepos 812, 445 Leftclick Mousepos 862, 445 Leftclick Mousepos 912, 445 Leftclick Mousepos 962, 445 Leftclick Mousepos 287, 457 Leftclick Mousepos 337, 457 Leftclick Mousepos 387, 457 Leftclick Mousepos 437, 457 Leftclick Mousepos 487, 457 Leftclick Mousepos 537, 457 Leftclick Mousepos 587, 457 Leftclick Mousepos 637, 457 Leftclick Mousepos 687, 457 Leftclick Mousepos 737, 457 Leftclick Mousepos 787, 457 Leftclick Mousepos 837, 457 Leftclick Mousepos 887, 457 Leftclick Mousepos 937, 457 Leftclick Mousepos 987, 457 Leftclick Mousepos 262, 469 Leftclick Mousepos 312, 469 Leftclick Mousepos 362, 469 Leftclick Mousepos 412, 469 Leftclick Mousepos 462, 469 Leftclick Mousepos 512, 469 Leftclick Mousepos 562, 469 Leftclick Mousepos 612, 469 Leftclick Mousepos 662, 469 Leftclick Mousepos 712, 469 Leftclick Mousepos 762, 469 Leftclick Mousepos 812, 469 Leftclick Mousepos 862, 469 Leftclick Mousepos 912, 469 Leftclick Mousepos 962, 469 Leftclick Mousepos 1012, 469 Leftclick Mousepos 237, 481 Leftclick Mousepos 287, 481 Leftclick Mousepos 337, 481 Leftclick Mousepos 387, 481 Leftclick Mousepos 437, 481 Leftclick Mousepos 487, 481 Leftclick Mousepos 537, 481 Leftclick Mousepos 587, 481 Leftclick Mousepos 637, 481 Leftclick Mousepos 687, 481 Leftclick Mousepos 737, 481 Leftclick Mousepos 787, 481 Leftclick Mousepos 837, 481 Leftclick Mousepos 887, 481 Leftclick Mousepos 937, 481 Leftclick Mousepos 987, 481 Leftclick Mousepos 1037, 481 Leftclick Mousepos 212, 493 Leftclick Mousepos 262, 493 Leftclick Mousepos 312, 493 Leftclick Mousepos 362, 493 Leftclick Mousepos 412, 493 Leftclick Mousepos 462, 493 Leftclick Mousepos 512, 493 Leftclick Mousepos 562, 493 Leftclick Mousepos 612, 493 Leftclick Mousepos 662, 493 Leftclick Mousepos 712, 493 Leftclick Mousepos 762, 493 Leftclick Mousepos 812, 493 Leftclick Mousepos 862, 493 Leftclick Mousepos 912, 493 Leftclick Mousepos 962, 493 Leftclick Mousepos 1012, 493 Leftclick Mousepos 1062, 493 Leftclick Mousepos 187, 505 Leftclick Mousepos 237, 505 Leftclick Mousepos 287, 505 Leftclick Mousepos 337, 505 Leftclick Mousepos 387, 505 Leftclick Mousepos 437, 505 Leftclick Mousepos 487, 505 Leftclick Mousepos 537, 505 Leftclick Mousepos 587, 505 Leftclick Mousepos 637, 505 Leftclick Mousepos 687, 505 Leftclick Mousepos 737, 505 Leftclick Mousepos 787, 505 Leftclick Mousepos 837, 505 Leftclick Mousepos 887, 505 Leftclick Mousepos 937, 505 Leftclick Mousepos 987, 505 Leftclick Mousepos 1037, 505 Leftclick Mousepos 1087, 505 Leftclick Mousepos 162, 517 Leftclick Mousepos 212, 517 Leftclick Mousepos 262, 517 Leftclick Mousepos 312, 517 Leftclick Mousepos 362, 517 Leftclick Mousepos 412, 517 Leftclick Mousepos 462, 517 Leftclick Mousepos 512, 517 Leftclick Mousepos 562, 517 Leftclick Mousepos 612, 517 Leftclick Mousepos 662, 517 Leftclick Mousepos 712, 517 Leftclick Mousepos 762, 517 Leftclick Mousepos 812, 517 Leftclick Mousepos 862, 517 Leftclick Mousepos 912, 517 Leftclick Mousepos 962, 517 Leftclick Mousepos 1012, 517 Leftclick Mousepos 1062, 517 Leftclick Mousepos 1112, 517 Leftclick Mousepos 187, 529 Leftclick Mousepos 237, 529 Leftclick Mousepos 287, 529 Leftclick Mousepos 337, 529 Leftclick Mousepos 387, 529 Leftclick Mousepos 437, 529 Leftclick Mousepos 487, 529 Leftclick Mousepos 537, 529 Leftclick Mousepos 587, 529 Leftclick Mousepos 637, 529 Leftclick Mousepos 687, 529 Leftclick Mousepos 737, 529 Leftclick Mousepos 787, 529 Leftclick Mousepos 837, 529 Leftclick Mousepos 887, 529 Leftclick Mousepos 937, 529 Leftclick Mousepos 987, 529 Leftclick Mousepos 1037, 529 Leftclick Mousepos 1087, 529 Leftclick Mousepos 212, 541 Leftclick Mousepos 262, 541 Leftclick Mousepos 312, 541 Leftclick Mousepos 362, 541 Leftclick Mousepos 412, 541 Leftclick Mousepos 462, 541 Leftclick Mousepos 512, 541 Leftclick Mousepos 562, 541 Leftclick Mousepos 612, 541 Leftclick Mousepos 662, 541 Leftclick Mousepos 712, 541 Leftclick Mousepos 762, 541 Leftclick Mousepos 812, 541 Leftclick Mousepos 862, 541 Leftclick Mousepos 912, 541 Leftclick Mousepos 962, 541 Leftclick Mousepos 1012, 541 Leftclick Mousepos 1062, 541 Leftclick Mousepos 237, 553 Leftclick Mousepos 287, 553 Leftclick Mousepos 337, 553 Leftclick Mousepos 387, 553 Leftclick Mousepos 437, 553 Leftclick Mousepos 487, 553 Leftclick Mousepos 537, 553 Leftclick Mousepos 587, 553 Leftclick Mousepos 637, 553 Leftclick Mousepos 687, 553 Leftclick Mousepos 737, 553 Leftclick Mousepos 787, 553 Leftclick Mousepos 837, 553 Leftclick Mousepos 887, 553 Leftclick Mousepos 937, 553 Leftclick Mousepos 987, 553 Leftclick Mousepos 1037, 553 Leftclick Mousepos 262, 565 Leftclick Mousepos 312, 565 Leftclick Mousepos 362, 565 Leftclick Mousepos 412, 565 Leftclick Mousepos 462, 565 Leftclick Mousepos 512, 565 Leftclick Mousepos 562, 565 Leftclick Mousepos 612, 565 Leftclick Mousepos 662, 565 Leftclick Mousepos 712, 565 Leftclick Mousepos 762, 565 Leftclick Mousepos 812, 565 Leftclick Mousepos 862, 565 Leftclick Mousepos 912, 565 Leftclick Mousepos 962, 565 Leftclick Mousepos 1012, 565 Leftclick Mousepos 287, 577 Leftclick Mousepos 337, 577 Leftclick Mousepos 387, 577 Leftclick Mousepos 437, 577 Leftclick Mousepos 487, 577 Leftclick Mousepos 537, 577 Leftclick Mousepos 587, 577 Leftclick Mousepos 637, 577 Leftclick Mousepos 687, 577 Leftclick Mousepos 737, 577 Leftclick Mousepos 787, 577 Leftclick Mousepos 837, 577 Leftclick Mousepos 887, 577 Leftclick Mousepos 937, 577 Leftclick Mousepos 987, 577 Leftclick Mousepos 312, 589 Leftclick Mousepos 362, 589 Leftclick Mousepos 412, 589 Leftclick Mousepos 462, 589 Leftclick Mousepos 512, 589 Leftclick Mousepos 562, 589 Leftclick Mousepos 612, 589 Leftclick Mousepos 662, 589 Leftclick Mousepos 712, 589 Leftclick Mousepos 762, 589 Leftclick Mousepos 812, 589 Leftclick Mousepos 862, 589 Leftclick Mousepos 912, 589 Leftclick Mousepos 962, 589 Leftclick Mousepos 337, 601 Leftclick Mousepos 387, 601 Leftclick Mousepos 437, 601 Leftclick Mousepos 487, 601 Leftclick Mousepos 537, 601 Leftclick Mousepos 587, 601 Leftclick Mousepos 637, 601 Leftclick Mousepos 687, 601 Leftclick Mousepos 737, 601 Leftclick Mousepos 787, 601 Leftclick Mousepos 837, 601 Leftclick Mousepos 887, 601 Leftclick Mousepos 937, 601 Leftclick Mousepos 362, 613 Leftclick Mousepos 412, 613 Leftclick Mousepos 462, 613 Leftclick Mousepos 512, 613 Leftclick Mousepos 562, 613 Leftclick Mousepos 612, 613 Leftclick Mousepos 662, 613 Leftclick Mousepos 712, 613 Leftclick Mousepos 762, 613 Leftclick Mousepos 812, 613 Leftclick Mousepos 862, 613 Leftclick Mousepos 912, 613 Leftclick Mousepos 387, 625 Leftclick Mousepos 437, 625 Leftclick Mousepos 487, 625 Leftclick Mousepos 537, 625 Leftclick Mousepos 587, 625 Leftclick Mousepos 637, 625 Leftclick Mousepos 687, 625 Leftclick Mousepos 737, 625 Leftclick Mousepos 787, 625 Leftclick Mousepos 837, 625 Leftclick Mousepos 887, 625 Leftclick Mousepos 412, 637 Leftclick Mousepos 462, 637 Leftclick Mousepos 512, 637 Leftclick Mousepos 562, 637 Leftclick Mousepos 612, 637 Leftclick Mousepos 662, 637 Leftclick Mousepos 712, 637 Leftclick Mousepos 762, 637 Leftclick Mousepos 812, 637 Leftclick Mousepos 862, 637 Leftclick Mousepos 437, 649 Leftclick Mousepos 487, 649 Leftclick Mousepos 537, 649 Leftclick Mousepos 587, 649 Leftclick Mousepos 637, 649 Leftclick Mousepos 687, 649 Leftclick Mousepos 737, 649 Leftclick Mousepos 787, 649 Leftclick Mousepos 837, 649 Leftclick Mousepos 462, 661 Leftclick Mousepos 512, 661 Leftclick Mousepos 562, 661 Leftclick Mousepos 612, 661 Leftclick Mousepos 662, 661 Leftclick Mousepos 712, 661 Leftclick Mousepos 762, 661 Leftclick Mousepos 812, 661 Leftclick Mousepos 487, 673 Leftclick Mousepos 537, 673 Leftclick Mousepos 587, 673 Leftclick Mousepos 637, 673 Leftclick Mousepos 687, 673 Leftclick Mousepos 737, 673 Leftclick Mousepos 787, 673 Leftclick Mousepos 512, 685 Leftclick Mousepos 562, 685 Leftclick Mousepos 612, 685 Leftclick Mousepos 662, 685 Leftclick Mousepos 712, 685 Leftclick Mousepos 762, 685 Leftclick Mousepos 537, 697 Leftclick Mousepos 587, 697 Leftclick Mousepos 637, 697 Leftclick Mousepos 687, 697 Leftclick Mousepos 737, 697 Leftclick Mousepos 562, 709 Leftclick Mousepos 612, 709 Leftclick Mousepos 662, 709 Leftclick Mousepos 712, 709 Leftclick Mousepos 587, 721 Leftclick Mousepos 637, 721 Leftclick Mousepos 687, 721 Leftclick Mousepos 612, 733 Leftclick Mousepos 662, 733 Leftclick Mousepos 637, 745 Leftclick }}}

d.a.r.y.l Damnation Alley Dark Star (1974) Das Boot Day of the dead 2008 Dead & Buried Dead Calm Dead Man's Shoes Disgrace Enemy of the State (1998) eraserhead Dead Snow (2009) Deadgirl deadland Death Race deep impact deepwater flatland Def-Con 4 Delicatessen demons (demoni) Domino One Down in the Valley Drag me to Hell Eating Raoul (1982) English Surgeon, The (2007) El Topo escape from new york fast and furious For Love or Money Forbidden Kingdom forbidden planet Fortress (1993) free zone Futurama: The beast with a billion backs Day After, The eye, The Forbidden Kingdom, The

180 degrees south 2019 - after the fall of new york 3:10 to yuma 9 Adventures of Power alexander Ali (2001) Altered States american gangster Amelie Andromeda Strain (original) Botched sunshine cleaning art of war streets of blood haunting in connecticut the soloist chaos experiment whatever works orphan the maiden heist pandemic drag me to hell brainstorm Animal Factory (2000) Another Day in Paradise Ant Bully Bridge of Dragons autumn Bright Star bad boys 2 be kind rewind bee-movie Bella blood diamond blue velvet body of lies Brubaker (1998) bug Burnt by the sun C'�tait un rendez-vou (It Was a Date). Casablanca Chernobyl: Life in the Dead Zone Cherry 2000 Children Of A Lesser God chrysalis Conspiracy Theory Cove, The circuitry man city of ember city of god Battleship Potemkin, The Bounty, The Clockwork Orange closer Control (2004) Covered Tracks (documentary) Crucible, The Cybercity Absolute Power (1997) Blood Work (2002) Changeling (2008)

2019 - after the fall of new york 3:10 to yuma Adventures of Power alexander Ali (2001) Altered States american gangster Andromeda Strain (original) Botched brainstorm Animal Factory (2000) Another Day in Paradise Ant Bully august rush Bridge of Dragons autumn Bad Boys (1983) Bright Star bad boys 2 be kind rewind bee-movie Bella blood diamond blue velvet body of lies Brubaker (1998) bug Burnt by the sun C'�tait un rendez-vou (It Was a Date). Casablanca Chernobyl: Life in the Dead Zone (life/dead zone) Cherry 2000 Children Of A Lesser God chrysalis circuitry man city of ember Battleship Potemkin, The Bounty, The Clockwork Orange closer Control (2004) Covered Tracks (documentary) Crucible, The Cybercity

@@color(darkviolet)://verb,noun//@@ A [[Fail]] so [[Epic|EpicFail]] that a [[Win]] arises from it's burnt ashes surpassing the greatness of the initial Fail. //see also// EpicWin, [[Fail]], EpicFail

Mr. Bartlets - Boston

http://www.overstock.com/Jewelry-Watches/Stainless-Steel-Black-plated-Square-Design-Ring/4123523/product.html http://www.overstock.com/Jewelry-Watches/Black-Stainless-Steel-Etched-Stripe-Ring/3662833/product.html http://www.overstock.com/Jewelry-Watches/Black-Stainless-Steel-Ring-with-Grooved-Lines/3281106/product.html

http://note-news.blogspot.com/2009/12/how-to-make-keep-windows-7-safe-and.html http://lifehacker.com/5401453/stop-paying-for-windows-security-microsofts-security-tools-are-good-enough http://www.eweek.com/c/a/Security/10-Windows-7-Security-Features-You-Should-Know-About-694976/

Position the turkey on a wooden cutting board, cavity side facing you. Use a sharp 8- to 12-in. chef�s knife and make a cut at each thigh; they�ll open up naturally, and you can take them off. Split the leg and the thigh at the joint and put them on a platter. Next, use the tip of your knife to follow the bones on the left wing side, starting on top and working down. �Go slow and stay on the bone; don�t go into the meat,� Symon says. �The breast comes right off.� Repeat on the right side, then lay the breasts on the cutting board and slice them. (Some carvers go for thin, elegant pieces; Symon prefers thick, hearty slabs.) Arrange the slices artfully on the platter�toss on some parsley sprigs as a garnish�and serve.

At the first sign of violent shivering, loss of coordination or confusion, take extreme measures to warm the victim. If indoors, remove any wet clothing and wrap him in an electric blanket or a standard blanket with hot-water bottles. If the victim can walk, get him into a bath with water heated to at least 100 F. Outdoors, strip off wet clothing, start a fire and get the victim into a sleeping bag, preferably with one or two warm people in a �human sandwich.� Give hot, sweet drinks like cocoa, but no caffeine or alcohol.

The two rules: Move fast and use only cold water. If the blood is still wet, blot first with a paper towel. (Don�t rub; that only makes it worse.) Rinse with mild detergent. If some stain remains, spray on Windex (ammonia) and soak again. Last resort: hydrogen peroxide before a final cold soak. Then wash normally in cold water; don�t heat-dry until the stain is gone.

�The most important thing is to make sure the blade is sharp,� says Gwen Petersen, author of How to Shovel Manure and Other Life Lessons for the Country Woman. Size the blade to the density of what you�re shoveling�big for snow, small for dirt. Keep knees bent and posture upright. To reduce spinal stress, dump the load behind you instead of throwing it forward.

Easy to do. Hard to do well. Spread a strip of compound about the width of your 5-in. drywall knife along the entire joint, then press the tape into the compound. Use your knife to embed the tape; allow the excess compound to build up on the front of the blade, covering the tape in a thin layer. Repeat with a 4-in. knife to remove even more excess compound. Let the joint dry; sand lightly and repeat with an 8- or 10-in. blade. (The wider the band of compound, the smoother the joint.) Dip your knife in water occasionally to keep it clean and lubricated.

Clausthaler st pauli girl haake beck gerstel kaliber

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!The Top Items Forgotten by Convention Attendees Checklist //(from the forums)// # Personal Towel # ID # Toiletries # hand sanatizer # wet wipes # Sharpie (for celebs to sign stuff) # One shirt for each day of the convention, plus an extra. (3 days = 4 shirts) # Pants (Same number as shirts.) # Underwear (3 sets, plus an extra.) # Socks (One pair per day plus an extra pair.) # Swimsuit (You never know.) # Jacket or warm sweater # Shoes (If you plan on spending a lot of time dancing or on your feet, make sure you have comfortable shoes with you. Your feet will hurt if you don't have comfy shoes to at least change into.) # Survival kit (includes medical supplies) # Photo ID / Driver's License / Checkbook / Car keys # Camera # laptop # phone # Phone/camera/laptop/etc ''chargers'' # An extra pillow and blanket # Some non-perishable food from a supermarket (Like peanut butter and jelly sandwiches, chips, pretzels and bottled water or juice. While there are a lot of restaurants close by, this is an easy way to save money. # Money !To add to survival kit/messenger bag: * Small tube of super glue * 3 safety pins: 1 small and 2 medium * 3 Hair pins * 6 chewable Vitamin C tablets (at least 500 mg each) * 1 pack Tums/Rolaids * 1 travel pack of tissues * Tube of chapstick or other lip balm * 6 cough drops or throat lozenges * Breath freshener * 6 moist towelettes (for cleaning hands) * 1 small pack of post-it-notes (the square ones work fine) * Clear nail polish * Small amount of masking tape wrapped around a short pencil * 6 rubber bands * Small penknife * Small tube of neosporin * 3 garbage bag twist ties * Styptic pencil or qwik stop * Hand lotion (travel size) * Aloe vera gel (travel size) * 3 nail polish remover pad

!Remember... !!!When: March 26th, 27th and 28th !!!EXHIBIT HALL HOURS Friday, March 26th, 2010 - 2pm to 7pm Saturday, March 27th, 2010 - 10am to 6pm Sunday, March 28th, 2010 - 10am to 6pm !!!EVENT HOURS Friday, March 26th, 2010 - 2pm to 2am Saturday, March 27th, 2010 - 10am to 2am Sunday, March 28th, 2010 - 10am to 6pm Where: Hynes Convention Center, 900 Boylston Street, Boston, MA 02115 Tom will pick Jeremy up at 7am. MBTA Parking: There are parking lots at the end of subway lines that charge low rates of $2-5 per day. One example is the parking lot at Riverside Station in Newton, Massachusetts. It is signposted off of Interstate 95 just south of where that interstate crosses Interstate 90. From Riverside, the Green Line trolley �D� runs into Boston stopping at Hynes Convention Center Station, a block away from the center. !To Do: Pack clothes, toiletries, gear/gadgets (PAXEastToPack) Pack PAX Pass! Pack PAX barcode (printed) ticket! !!To Do at PAX East: # Expo Hall - Booths and game demos # Industry Panels # Freeplay areas # PA & Co. Panels and Concerts # http://kotaku.com/5501403/to-do-in-boston-kotaku-friday-party-kotaku-saturday-panel #http://www.reddit.com/r/gaming/comments/bi1pc/reddit_pax/ !!Once at PAX East, make sure to... *Concert Bracelets are distributed by Enforcers, get one. *Get buttons from intel booth for the prize patrol *stop by other vendors' booths http://www.paxsite.com/paxeast/schedule.php !Info http://www.road2pax.com/some-tips-for-pax-east-163/ - Tips on PAX East http://twitter.com/official_pax - Follow this for important updates http://forums.penny-arcade.com/showthread.php?t=100111 - FAQ http://www.paxsite.com/paxeast/index.php - Main website http://www.paxsite.com/paxeast/schedule.php - Schedule http://www.xenoveritas.org/2010/02/pax_east.ics - Schedule that can import into google calendar http://forums.penny-arcade.com/showthread.php?t=89104 - IRC thread http://twitter.com/rulesaremyenemy/pax-twitter-list - Twitter list http://forums.penny-arcade.com/showthread.php?t=83449&page=29 - Twitter thread http://maps.google.com/maps/ms?ie=UTF8&hl=en&msa=0&t=h&msid=108092846653347948794.000480c49bed11ab5098e&ll=42.347571,-71.081972&spn=0.01145,0.025406&z=15 http://www.reddit.com/r/gaming/comments/b81b6/going_to_pax_east_heres_a_quick_guide_to_boston/ !Misc PA Shit http://www.penny-arcade.com/patv/pa-the-series http://www.penny-arcade.com/patv/ http://www.penny-arcade.com/2010/3/15/

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!!Amme Might Like American Gangster Adventures of Power Ant Bully Blood Diamond Be Lind Rewind Bee Movie Bella Body of Lies bright star in brudges Changeling (2008) !!Tom's 180 degrees south 2019 - after the fall of new york 3:10 to yuma Absolute Power (1997) Adventures of Power alexander Ali (2001) Altered States Amelie american gangster Andromeda Strain (original) Animal Factory (2000) Another Day in Paradise Ant Bully art of war autumn Battleship Potemkin, The be kind rewind bee-movie Bella blood diamond Blood Work (2002) blue velvet body of lies Botched Bounty, The brainstorm Bright Star Brubaker (1998) bug Burnt by the sun Casablanca C'�tait un rendez-vou (It Was a Date). Changeling (2008) Cherry 2000 Children Of A Lesser God chrysalis circuitry man city of ember city of god Clockwork Orange closer Conspiracy Theory Control (2004) Cove, The Covered Tracks (documentary) Cybercity cypher d.a.r.y.l Damnation Alley Dark Star (1974) Das Boot Day After, The Day of the dead 2008 Dead & Buried Dead Calm Dead Man's Shoes Dead Snow (2009) Deadgirl deadland Death Race deep impact deepwater Def-Con 4 Delicatessen demons (demoni) Disgrace Domino One Down in the Valley drag me to hell Drag me to Hell Eating Raoul (1982) El Topo Enemy of the State (1998) English Surgeon, The (2007) eraserhead escape from new york eye, The fast and furious flatland For Love or Money Forbidden Kingdom Forbidden Kingdom, The forbidden planet Fortress (1993) free zone Futurama: The beast with a billion backs Gake no ue no Ponyo get smart Gilgamesh Girl Who Leapt Through Time, The Gone Baby Gone Goya's Ghosts habit (1997) Halloween hannibal rising haunting in connecticut he was a quiet man heat helvetica HENRY: PORTRAIT OF A SERIAL KILLER (1990) hitman Holy Mountain how to rob a bank Howl's Moving Castle Human Traffic I know who killed me I'll See You in My Dreams (2003) In the Line of Fire (1993) in the loop In the Valley of Elah Indiana Jones and the Kingdom of the Crystal Skull interview Invictus (2009) ivory line Joshua just surrender Katyń ken park Lake of Fire (2006) last man, The Last Night (1998) Last Warrior, The last winter Last Woman on Earth (2006), The Lawrence of Arabia Leatherheads Leaving Las Vegas les miserables Les Triplettes de Belleville Letters from Iwo Jima (2006) Limey, The lions for lambs lost boys lost boys: the tribe M.D. Geist Macbeth (2006) Mad Max Beyond Thunderdome man who fell to earth, The Manhattan MASTERS OF HORROR Measure for Measure (2006) Merchant of Venice(2004), The Metroland midnight cowboy Midnight Express Midnight in the Garden of Good and Evil (1997) Millennium Millennium Actress Million Dollar Baby (2004) MirrorMask (2005) {Neil Gaiman!} moonbase (1998) Mulholland Drive My Perestroika (2010) Nest/Nid de gu�pes, The Network Nikita nines, The Ninth Configuration, The Omen (1976), The open season orbit orphan Orphan outland Outpost (2008) Outsourced (2006) oxford murders, The pandemic Papillon Perfect Blue plymouth Pontypool Porco Rosso Portrait of a Lady, The Precious: Based on the Novel Push by Sapphire (in theaters 11/6) Princess Mononoke rambo reaping, The Rebecca Red Cliff rendition Rescue Dawn Restrepo Return of the Living Dead: Necropolis (2005) Reykjav�k right stuff, The Rise rise of the footsoldier road, The Road, the Ruins, The Rules Of Game, The Run Fatboy Run rush hour 3 Sam gang yi screamers Secret Agent (1996), The See No Evil Shock Waves (1977) shoot em up showboat silent running Slacker - http://www.hulu.com/watch/38316/slacker Slumdog millionaire Snake Eyes soloist, the Solyaris Son of Rambow space camp spider Spiderwick Chronicles, The stalag 17 (1953) stardust Sting, The stop-loss Strange Circus strange days Street Fight (2005) Street Kings streets of blood Streets of Blood sunshine cleaning Sunshine Cleaning Superman Returns superman the begining TEXAS CHAINSAW MASSACRE (1974), The the maiden heist the soloist Thin Blue Line, The thirteenth floor, The this is england, The Time Bandits, The To Kill a Mockingbird, The Tokyo Godfathers, The Training day, The True Crime (1999) Twin Peaks, The Unforgiven, The Until End of World (Bis ans Ende der Welt (1991)), The Valkyrie Wansapanataym Warlords (Tau ming chong), The wasteland We Live in Public we own the night Whalerider whatever works Whatever works Whisper of the Heart World Cinema Zombie Strippers

When I was a child I lived in a rented two-floor house. Both my parents worked so I was often alone when I came home from school. One early evening when I came home the house was still dark. I called out, �Mum?� and heard a voice say �Yeeeeees?� from upstairs. I called my mum again, and again got the same �Yeeeeees?� reply. I felt she was calling back at me and climbed up the stairs. When I reached the first floor I called her once more and the voice �Yeeeeees?� came from the furthest room. I felt both uneasy, but a strong urge to see my mother, and started to walk towards the room. But just that moment I heard the front door downstairs open and my mother come in, carrying a lot of shopping bags. �Sweetie, are you home?� my mother called in a cheery voice. Hearing her voice made me feel instantly better and I turned back to go downstairs at once�but not before I had a quick glance towards the room. While I watched from the top of the stairs, the door to the room slowly opened a crack. For a brief moment, I saw something strange in there. A pale face, staring at me.

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A man went to a hotel and walked up to the front desk to check in. The woman at the desk gave him his key and told him that on the way to his room, there was a door with no number that was locked and no one was allowed in there. She explained that it was a storeroom, and that it was out of bounds. She reminded him of this several times before allowing him upstairs. So he followed the instructions of the woman at the front desk, going straight to his room, and going to bed. However the insistence of the woman had piqued his curiosity, so the next night he walked down the hall to the door and tried the handle. Sure enough it was locked. He bent down and looked through the wide keyhole. Cold air passed through it, chilling his eye. What he saw was a hotel bedroom, like his, and in the corner was a woman whose skin was incredibly pale. She was leaning her head against the wall, facing away from the door. He stared in confusion for a while, was this a celebrity? The owners daughter? He almost knocked on the door, out of curiosity, but decided not to. As he was still looking, the woman turned sharply and he jumped back from the door, hoping she would not suspect he had been spying on her. He crept away from the door and walked back to his room. The next day, he returned to the door and looked through the wide keyhole. This time, all he saw was redness. He couldn�t make anything out besides a distinct red color, unmoving. Perhaps the inhabitants of the room knew he was spying the night before, and had blocked the keyhole with something red. He felt embarrassed that he had made the woman so uncomfortable, and hoped she had not made a complaint with the woman on the front desk. At this point he decided to consult her for more information. After some gentle quizzing and the promise that the explanation would go no further than him she finally said "Well, I might as well tell you the story of what happened in that room. A long time ago, a man murdered his wife in there, we find that even now, people get uncomfortable staying there. But these people were not ordinary. They were white all over, except for their eyes, which were red."

When I was a child my family moved to a big old two-floor house, with big empty rooms and creaking floorboards. Both my parents worked so I was often alone when I came home from school. One early evening when I came home the house was still dark. I called out, "Mum?" and heard her sing song voice say "Yeeeeees?" from upstairs. I called her again as I climbed the stairs to see which room she was in, and again got the same "Yeeeeees?" reply. We were decorating at the time, and I didn't know my way around the maze of rooms but she was in one of the far ones, right down the hall. I felt uneasy, but I figured that was only natural so I rushed forward to see my mum, knowing that her presence would calm my fears, as a mother's presence always does. Just as I reached for the handle of the door to let myself in to the room I heard the front door downstairs open and my mother call "Sweetie, are you home?" in a cheery voice. I jumped back, startled and ran down the stairs to her, but as I glanced back from the top of the stairs, the door to the room slowly opened a crack. For a brief moment, I saw something strange in there, and I don't know what it was, but it was staring at me.

A few years ago, a mother and father decided they needed a break, so they wanted to head out for a night on the town. They called their most trusted babysitter. When the babysitter arrived, the two children were already fast asleep in bed. So the babysitter just got to sit around and make sure everything was okay with the children. Later that night, the babysitter got bored and went to watch TV, but she couldn't watch it downstairs because they did not have cable downstairs (the parents didn't want children watching too much garbage). So, she called them and asked them if she could watch cable in the parent's room. Of course, the parents said it was OK, but the babysitter had one final request� she asked if she could cover up the angel statue outside the bedroom window with a blanket or cloth, at the very least close the blinds, because it made her nervous. The phone line was silent for a moment, and the father who was talking to the babysitter at the time said, "..Take the children and get out of the house�we will call the police. We do not have an angel statue." The police found all three of the house occupants dead within ten minutes of the call. No statue was found.

A few months ago a friend of mine, who is an up-and-coming nature photographer, decided to spend a day and night alone in the woods outside of our town. She wanted to get photos of the woods and wildlife as naturally as she could for her portfolio. She wasn�t afraid of being alone, as she had camped by herself many times before. She set up a tent in the middle of a small clearing and spent the day taking pictures. She filled up four rolls of film on that trip, but when she went and got them developed she saw four pictures that unsettled her, these four pictures were taken from inside the tent, of her, asleep in the middle of the night.

There was a hunter in the woods, who, after a long day hunting, was in the middle of an immense forest. It was getting dark, and having lost his bearings, he decided to head in one direction until he was clear of the increasingly oppressive foliage. After what seemed like hours, he came across a cabin in a small clearing. Realizing how dark it had grown, he decided to see if he could stay there for the night. He approached, and found the door ajar. Nobody was inside. The hunter flopped down on the single bed, deciding to explain himself to the owner in the morning. As he looked around the inside of the cabin, he was surprised to see the walls adorned by several portraits, all painted in incredible detail. Without exception, they appeared to be staring down at him, their features twisted into looks of hatred and malice. Staring back, he grew increasingly uncomfortable. Making a concerted effort to ignore the many hateful faces, he turned to face the wall, and exhausted, he fell into a restless sleep. The next morning, the hunter awoke - he turned, blinking in unexpected sunlight. Looking up, he discovered that the cabin had no portraits, only windows.

"Daddy, I had a bad dream." You blink your eyes and pull up on your elbows. Your clock glows red in the darkness � it's 3:23. "Do you want to climb into bed and tell me about it?" "No, Daddy." The oddness of the situation wakes you up more fully. You can barely make out your daughter's pale form in the darkness of your room. "Why not, sweetie?" "Because in my dream, when I told you about the dream, the thing wearing Mommy's skin sat up." For a moment, you feel paralyzed; you can't take your eyes off of your daughter. The covers behind you begin to shift.

You are home alone, and you hear on the news about the profile of a murderer who is on the loose. You look out the sliding glass doors to your backyard, and you notice a man standing out in the snow. He fits the profile of the murderer exactly, and he is smiling at you. You gulp, picking up the phone to your right and dialing 911. You look back out the glass as you press the phone to your ear, and notice he is much closer to you now. You then drop the phone in shock. There are no footprints in the snow. It's his reflection.

The phone rings. I run to get it, thinking it may be my dad, coming to rescue me from Myrlie's house and tell me everything about Elizabeth and then everything would be alright. Mom would stop crying, Elizabeth would just be some girl Mom knew during childhood, and everything would be alright. I finally reach the phone. "Oh, Elizabeth!" the person on the other end cries. It's not my dad. It's mom. "Mom? This is Bethany. Not Elizabeth." "Oh, Elizabeth, you silly girl! Is this one of your made up aliases? Listen, Elizabeth, I've called to say good-bye." "Mom? This isn't Elizabeth. This is Bethany. What are you talking about?" "Elizabeth! I know you're a little doped up on the medicine the hospital's been giving you. Ever since the crash I've been knowing exactly what would happen." "Mom, you're scaring me, please," I beg. But mom will not listen. "I wanted to say good-bye, to tell you that I loved you, even though you're not the same, and that you will be with us again soon after you...pass away." "Mom? Is that you? Mom, please! Tell me what you're talking about!" I cry "We've saved some of your cells, and we'll make an exact copy of you. There are only a few left so the next one will have to be the last. It'll be like it never even happened, Lizzy!" Joy is amidst in her voice. There was a long silence on the phone. "What do you mean?" I whisper. "Oh, Elizabeth, you'll be alive once more, you'll look exactly the same. So will Mommy and Daddy. Your thirteenth birthday has come, and you will die tonight, just like all the others. I love you so much, sweetie. Myrlie will give you your poison, then the next one will can be started." Then she hangs up, leaving me with the haunting monotone "boooop" noise. My heart is racing. I hear Myrlie's footsteps. I skirt out of the kitchen and run out front. That's when I notice that the doormat is gone. Written in chalk in all capital letters is: "BETHANY: Place of figs; a town of resurrection." Then, "DIGISPUR CLONING." The next feeling I feel is a piercing ache, silver bullet in the brain. ..... "Oh, she's beautiful, what will you name her?" the nurse says. "I don't know. I have a good feeling about this one, perhaps Elizabeth."

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My 4 year old daughter was supposedly asleep when I heard noised coming from her upstairs bedroom. I tried to listen but could not make out what was being said. I approached the room, and she stopped talking. Thinking I alarmed her I went into the room. At the time she was sharing it with her 3 year old sister. I walked in and saw the 4 year old sitting up in bed. I smiled and said is everything o.k.? She said fine, but her sister said they were keeping her up. I asked who? My 4 year old said sorry but that she was talking. When I asked her who she was talking to, my 3 year old sat up and said "the girl in the window, she said you were coming." After I shit a brick, I asked who the girl was and they both said a girl comes and stands in front of the window at night and talks to them. Not knowing what to say, I said o.k. tucked them in and hung around outside their door. The next day I asked about the girl. they said she came back but was mad! I waited a few days and asked again. My 4 year old said the girl in the window was still mad. I forgot about it for about a week, when my wife said, who are the girls talking to upstairs. Freaked out I ran upstairs and both girls were sitting under the window looking up. They turned and looked at me and asked if I wanted to meet the girl. When they turned around, disappointed, they said the girl left. It has been about 5 years since and I have not heard about the girl in the window since then. >by: avalonhill on reddit

The following is an archived forum conversation from four or five years ago. Good luck. Candle Cove ~NetNostalgia Forum - Television (local) Skyshale033 Subject: Candle Cove local kid's show? Does anyone remember this kid's show? It was called Candle Cove and I must have been 6 or 7, I never found reference to it anywhere so I think it was on a local station around 1971 or 1972. I lived in Ironton at the time. I don't remember which station, but I do remember it was on at a weird time, like 4:00 PM. mike_painter65 Subject: Re: Candle Cove local kid's show? it seems really familiar to me.....i grew up outside of ashland and was 9 yrs old in 72. candle cov...wasit about pirates? i remember a pirate marionete at the mouth of a cave talking to a little girl Skyshale033 Subject: Re: Candle Cove local kid's show? YES! Okay I'm not crazy! I remember Pirate Percy. I was always kind of scared of him. He looked like he was built from parts of other dolls, real low-budget. His head was an old porcelain baby doll, looked like an antique that didn't belong on the body. I don't remember what station this was! I don't think it was WTSF though. Jaren_2005 Subject: Re: Candle Cove local kid's show? Sorry to ressurect this old thread but I know exactly what show you mean, Skyshale. I think Candle Cove ran for only a couple months in '71, not '72. I was 12 and I watched it a few times with my brother. It was channel 58, whatever station that was. My mom would let me switch to it after the news- Let me see what I remember. It took place in Candle cove, and it was about a little girl who imagined herself to be friends with pirates. The pirate ship was called the Laughingstock, and Pirate Percy wasn't a very good pirate because he got scared too easily. And there was calliope music constantly playing. Don't remember the girl's name. Janice or Jade or something. Think it was Janice. Skyshale033 Subject: Re: Candle Cove local kid's show? Thank you Jaren!!! Memories flooded back when you mentioned the Laughingstock and channel 58. I remember the bow of the ship was a wooden smiling face, with the lower jaw submerged. It looked like it was swallowing the sea and it had that awful Ed Wynn voice and laugh. I especially remember how jarring it was when they switched from the wooden/plastic model, to the foam puppet version of the head that talked. mike_painter65 Subject: Re: Candle Cove local kid's show? ha ha i remember now too. :) do you remember this part skyshale: "you have...to go...INSIDE" Skyshale033 Subject: Re: Candle Cove local kid's show? Ugh mike, I got a chill reading that. Yes I remember. That's what the ship always told Percy when there was a spooky place he had to go in, like a cave or a dark room where the treasure was. And the camera would push in on Laughingstock's face with each pause. YOU HAVE... TO GO... INSIDE. With his two eyes askew and that flopping foam jaw and the fishing line that opened and closed it. Ugh. It just looked so cheap and awful. You guys remember the villain? He had a face that was just a handlebar mustache above really tall, narrow teeth. kevin_hart Subject: Re: Candle Cove local kid's show? i honestly, honestly thought the villain was pirate percy- i was about 5 when this show was on. nightmare fuel. Jaren_2005 Subject: Re: Candle Cove local kid's show? That wasn't the villain, the puppet with the mustache. That was the villain's sidekick, Horace Horrible. He had a monocle too, but it was on top of the mustache. I used to think that meant he had only one eye. But yeah, the villain was another marionette. The Skin-Taker. I can't believe what they let us watch back then. kevin_hart Subject: Re: Candle Cove local kid's show? jesus h. christ, the skin taker. what kind of a kids show were we watching? i seriously could not look at the screen when the skin taker showed up. he just descended out of nowhere on his strings, just a dirty skeleton wearing that brown top hat and cape. and his glass eyes that were too big for his skull. christ almighty. Skyshale033 Subject: Re: Candle Cove local kid's show? Wasn't his top hat and cloak all sewn up crazily? Was that supposed to be children's skin?? mike_painter65 Subject: Re: Candle Cove local kid's show? yeah i think so. rememer his mouth didn't open and close, his jaw just slid back and foth. i remember the little girl said "why does your mouth move like that" and the skin-taker didn't look at the girl but at the camera and said "TO GRIND YOUR SKIN" Skyshale033 Subject: Re: Candle Cove local kid's show? I'm so relieved that other people remember this terrible show! I used to have this awful memory, a bad dream I had where the opening jingle ended, the show faded in from black, and all the characters were there, but the camera was just cutting to each of their faces, and they were just screaming, and the puppets and marionettes were flailing spastically, and just all screaming, screaming- The girl was just moaning and crying like she had been through hours of this- I woke up many times from that nightmare- I used to wet the bed when I had kevin_hart Subject: Re: Candle Cove local kid's show? i don't think that was a dream. i remember that. i remember that was an episode. Skyshale033 Subject: Re: Candle Cove local kid's show? No no no, not possible. There was no plot or anything, I mean literally just standing in place crying and screaming for the whole show. kevin_hart Subject: Re: Candle Cove local kid's show? maybe i'm manufacturing the memory because you said that, but i swear to god i remember seeing what you described. they just screamed. Jaren 2005 Subject: Re: Candle Cove local kid's show? Oh God. Yes. The little girl, Janice, I remember seeing her shake. And the Skin-Taker screaming through his gnashing teeth, his jaw careening so wildly I thought it would come off its wire hinges. I turned it off and it was the last time I watched. I ran to tell my brother and we didn't have the courage to turn it back on. mike_painter65 Subject: Re: Candle Cove local kid's show? i visited my mom today at the nursing home. i asked her about when i was littel in the early 70s, when i was 8 or 9 and if she remebered a kid's show, candle cove. she said she was suprised i could remember that and i asked why, and she said "because i used to think it was so strange that you said 'i'm gona go watch candle cove now mom' and then you would tune the tv to static and juts watch dead air for 30 minutes. you had a big imagination with your little pirate show."

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